Letitia Elizabeth Landon - Selected Writings PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Letitia Elizabeth Landon - Selected Writings PDF full book. Access full book title Letitia Elizabeth Landon - Selected Writings by Letitia Elizabeth Landon. Download full books in PDF and EPUB format.
Author: Letitia Elizabeth Landon
Publisher: Broadview Press
ISBN: 1551111357
Category : Poetry
Languages : en
Pages : 510
Get Book Here
Book Description
The work of ‘L.E.L.’ began to be published when she was only seventeen, and in her early twenties Landon had already achieved considerable renown. As a widely envied independent woman in London society, however, she was increasingly the subject of scandalous gossip. Eventually she married the governor of a colony in West Africa, and died under mysterious circumstances soon after arriving in Africa, aged thirty-six. Landon’s life contributed very largely to the nineteenth-century archetype of the poet as a breed apart, heroic but doomed. Her poetry, however, was until very recently largely forgotten; this is the first twentieth-century edition of her poems, which the editors describe as “cold and sentimental at the same time, flat and intense.” In addition to a broad selection of Landon’s poetry and prose, this volume also includes a wide variety of contextual materials and a comprehensive bibliography.
Author: Letitia Elizabeth Landon
Publisher: Broadview Press
ISBN: 1551111357
Category : Poetry
Languages : en
Pages : 510
Get Book Here
Book Description
The work of ‘L.E.L.’ began to be published when she was only seventeen, and in her early twenties Landon had already achieved considerable renown. As a widely envied independent woman in London society, however, she was increasingly the subject of scandalous gossip. Eventually she married the governor of a colony in West Africa, and died under mysterious circumstances soon after arriving in Africa, aged thirty-six. Landon’s life contributed very largely to the nineteenth-century archetype of the poet as a breed apart, heroic but doomed. Her poetry, however, was until very recently largely forgotten; this is the first twentieth-century edition of her poems, which the editors describe as “cold and sentimental at the same time, flat and intense.” In addition to a broad selection of Landon’s poetry and prose, this volume also includes a wide variety of contextual materials and a comprehensive bibliography.
Author: Lucasta Miller
Publisher: Knopf
ISBN: 0375412786
Category : Biography & Autobiography
Languages : en
Pages : 429
Get Book Here
Book Description
On 15 October 1838, the body of a thirty-six-year-old woman was found in Cape Coast Castle, West Africa, a bottle of Prussic acid in her hand. She was one of the most famous English poets of her day: Letitia Elizabeth Landon, known by her initials 'L.E.L.' What was she doing in Africa? Was her death an accident, as the inquest claimed? Or had she committed suicide, or even been murdered? To her contemporaries, she was an icon, hailed as the 'female Byron', admired by Elizabeth Barrett Browning, Heinrich Heine, the young Bronte sisters and Edgar Allan Poe. However, she was also a woman with secrets, the mother of three illegitimate children whose existence was subsequently wiped from the record. After her death, she became the subject of a cover-up which is only now unravelling. Too scandalous for her reputation to survive, Letitia Landon was a brilliant woman who made a Faustian pact in a ruthless world. She embodied the post-Byronic era, the 'strange pause' between the Romantics and the Victorians. This new investigation into the mystery of her life, work and death excavates a whole lost literary culture.
Author: Letitia Elizabeth Landon
Publisher:
ISBN:
Category :
Languages : en
Pages : 326
Get Book Here
Book Description
Author: Paula R. Feldman
Publisher: JHU Press
ISBN: 9780801866401
Category : Literary Collections
Languages : en
Pages : 924
Get Book Here
Book Description
This groundbreaking volume not only documents the richness of their literary contributions but changes our thinking about the poetry of the English Romantic period.
