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Author: Stanley Morison
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 148
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Book Description
"To understand the language and development of type is to know its history. Letter Forms is a collection of essays by and about Stanley Morison, adviser to Monotype, and the greatest type historian of our time. An essay by Beatrice Warde is an illuminating introduction to the man referred to as a "typographic firmament." In his own words Morison then relates the history of classifying typographical variations and delves into the literature on the subject of letterforms. Finally, the author uncovers the significance of the discovery of a 16th century manuscript by Horfei in the Vatican Library."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Stanley Morison
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 148
Get Book Here
Book Description
"To understand the language and development of type is to know its history. Letter Forms is a collection of essays by and about Stanley Morison, adviser to Monotype, and the greatest type historian of our time. An essay by Beatrice Warde is an illuminating introduction to the man referred to as a "typographic firmament." In his own words Morison then relates the history of classifying typographical variations and delves into the literature on the subject of letterforms. Finally, the author uncovers the significance of the discovery of a 16th century manuscript by Horfei in the Vatican Library."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Stanley Morison
Publisher: Cambridge University Press
ISBN: 9780521183161
Category :
Languages : en
Pages : 336
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Book Description
Author: Alexander S. Lawson
Publisher: David R. Godine Publisher
ISBN: 9780879233334
Category : Design
Languages : en
Pages : 436
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Book Description
"To the layman, all printing types look the same. But for typographers, graphic artists and others of that lunatic fringe who believe that the letters we look at daily (and take entirely for granted) are of profound importance, the question of how letters are formed, what shape they assume, and how they have evolved remains one of passionate and continuing concern. Lawson explores the vast territory of types, their development and uses, their antecedents and offspring, with precision, insight, and clarity. Written for the layman but containing exhaustive research, drawings and synopses of typefaces, this book is an essential addition to the library of anyone s typographic library. It is, as Lawson states, not written for the printer convinced that there are already too many typefaces, but rather for that curious part of the population that believes the opposite; that the subtleties of refinement as applies to roman and cursive letters have yet to be fully investigated and that the production of the perfect typeface remains a goal to be as much desired by present as by future type designers. Anyone aspiring to typographic wisdom should own and treasure this classic."--Amazon description.
Author: Lisa M. Maruca
Publisher: University of Washington Press
ISBN: 0295801751
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The Work of Print traces a shift in the very definition of literature, from one that encompasses the material conditions of the production and distribution of books to the more familiar emphasis on the solitary author's ownership of an abstract text. Drawing on contemporary accounts of those involved in the trade - printers, booksellers, publishers, and distributors - Lisa Maruca examines attitudes about the creative process and approaches to the commodification of writing. The "work of print" describes the labors through which literature was produced: both the physical labor of making books and the underlying cultural work performed by a set of ideologies about who counted as a maker of texts. Printers' manuals, tracts on typography, legal documents, and booksellers' autobiographies reveal that print workers conceived of their roles as central to the production of literature. Maruca's insightful readings of these documents alongside traditional works of fiction and authors' correspondence show that the claims of print workers and booksellers were part of a struggle for ownership and control as the concept of author as proprietor of his or her intellectual property began to take hold in the mid-1700s, gradually eclipsing print workers' contributions to the process of textual creation. The print trade asserted its authority using a rhetoric of hierarchical and binary sexuality and gender, which affected women working in the industry and limited the type of work they were allowed to perform. In response, women developed strategies to redeploy conventional ideas of gender to gain concessions for themselves as publishers and distributors of printed material, strategies that formed a foundation for the rise of female authorship later in the eighteenth century. Encompassing the histories of literature, labor, technology, publishing, and gender, The Work of Print ultimately offers significant insights into the ideology of authorship and intellectual property and our understanding of textuality and print in the digital age.
