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Author: Paula Findlen
Publisher:
ISBN: 9780911221633
Category : Renaissance
Languages : en
Pages : 220
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Book Description
Illustrated catalogue published in conjunction with the exhibition "Leonardo's Library: The World of a Renaissance Reader," Stanford University Libraries, Green Library, May 2 - October 13, 2019.
Author: Paula Findlen
Publisher:
ISBN: 9780911221633
Category : Renaissance
Languages : en
Pages : 220
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Book Description
Illustrated catalogue published in conjunction with the exhibition "Leonardo's Library: The World of a Renaissance Reader," Stanford University Libraries, Green Library, May 2 - October 13, 2019.
Author: Leonardo da Vinci
Publisher: Courier Corporation
ISBN: 0486140660
Category : Art
Languages : en
Pages : 66
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Book Description
Da Vinci was able to produce remarkably accurate depictions of the "ideal" human figure. This exceptional collection reprints 59 sketches of the skeleton, skull, upper and lower extremities, embryos, and other subjects.
Author: Pietro C. Marani
Publisher: Harry N. Abrams
ISBN: 9781419740671
Category : Art
Languages : en
Pages : 0
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Book Description
Offers a portrait of the artist, covering his life, creative process, and his art, presented in more than 295 illustrations that span the length and breadth of his career.
Author: Robert Wallace
Publisher:
ISBN:
Category : Art, Renaissance
Languages : en
Pages : 192
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Book Description
Author: Mike Lankford
Publisher: Melville House
ISBN: 1612197159
Category : Biography & Autobiography
Languages : en
Pages : 321
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Book Description
A Wall Street Journal Book of the Year A Spectator Book of the Year “A truly intimate portrait of one of the greatest creators in human history,” this biography of Leonardo Da Vinci “has the pace, elegance, and authorial omnipresence of a novel,” bringing both artist and Renaissance Italy to life (Noah Charney, author of The Art of Forgery) Why did Leonardo Da Vinci leave so many of his major works uncompleted? Why did this resolute pacifist build war machines for the notorious Borgias? Why did he carry the Mona Lisa with him everywhere he went for decades, yet never quite finish it? Why did he write backwards, and was he really at war with Michelangelo? And was he gay? In a book unlike anything ever written about the Renaissance genius, Mike Lankford explodes every cliché about Da Vinci and then reconstructs him based on a rich trove of available evidence—bringing to life for the modern reader the man who has been studied by scholars for centuries—yet has remained as mysterious as ever. Seeking to envision Da Vinci without the obscuring residue of historical varnish, the sights, sounds, smells, and feel of Renaissance Italy—usually missing in other biographies—are all here, transporting readers back to a world of war and plague and court intrigue, of viciously competitive famous artists, of murderous tyrants with exquisite tastes in art . . . Lankford brilliantly captures Da Vinci’s life as the compelling and dangerous adventure it seems to have actually been—fleeing from one sanctuary to the next, somehow surviving in war zones beside his friend Machiavelli, struggling to make art his way or no way at all . . . and often paying dearly for those decisions. It is a thrilling and absorbing journey into the life of a ferociously dedicated loner, whose artwork in one way or another represents his noble rebellion, providing inspiration that is timeless.
Author: Daryl Green
Publisher:
ISBN: 9781851245253
Category : ART
Languages : en
Pages : 0
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Book Description
During the Renaissance, artists and illustrators developed the representation of truthful three-dimensional forms into a highly skilled art. As reliable illustrations of three-dimensional subjects became more prevalent, they also influenced the ways in which disciplines developed: architecture could be communicated much more clearly, mathematical concepts and astronomical observations could be quickly relayed, and observations of the natural world moved towards a more realistic method of depiction. Through essays on some of the world's greatest artists and thinkers--such as Leonardo da Vinci, Luca Pacioli, Andreas Vesalius, Johann Kepler, Galileo Galilei, William Hunter, and many more--this book tells the story of how of we learned to communicate three-dimensional forms on the two-dimensional page. It features some of Leonardo da Vinci's ground-breaking drawings now in the Royal Collections and British Library as well as extraordinary anatomical illustrations, early paper engineering such as volvelles and flaps, beautiful architectural plans, and even views of the moon. With in-depth analysis of more than forty manuscripts and books, Thinking 3D also reveals the impact that developing techniques had on artists and draftsmen throughout time and across space, culminating in the latest innovations in computer software and 3D printing.
Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118
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Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
Author: Barbara O'Connor
Publisher: Twenty-First Century Books
ISBN: 9780876144671
Category : Juvenile Nonfiction
Languages : en
Pages : 124
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Book Description
A biography of the notable Italian Renaissance artist, scientist, and inventor.
Author: Fred R Kline
Publisher: Simon and Schuster
ISBN: 1681771187
Category : Art
Languages : en
Pages : 617
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Book Description
Fred Klineis a well-known art historian, dealer, connoisseur, and explorer who has made a career of scouring antique stores, estate sales, and auctions looking for unusual—and often misidentified—works of art. Many of the gems he has found are now in major museum collections like the Frick, the Getty, and the Metropolitan Museum of Art. But this book is about the discovery of one piece in particular. . . About ten years ago, when Kline was routinely combing through a Christie's catalog, a beautiful little drawing caught his eye. Attributed to Carracci, it came with a very low estimate, but Kline's every instinct told him that the attribution was wrong. He placed a bid and the low asking price and bought the drawing outright. And that was the beginning of how Kline discovered Leonardo da Vinci's model drawing for the Infant Jesus and the Infant St. John. It is the first work by da Vinci to have surfaced in over a century. LEONARDO'S HOLY CHILD chronicles not only the story of this amazing discovery, from Kline's research all over the world to how exactly attributions work with regards to the old masters (most of their works are unsigned). Kline also sheds light on the idea of "connoisseurship," an often-overlooked facet of art history that's almost Holmesian in its intricacy and specificity.
Author: Carol Ann Rinzler
Publisher:
ISBN: 9781934137628
Category : History
Languages : en
Pages : 0
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Book Description
Step right up for a toe-curling cultural biography of humanity's earthbound extremity!
