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Author: Madame Gaveaux Sabatier
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Madame Gaveaux Sabatier
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Madame Gaveaux Sabatier
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Madame Gaveaux Sabatier
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Madame Gaveaux Sabatier
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: James E. Frazier
Publisher: University Rochester Press
ISBN: 9781580462273
Category : Biography & Autobiography
Languages : en
Pages : 420
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Book Description
Drawing on the accounts of those who knew Duruflé personally as well as on Frazier's own detailed research, this new biography offers a broad sketch of this modest and elusive man, widely recognized today for having created some of the greatest works in the organ repertory - and the masterful Requiem. Frazier also examines the career and contributions of Duruflé's wife, the formidable organist Marie-Madeleine Duruflé-Chevalier.
Author: C̩sar Franck
Publisher: Alfred Music
ISBN: 9781457479298
Category : Music
Languages : en
Pages : 124
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Book Description
The collection of 59 short works known as "L'Organiste" was written by Cesar Franck in 1889 and 1890 for the harmonium and is most often played on organ. This score is an exact reprint of the original edition published by Enoch (Paris) in 1892.
Author: MORS.
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Author: Horatio Smith
Publisher:
ISBN:
Category : Authors, European
Languages : en
Pages : 926
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Book Description
Covers 1,200 authors from 1870 to the present; general articles on each of the literatures, including Catalan, Icelandic, Flemish, and Turkish; and recent intellectual and cultural trends.
Author: David Tunley
Publisher: Routledge
ISBN: 1351550209
Category : Music
Languages : en
Pages : 245
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Book Description
Music! It is the great pleasure of this city, the great occupation of the drawing-rooms, which have banished politics, and which have renounced literature, from ennui. Jules Janin, An American in Paris, 1843 Afternoon and evening entertainments in the drawing rooms of the aristocracy and upper middle classes were a staple of cultural life in nineteenth-century Paris. Music was often a feature of these occasions and private salons provided important opportunities for musicians, especially singers, to develop their careers. Such recitals included excerpts from favourite operas, but also the more traditional forms of French song, the romance and its successor the m die. Drawing on extensive research into the musical press of the period, David Tunley paints a vivid portrait of the nineteenth-century Parisien salons and the performers who sang in them. Against this colourful backdrop, he discusses the development of French romantic song, with its hallmarks of simplicity and clarity of diction. Combined with Italian influences and the impression made by Schubert's songs, the French romance developed into a form with greater complexity - the m die. Salons, Singers and Songs describes this transformation and the seeds it sowed for music by later composers such as Faur Duparc and Debussy.
Author: David Charlton
Publisher: Routledge
ISBN:
Category : History
Languages : en
Pages : 414
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Book Description
The majority of these collected essays date from 1992 onwards, three of them having been specially expanded for this volume. Drawing on recent archival research and new musicological theory, they investigate distinctive qualities in French opera from early opéra comique to early grand opera. 'Media' is interpreted in terms of both narrative systems and practical theatre resources. One group of essays identifies narrative systems in 'minuet-scenes', in the diegetic romance, and in special uses of musical motives. Another group concerns the theory and æsthetics of opera, in which uses of metaphor help us interpret audience reception. A third group focuses on orchestral and staging practices, brought together in a new theory of the 'melodrama model' linking various genres from the 1780s with the world of the 1820s. French opera's relation with literature and politics is a continuing theme, explored in writings on prison scenes, Ossian, and public-private dramaturgy in grand opera. David Charlton has written widely on French music and opera topics for over 25 years. The selection of his articles presented here focuses on the period 1730-1830 when Paris was a hotbed of influential ideas in music and music theatre, with many of these ideas taken up by foreign composers. This volume assesses the French contribution to the development of Classical and Romantic styles and genres which has hitherto not received the attention it deserves.
