Author: David C. Sutton
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 544
Book Description
Location Register of English Literary Manuscripts and Letters, Eighteenth and Nineteenth Centuries: A-J
Author: David C. Sutton
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 544
Book Description
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 544
Book Description
The History of "Punch"
Author: Marion Harry Spielmann
Publisher:
ISBN:
Category : Journalism
Languages : en
Pages : 618
Book Description
Publisher:
ISBN:
Category : Journalism
Languages : en
Pages : 618
Book Description
W.S. Gilbert
Author: Sidney Dark
Publisher: London : Methuen
ISBN:
Category : Dramatists, English
Languages : en
Pages : 314
Book Description
Publisher: London : Methuen
ISBN:
Category : Dramatists, English
Languages : en
Pages : 314
Book Description
Official Register of the United States
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 526
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 526
Book Description
Fulham Old and New
Author: Charles James Feret
Publisher:
ISBN:
Category : Fulham (London, England)
Languages : en
Pages : 354
Book Description
Publisher:
ISBN:
Category : Fulham (London, England)
Languages : en
Pages : 354
Book Description
Public Opinion
Author:
Publisher:
ISBN:
Category : World politics
Languages : en
Pages : 850
Book Description
Publisher:
ISBN:
Category : World politics
Languages : en
Pages : 850
Book Description
Ira Aldridge
Author: Bernth Lindfors
Publisher: University Rochester Press
ISBN: 1580463819
Category : Biography & Autobiography
Languages : en
Pages : 406
Book Description
The first widely available biography of this important black Victorian-age actor, Ira Aldridge: The Early Years, 1807-1833 details the early life and career of this New York-born thespian as he began to act on the British stage. Ira Aldridge: The Early Years, 1807-1833 chronicles the rise of one of the modern world's first black classical actors, as he ascended from an impoverished childhood in New York City to a career as a celebrated thespian onthe British stage. After a successful debut in London in 1825, Aldridge began touring the British provinces, billing himself grandiloquently as the "African Roscius," and attracting crowds with his powerful presence and style. He received accolades not only as a tragedian in classic roles such as Othello and Oroonoko but also as a comic actor in popular farces and musicals. In 1833, when a bill to abolish slavery was being debated in Parliament, he was called back to London to perform at one of the city's most prestigious theaters, where his appearance, now under his own name but also billed as "a native of Senegal," created a great deal of controversy. In dealing with Aldridge's emergence as a professional actor in the United Kingdom, Lindfors here records in detail the ups and downs of his itinerant existence in a world where no theatergoer had ever seen anyone like him on stage before. Aldridgewas genuinely a unique phenomenon in Britain at a pivotal point in history. Bernth Lindfors is Professor Emeritus of English and African Literatures, University of Texas at Austin, and editor of Ira Aldridge: The African Roscius (University of Rochester Press, 2007).
Publisher: University Rochester Press
ISBN: 1580463819
Category : Biography & Autobiography
Languages : en
Pages : 406
Book Description
The first widely available biography of this important black Victorian-age actor, Ira Aldridge: The Early Years, 1807-1833 details the early life and career of this New York-born thespian as he began to act on the British stage. Ira Aldridge: The Early Years, 1807-1833 chronicles the rise of one of the modern world's first black classical actors, as he ascended from an impoverished childhood in New York City to a career as a celebrated thespian onthe British stage. After a successful debut in London in 1825, Aldridge began touring the British provinces, billing himself grandiloquently as the "African Roscius," and attracting crowds with his powerful presence and style. He received accolades not only as a tragedian in classic roles such as Othello and Oroonoko but also as a comic actor in popular farces and musicals. In 1833, when a bill to abolish slavery was being debated in Parliament, he was called back to London to perform at one of the city's most prestigious theaters, where his appearance, now under his own name but also billed as "a native of Senegal," created a great deal of controversy. In dealing with Aldridge's emergence as a professional actor in the United Kingdom, Lindfors here records in detail the ups and downs of his itinerant existence in a world where no theatergoer had ever seen anyone like him on stage before. Aldridgewas genuinely a unique phenomenon in Britain at a pivotal point in history. Bernth Lindfors is Professor Emeritus of English and African Literatures, University of Texas at Austin, and editor of Ira Aldridge: The African Roscius (University of Rochester Press, 2007).
Personal Reminiscences of Henry Irving
Author: Bram Stoker
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 528
Book Description
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 528
Book Description
The Actors Studio and Hollywood in the 1950s
Author: Mario Eugenio Beguiristain
Publisher: Fogfree
ISBN:
Category : Performing Arts
Languages : en
Pages : 442
Book Description
Theatrical Realism is an American film movement of the 1950s noted for its high aspirations - to create a significant 'art' cinema. Ironically, the films that comprise this movement are virtually forgotten today. Theatrical Realism is Hollywood's continuation of the Italian Neo-Realist movement. It was a direct result of the confluence of Method Acting as taught by Lee Strasberg at the Actors Studio, the screen adaptations of plays by Tennessee Williams, Arthur Miller and William Inge, and the Golden Age of Television.
Publisher: Fogfree
ISBN:
Category : Performing Arts
Languages : en
Pages : 442
Book Description
Theatrical Realism is an American film movement of the 1950s noted for its high aspirations - to create a significant 'art' cinema. Ironically, the films that comprise this movement are virtually forgotten today. Theatrical Realism is Hollywood's continuation of the Italian Neo-Realist movement. It was a direct result of the confluence of Method Acting as taught by Lee Strasberg at the Actors Studio, the screen adaptations of plays by Tennessee Williams, Arthur Miller and William Inge, and the Golden Age of Television.
Dickens and Popular Entertainment
Author: Paul Schlicke
Publisher: Routledge
ISBN: 1134997264
Category : Language Arts & Disciplines
Languages : en
Pages : 303
Book Description
Dickens and Popular Entertainment is the first extended study of this vital aspect of Dicken's life and work. Ranging widely through showmen's memoirs, playbills, advertisements, journals, drawings and imaginative literature, Paul Schlicke explores the ways in which Dickens channelled his love of entertainment into incomparable artistry. Circus, fair, theatre and street performances provided the novelist with subject matter and with the sources of imaginative stimulus essential to his art. Splendidly illustrated with nineteenth-century engravings, many reprinted here for the first time, this study offers a challenging reassessment of Nicholas Nickleby, The Old Curiosity Shop and Hard Times. It shows the important place entertainment held in Dicken's journalism and presents an illuminating perspective on the public readings which dominated the last twelve years of his life.
Publisher: Routledge
ISBN: 1134997264
Category : Language Arts & Disciplines
Languages : en
Pages : 303
Book Description
Dickens and Popular Entertainment is the first extended study of this vital aspect of Dicken's life and work. Ranging widely through showmen's memoirs, playbills, advertisements, journals, drawings and imaginative literature, Paul Schlicke explores the ways in which Dickens channelled his love of entertainment into incomparable artistry. Circus, fair, theatre and street performances provided the novelist with subject matter and with the sources of imaginative stimulus essential to his art. Splendidly illustrated with nineteenth-century engravings, many reprinted here for the first time, this study offers a challenging reassessment of Nicholas Nickleby, The Old Curiosity Shop and Hard Times. It shows the important place entertainment held in Dicken's journalism and presents an illuminating perspective on the public readings which dominated the last twelve years of his life.