Lettre de Camille Chevillard à Paul Dukas, Paris, 8 février 1913 PDF Download
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Author: Camille Chevillard
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Camille Chevillard
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Michael Talbot
Publisher: Liverpool University Press
ISBN: 1781386250
Category : Music
Languages : en
Pages : 336
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Is business, for music, a regrettable necessity or a spur to creativity? Are there limits to the influence that economic factors can or should exert on the musical imagination and its product? In the eleven essays contained in this book the authors wrestle with these questions from the perspective of their chosen area of research. The range is wide: from 1700 to the present day; from the opera house to the community centre; from composers, performers and pedagogues to managers, publishers and lawyers; from piano miniatures to folk music and pop CDs. If there is a consensus, it is that music serves its own interests best when it harnesses business rather than denying it.
Author: Camille Chevillard
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: New York Public Library. Reference Department
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 752
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Author: Julian Rushton
Publisher:
ISBN: 9781107506954
Category :
Languages : en
Pages : 398
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Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 602
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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 898
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Author: André Gide
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 390
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Author: Jane F. Fulcher
Publisher: Oxford University Press
ISBN: 0190291818
Category : Political Science
Languages : en
Pages : 488
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Book Description
In The Composer as Intellectual, musicologist Jane Fulcher reveals the extent to which leading French composers between the World Wars were not only aware of but also engaged intellectually and creatively with the central political and ideological issues of the period. Employing recent sociological and historical insights, she demonstrates the extent to which composers, particularly those in Paris since the Dreyfus Affair, considered themselves and were considered to be intellectuals, and interacted closely with intellectuals in other fields. Their consciousness raised by the First World War and the xenophobic nationalism of official culture, some joined parties or movements, allying themselves with and propagating different sets of cultural and political-social goals. Fulcher shows how these composers furthered their ideals through the specific language and means of their art, rejecting the dominant cultural exclusions or constraints of conservative postwar institutions and creatively translating their cultural values into terms of form and style. This was not only the case with Debussy in wartime, but with Ravel in the twenties, when he became a socialist and unequivocally refused to espouse a narrow, exclusionary nationalism. It was also the case with the group called "Les Six," who responded culturally in the twenties and then politically in the thirties, when most of them supported the programs of the Popular Front. Others could not be enthusiastic about the latter and, largely excluded from official culture, sought out more compatible movements or returned to the Catholic Church. Like many French Catholics, they faced the crisis of Catholicism in the thirties when the church not only supported Franco, but Mussolini's imperialistic aggression in Ethiopia. While Poulenc embraced traditional Catholicism, Messiaen turned to more progressive Catholic movements that embraced modern art and insisted that religion must cross national and racial boundaries. Fulcher demonstrates how closely music had become a field of clashing ideologies in this period. She shows also how certain French composers responded, and how their responses influenced specific aspects of their professional and stylistic development. She thus argues that, from this perspective, we can not only better understand specific aspects of the stylistic evolution of these composers, but also perceive the role that their art played in the ideological battles and in heightening cultural-political awareness of their time.
Author: Kathleen M. McKilligan
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : fr
Pages : 132
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