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Author: Patricia Eckert Boyer
Publisher: Waanders Publishers
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 140
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Book Description
Overzicht van de Franse prentkunst aan het einde van de negentiende eeuw, met werk van o.a. De Toulouse Lautrec, Rodin, Renoir en Gauguin.
Author: Patricia Eckert Boyer
Publisher: Waanders Publishers
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 140
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Book Description
Overzicht van de Franse prentkunst aan het einde van de negentiende eeuw, met werk van o.a. De Toulouse Lautrec, Rodin, Renoir en Gauguin.
Author: Henri de Toulouse-Lautrec
Publisher: Courier Corporation
ISBN: 9780486243597
Category : Art
Languages : en
Pages : 112
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Book Description
This exceptional collection offers one of the finest samplings of Lautrec's deservedly famous lithographs: a spectacular gallery of 89 plates, including 8 in full color. Preface. Biographical Notes. List of Plates. Critic's Comments. Selected Bibliography. Concordance.
Author: Ruth E. Iskin
Publisher: Dartmouth College Press
ISBN: 1611686172
Category : Art
Languages : en
Pages : 431
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Book Description
The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century ÒiconophileÓÑa new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, IskinÕs insightful study proposes that the poster played a constitutive role in the modern culture of spectacle. This stunningly illustrated book will appeal to art historians and students of visual culture, as well as social and cultural history, media, design, and advertising.
Author: Robert Verhoogt
Publisher: Amsterdam University Press
ISBN: 9053569138
Category : Art
Languages : en
Pages : 718
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Book Description
This illuminating study examines the cultural meaning of artistic reproduction in a refreshingly new context through its consideration of how three artists managed the reproduction of their work.
Author: Donna Stein
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 142
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Book Description
Author: Phillip Dennis Cate
Publisher: Ben Uri Gallery & Museum
ISBN:
Category : Architecture
Languages : en
Pages : 250
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Book Description
Printmaking exploded with creative energy at the end of the nineteenth century in France. Artists such as Pierre Bonnard, Edouard Vuillard, Henri de Toulouse-Lautrec, Paul Gauguin and Odilon Redon were at the forefront of the avant-garde movement to reinvigorate the applied arts through colour printmaking.Prints Abound probes the phenomenal outpouring of print publications in late nineteenth-century France. Exploring the artistic, technical, economic, commercial and cultural circumstances of 1890s Paris, Prints Abound reaches a fuller understanding of Art Nouveau, which emphasised the fusion of exquisite design with the everyday. The achievements of Bonnard are stressed and his work is represented in depth, with spirited posters, contributions to solo and collective portfolios, designs for music primers and illustrated books, and an outstanding four-panel folding screen of a fashionable street scene in fin-de-siècle Paris.Phillip Dennis Cate, Director of the Zimmerli Art Museum at Rutgers University, has written the introduction and a text on illustrated books; Richard Thomson, Chair of the Art History Department at the University of Edinburgh, discusses single-artist print albums; and Gale B. Murray, Chair of the Art History Department at Colorado College, considers music illustration.Prints Abound will be fascinating reading for print collectors and dealers, art historians and all those with an interest in this important period of French culture.
Author: University of Michigan. Museum of Art
Publisher: UM Libraries
ISBN:
Category : Archaeology
Languages : en
Pages : 72
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Book Description
Includes reports of the Kelsey Museum of Archaeology.
Author: Michel Melot
Publisher: Yale University Press
ISBN: 0300067925
Category : Crafts & Hobbies
Languages : en
Pages : 301
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Book Description
A print can sometimes tell us more than a painting about the history of art. Michel Melot illustrates his thesis in this book, analysing relationships between artists, the art market, the critics, collectors and political institutions. This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval. This original view of a key movement in the history of art allows the reader to understand its decisive effect on all the subsequent generations who have contributed to maintaining the tradition of the belle epreuve.
Author: Smith College. Museum of Art
Publisher: Hudson Hills
ISBN: 9781555951832
Category : Architecture
Languages : en
Pages : 344
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Book Description
This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.
Author: Henri de Toulouse-Lautrec
Publisher: Museum of Modern Art
ISBN: 9780870709135
Category : Art
Languages : en
Pages : 160
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Book Description
Though deeply engaged with painting and drawing, Toulouse-Lautrec's lasting contribution to artistic practice was as a graphic artist. Through his prints and posters, advertisements, and contributions in reviews and magazines, he brought the language of the late-nineteenth-century French avant-garde to a broad public. He ushered in the first print boom of the modern era; taking advantage of lithography's new potential for colour and scale, he made both posters for the streets of Paris and prints for the new bourgeois collector's living room. During his short career, he created more than 350 prints and 30 posters, as well as lithographed theatre programmes and covers for books and sheet music. The Museum of Modern Art's collection of this material is stellar, encompassing over 100 prints and posters, his most important book projects, and many magazines, journals and other examples of printed ephemera. Featuring an overview essay by Sarah Suzuki, Associate Curator in the Department of Drawings and Prints at MoMA, this publication presents thematically organized groupings of Toulouse-Lautrec's prints from the Museum's collection, each accompanied by an illuminating essay on the theme.