Author: G. Thomas Tanselle
Publisher: Cambridge University Press
ISBN: 1139480154
Category : Language Arts & Disciplines
Languages : en
Pages : 177
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Book Description
Studying printed books as physical objects can reveal not only how books were produced, but also how their design and layout features emerged and came to convey meanings. This concise and accessible introduction to analytical bibliography in its historical context explains in clear, non-specialist language how to find and analyze clues about a book's manufacture and how to examine the significance of a book's design. Written by one of the most eminent bibliographical and textual scholars working today, the book is both a practical guide to bibliographical research and a history of bibliography as a developing field of study. For all who use books, this is an ideal starting point for learning how to read the object along with the words.
Author: Stanley Morison
Publisher:
ISBN:
Category :
Languages : en
Pages : 129
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Book Description
Author: Vivian J Cook
Publisher: Routledge
ISBN: 144411901X
Category : Language Arts & Disciplines
Languages : en
Pages : 238
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Book Description
English is increasingly becoming the world's lingua franca. If we are not native speakers of one of the many varieties of English, then we may be students of English, or use English regularly for academic or business purposes. The English Language series, which is international in focus, aims to synthesize the wealth of existing linguistic research both on and in English. Each volume in the series is designed to present these findings in an accessible, enlightening and entertaining way not only to students of English linguistics but to learners and users of English across the globe. The English Writing System describes how writing is not simply ancillary to other aspects of language but vitally important to almost everything we do, from signing our wills to sending a text message. This book discusses the mechanics of the writing systems of English; the different ways people process words on a page and the mistakes they can make; how children and second language learners acquire these systems; the historical development of the language and the progress of writing technology: in short, the effectiveness of the writing systems of English. Combining an academic perspective from linguistics and psychology with insights into everyday spelling mistakes, The English Writing System will interest students and teachers of linguistics, literature, the English language, psychology and education.
Author: Adobe Systems, Inc.
Publisher: Adobe Press
ISBN: 0132701367
Category : Computers
Languages : en
Pages : 939
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Book Description
Choosing the right font can be one of the hardest parts of your job as a digital designer—there are literally thousands to choose from. One of the largest and most respected collections of high-quality fonts is the Adobe Type Library, now available entirely in the cross-platform OpenType® format, which promises to make font incompatibilities a thing of the past. Any designer who has struggled to find just the right typeface for a project will find this comprehensive reference an indispensable guide to Adobe’s vast selection of over 2,200 typefaces. Organized both alphabetically and by style, the newly revised and updated Adobe Type Library Reference Book, Third Edition provides: Specimen pages displaying every font in Adobe’s enormous collection, including 60 new typefaces Typefaces from internationally renowned foundries and award-winning type designers Design inspiration and expert advice on type selection An expanded section on the OpenType format to help you make the most of its expanded character set and layout capabilities Explanations and illustrations of the distinguishing characteristics of different type styles—from a graceful Garalde Oldstyle to Adobe’s new Opticals—as well as ornaments and symbols A chart showing the Adobe Western 2 character set, including the right keyboard combinations to access different characters Listings for 31 Japanese fonts from Adobe
Author: Joseph Rosenblum
Publisher: Scarecrow Press
ISBN: 9780810830097
Category : History
Languages : en
Pages : 446
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Book Description
"...skillfully compiled...should be useful to anyone interested in placing his or her studies in the context of printed and bound literature..." --ENGLISH LITERATURE IN TRANSITION 1880-1920
Author: Michael Harkins
Publisher: Routledge
ISBN: 1000059928
Category : Design
Languages : en
Pages : 165
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Book Description
This book addresses the paucity of published research specifically dealing with knowledge of text typeface design processes. Dr Michael Harkins uses a Grounded Theory Methodology to render a tripartite theory resulting in explanation and description of the processes of text typeface design based upon the evidence of subject specific expert knowledge from world-leading practitioners, including Matthew Carter, Robin Nicholas, Erik Spiekermann, and Gerard Unger. The book will be of interest to scholars working in design research, design epistemology, design process, typography, type design, information design and graphic design.
