Author: Guy Ropartz
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Languages : en
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Lettre de Guy Ropartz à Florent Schmitt, 22 mai 1951
Author: Guy Ropartz
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Languages : en
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Lettre de Florent Schmitt à Guy Ropartz, Saint Cloud, 19 mai 1941-1951
Author: Florent Schmitt
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Languages : en
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Languages : en
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Lettre de Guy Ropartz à Florent Schmitt, (Rennes), 20 mai 1942
Author: Guy Ropartz
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Languages : en
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Publisher:
ISBN:
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Languages : en
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Lettre de Florent Schmitt à Guy Ropartz, Saint-Cloud, 22 avril
Author: Florent Schmitt
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Languages : en
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Publisher:
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Languages : en
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Lettre de Florent Schmitt à Guy Ropartz, Paris, 15 mars
Author: Florent Schmitt
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Languages : en
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Languages : en
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Lettre de Florent Schmitt à Guy Ropartz, Saint Cloud, 28 octobre 1952
Author: Florent Schmitt
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Languages : en
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Lettre de Guy Ropartz à Florent Schmitt, Lanloup, 11 avril 1944
Author: Guy Ropartz
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Languages : en
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Publisher:
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The Cambridge Companion to French Music
Author: Simon Trezise
Publisher: Cambridge University Press
ISBN: 0521877946
Category : Music
Languages : en
Pages : 441
Book Description
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
Publisher: Cambridge University Press
ISBN: 0521877946
Category : Music
Languages : en
Pages : 441
Book Description
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
Scriabin, a Biography
Author: Faubion Bowers
Publisher: Courier Corporation
ISBN: 9780486288970
Category : Biography & Autobiography
Languages : en
Pages : 680
Book Description
Definitive biography, newly revised and updated, chronicles Russian composer's life and career: astounding musical innovation, concert tours, abandonment of his wife, brushes with homosexuality, madness, more. 49 rare photographs.
Publisher: Courier Corporation
ISBN: 9780486288970
Category : Biography & Autobiography
Languages : en
Pages : 680
Book Description
Definitive biography, newly revised and updated, chronicles Russian composer's life and career: astounding musical innovation, concert tours, abandonment of his wife, brushes with homosexuality, madness, more. 49 rare photographs.
Resonant Recoveries
Author: Jillian C. Rogers
Publisher: Oxford University Press
ISBN: 0190658290
Category : Music
Languages : en
Pages : 401
Book Description
"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--
Publisher: Oxford University Press
ISBN: 0190658290
Category : Music
Languages : en
Pages : 401
Book Description
"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--