Author: Anne DeLong
Publisher: Lexington Books
ISBN: 0739170449
Category : Literary Criticism
Languages : en
Pages : 179
Get Book Here
Book Description
Mesmerism, Medusa, and the Muse: The Romantic Discourse of Spontaneous Creativity explores the connections among the Romantic discourse of spontaneous literary creativity, the nineteenth-century cultural practice of mesmerism, and the mythical Medusa as an icon of the gendered gaze. An analysis of Medusan mesmerism in the poetry of Mary Robinson, Samuel Taylor Coleridge, Percy Bysshe Shelley and Letitia Elizabeth Landon (L.E.L.) and the prose of Mary Shelley reveals that these Romantic-era writers equate the enraptured state that produces spontaneous literary creation with the mesmeric trance. These writers employ Medusan imagery to portray both the mesmerist and the mesmerized subject, a conflation of subject/object positions that complicates issues of agency, subjectivity, and gender. Images of Medusan mesmerism ultimately work to deconstruct Romantic ideological dichotomies of self/other, female/male, muse/artist, and sublime/beautiful. In contrast to a traditional, masculinized Romantic discourse that emphasizes self-possession, this study uncovers a feminized, improvisational, Romantic discourse, characterized “Other-possession,” an assumption of the mesmerized subject position that enhances subjective fluidity. This study interrogates the Romantic discourse of spontaneous literary creativity through an examination of Romantic poetry, prose, and theory that utilizes mesmeric and Medusan metaphors to suggest creative inspiration.Building on recent scholarship about improvisational poetics, the subversive potential of mesmerism, and Medusa as a feminist icon, this work suggests that the mesmeric Medusan muse not only enables creativity for women writers but also provides a mirror in which they view (and through which they give voice to) their own societal oppression. The mesmeric Medusan muse in Romantic-era literature—from the Ancient Mariner and the Frankenstein monster to the tragic, abandoned Sapphic poetess—often represents the face of oppression, an unwelcome and monstrous truth in nineteenth-century British society. For women writers in particular, braving the stare of the Medusan muse enhances empathy, and therefore inspiration and literary productivity.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 222
Get Book Here
Book Description
Author: Claire Knowles
Publisher: Routledge
ISBN: 1317057244
Category : Literary Criticism
Languages : en
Pages : 307
Get Book Here
Book Description
Arguing that the end of the eighteenth-century witnessed the emergence of an important female poetic tradition, Claire Knowles analyzes the poetry of several key women writing between 1780 and 1860. Knowles provides important context by demonstrating the influence of the Della Cruscans in exposing the constructed and performative nature of the trope of sensibility, a revelation that was met with critical hostility by a literary culture that valorised sincerity. This sets the stage for Charlotte Smith, who pioneers an autobiographical approach to poetic production that places increased emphasis on the connection between the poet's physical body and her body of work. Knowles shows the poets Susan Evance, Letitia Elizabeth Landon, and Elizabeth Barrett-Browning advancing Smith's poetic strategy as they seek to elicit a powerful sympathetic response from readers by highlighting a connection between their actual suffering and the production of poetry. From this environment, a specific tradition in female poetry arises that is identifiable in the work of twentieth-century writers like Sylvia Plath and continues to pertain today. Alongside this new understanding of poetic tradition, Knowles provides an innovative account of the central role of women writers to an emergent late eighteenth-century mass literary culture and traces a crucial discursive shift that takes place in poetic production during this period. She argues that the movement away from the passionate discourse of sensibility in the late eighteenth century to the more contained rhetoric of sentimentality in the early nineteenth had an enormous effect, not only on female poets but also on British literary culture as a whole.
Author: Karen Fang
Publisher: University of Virginia Press
ISBN: 0813928826
Category : Literary Criticism
Languages : en
Pages : 249
Get Book Here
Book Description
Nineteenth-century periodicals frequently compared themselves to the imperial powers then dissecting the globe, and this interest in imperialism can be seen in the exotic motifs that surfaced in works by such late Romantic authors as John Keats, Charles Lamb, James Hogg, Letitia Landon, and Lord Byron. Karen Fang explores the collaboration of these authors with periodical magazines to show how an interdependent relationship between these visual themes and rhetorical style enabled these authors to model their writing on the imperial project. Fang argues that in the decades after Waterloo late Romantic authors used imperial culture to capitalize on the contemporary explosion of periodical magazines. This proliferation of "post-Napoleonic" writing—often referencing exotic locales—both revises longstanding notions about literary orientalism and reveals a remarkable synthesis of Romantic idealism with contemporary cultural materialism that heretofore has not been explored. Indeed, in interlocking case studies that span the reach of British conquest, ranging from Greece, China, and Egypt to Italy and Tahiti, Fang challenges a major convention of periodical publication. While periodicals are usually thought to be defined by time, this account of the geographic attention exerted by late Romantic authors shows them to be equally concerned with space. With its exploration of magazines and imperialism as a context for Romantic writing, culture, and aesthetics, this book will appeal not only to scholars of book history and reading cultures but also to those of nineteenth-century British writing and history.
Author: Adela Pinch
Publisher: Cambridge University Press
ISBN: 1139489089
Category : Literary Criticism
Languages : en
Pages :
Get Book Here
Book Description
Nineteenth-century life and literature are full of strange accounts that describe the act of one person thinking about another as an ethically problematic, sometimes even a dangerously powerful thing to do. In this book, Adela Pinch explains why, when, and under what conditions it is possible, or desirable, to believe that thinking about another person could affect them. She explains why nineteenth-century British writers - poets, novelists, philosophers, psychologists, devotees of the occult - were both attracted to and repulsed by radical or substantial notions of purely mental relations between persons, and why they moralized about the practice of thinking about other people in interesting ways. Working at the intersection of literary studies and philosophy, this book both sheds new light on a neglected aspect of Victorian literature and thought, and explores the consequences of, and the value placed on, this strand of thinking about thinking.
Author:
Publisher: Penguin UK
ISBN: 0141958677
Category : Poetry
Languages : en
Pages : 916
Get Book Here
Book Description
Daniel Karlin has selected poetry written and published during the reign of Queen Victoria, (1837-1901). Giving pride of place to Tennyson, Robert Browning, and Christina Rossetti, the volume offers generous selections from other major poets such asArnold, Emily Bronte, Hardy and Hopkins, and makes room for several poem-sequences in their entirety. It is wonderful, too, in its discovery and inclusion of eccentric, dissenting, un-Victorian voices, poets who squarely refuse to 'represent' their period. It also includes the work of Elizabeth Barrett Browning, George Meredith, James Thomson and Augusta Webster.
