Author: St Lambert
Publisher: Cambridge University Press
ISBN: 9780521252768
Category : Music
Languages : en
Pages : 164
Book Description
Saint Lambert's Principles of the Harpsichord of 1702 was the first tutor for harpsichord to be published in France. It draws upon the dance-oriented harpsichord style developed during the reign of Louis XIV by such masters as Jacques Champion de Chambonnierès, Louis Couperin, and Jean Henry d'Anglebert. In subject matter it ranges from the fundamentals of music through questions of meter and tempo to particulars of harpsichord technique and ornamentation. Because of its broad scope it is an important source of information about both late seventeenth-century French performance practice and music theory. It provides a good complement to Francois Couperin's well-known book l'Art de toucher le clavecin of 1717 in that it deals with the musical style of the generation preceding Couperin and includes subjects not discussed by him. Although nothing is known about Saint Lambert himself, it is clear from this work that as a teacher he was thorough, sympathetic, and open-minded. His book is deserving of a place on the shelf of anyone, professional or amateur, who is interested in the music of the Grand Siècle. For this first English edition, Rebecca Harris-Warrick has added a substantial introduction and full annotation throughout the text [Publisher description]
Principles of the Harpsichord by Monsieur de Saint Lambert
Author: St Lambert
Publisher: Cambridge University Press
ISBN: 9780521252768
Category : Music
Languages : en
Pages : 164
Book Description
Saint Lambert's Principles of the Harpsichord of 1702 was the first tutor for harpsichord to be published in France. It draws upon the dance-oriented harpsichord style developed during the reign of Louis XIV by such masters as Jacques Champion de Chambonnierès, Louis Couperin, and Jean Henry d'Anglebert. In subject matter it ranges from the fundamentals of music through questions of meter and tempo to particulars of harpsichord technique and ornamentation. Because of its broad scope it is an important source of information about both late seventeenth-century French performance practice and music theory. It provides a good complement to Francois Couperin's well-known book l'Art de toucher le clavecin of 1717 in that it deals with the musical style of the generation preceding Couperin and includes subjects not discussed by him. Although nothing is known about Saint Lambert himself, it is clear from this work that as a teacher he was thorough, sympathetic, and open-minded. His book is deserving of a place on the shelf of anyone, professional or amateur, who is interested in the music of the Grand Siècle. For this first English edition, Rebecca Harris-Warrick has added a substantial introduction and full annotation throughout the text [Publisher description]
Publisher: Cambridge University Press
ISBN: 9780521252768
Category : Music
Languages : en
Pages : 164
Book Description
Saint Lambert's Principles of the Harpsichord of 1702 was the first tutor for harpsichord to be published in France. It draws upon the dance-oriented harpsichord style developed during the reign of Louis XIV by such masters as Jacques Champion de Chambonnierès, Louis Couperin, and Jean Henry d'Anglebert. In subject matter it ranges from the fundamentals of music through questions of meter and tempo to particulars of harpsichord technique and ornamentation. Because of its broad scope it is an important source of information about both late seventeenth-century French performance practice and music theory. It provides a good complement to Francois Couperin's well-known book l'Art de toucher le clavecin of 1717 in that it deals with the musical style of the generation preceding Couperin and includes subjects not discussed by him. Although nothing is known about Saint Lambert himself, it is clear from this work that as a teacher he was thorough, sympathetic, and open-minded. His book is deserving of a place on the shelf of anyone, professional or amateur, who is interested in the music of the Grand Siècle. For this first English edition, Rebecca Harris-Warrick has added a substantial introduction and full annotation throughout the text [Publisher description]
Early Keyboard Fingering and Its Effect on Articulation
Author: Newman Wilson Powell
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 712
Book Description
Les principes du clavecin
Author: Michel de Saint-Lambert
Publisher:
ISBN:
Category : Harpsichord
Languages : fr
Pages : 128
Book Description
Publisher:
ISBN:
Category : Harpsichord
Languages : fr
Pages : 128
Book Description
The New Bass Viol Technique
Author: Margaret Panofsky
Publisher:
ISBN: 9781565713840
Category : Viola da gamba
Languages : en
Pages : 92
Book Description
Publisher:
ISBN: 9781565713840
Category : Viola da gamba
Languages : en
Pages : 92
Book Description
The Viol
Author: Annette Otterstedt
Publisher:
ISBN:
Category : Viol
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category : Viol
Languages : en
Pages : 304
Book Description
Harmonie Universelle
Author: Marin Mersenne
Publisher: Springer
ISBN: 9789401757812
Category : Music
Languages : en
Pages : 596
Book Description
Publisher: Springer
ISBN: 9789401757812
Category : Music
Languages : en
Pages : 596
Book Description
The New Grove French Baroque Masters
Author: NA NA
Publisher: Palgrave Macmillan
ISBN: 9780333390214
Category : Science
Languages : en
Pages : 318
Book Description
Publisher: Palgrave Macmillan
ISBN: 9780333390214
Category : Science
Languages : en
Pages : 318
Book Description