Lettre de Gabriel Grovlez à R. Brussel, 6 mars 1934 PDF Download
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Author: Gabriel Grovlez
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Gabriel Grovlez
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Gabriel Grovlez
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Gabriel Grovlez
Publisher:
ISBN:
Category :
Languages : fr
Pages : 6
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Author: Gabriel Grovlez
Publisher:
ISBN:
Category :
Languages : fr
Pages : 8
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Author: Gabriel Grovlez
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Author: Carlton Lake
Publisher: New Directions Publishing
ISBN: 9780811211307
Category : Antiques & Collectibles
Languages : en
Pages : 236
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Book Description
The author recounts his experiences in building collections of rare books and manuscripts of French literature, and reveals little-known facts about French artists, composers, and writers.
Author: Muzio Clementi
Publisher: Alfred Music Publishing
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 42
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Author: Gertrude Stein
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 18
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Book Description
Gertrude Stein's "Composition as Explanation" delves into the intricate relationship between language and artistic expression. Published in 1926, the essay explores Stein's unique approach to writing and challenges conventional perceptions of composition. With a distinctive prose style, she reflects on the nature of creativity, emphasizing the significance of repetition and abstraction. Stein's work serves as both an exploration of her own artistic process and a broader commentary on the essence of language in shaping our understanding of art.
Author: Mark Franko
Publisher: Oxford University Press, USA
ISBN: 0197503322
Category : Biography & Autobiography
Languages : en
Pages : 297
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"This book is an examination of neoclassical ballet initially in the French context before and after World War I (circa 1905-1944) with close attention to dancer and choreographer Serge Lifar. Since the critical discourses I analyze indulge in flights of poetic fancy I distinguish in my discussion of this material between the Lifar-image (the dancer on stage and object of discussion by critics), the Lifar-discourse (the writings on Lifar as well as his own discourse), and the Lifar-person (the historical actor). This topic is further developed in the final chapter into a discussion of the so-called Baroque dance both as a historical object and as a motif of contemporary experimentation as it emerged in the aftermath of World War II (circa 1947-1991) in France. Using Lifar as a through-line, the book explores the development of critical ideas of neoclassicism in relation to his work and his drift toward a fascist position that can be traced to the influence of Nietzsche on his critical reception. Lifar's collaborationism during the Occupation confirms this analysis. My discussion of neoclassicism begins in the final years of the nineteenth-century and carries us through the Occupation; I then track the Baroque in its gradual development from the early 1950s through the end of the 1980s and early 1990s. "--
Author: Jaime Pahissa
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 202
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