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Author: Paula Findlen
Publisher:
ISBN: 9780911221633
Category : Renaissance
Languages : en
Pages : 220
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Book Description
Illustrated catalogue published in conjunction with the exhibition "Leonardo's Library: The World of a Renaissance Reader," Stanford University Libraries, Green Library, May 2 - October 13, 2019.
Author: Paula Findlen
Publisher:
ISBN: 9780911221633
Category : Renaissance
Languages : en
Pages : 220
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Book Description
Illustrated catalogue published in conjunction with the exhibition "Leonardo's Library: The World of a Renaissance Reader," Stanford University Libraries, Green Library, May 2 - October 13, 2019.
Author: Leonardo da Vinci
Publisher: Courier Corporation
ISBN: 0486140660
Category : Art
Languages : en
Pages : 66
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Book Description
Da Vinci was able to produce remarkably accurate depictions of the "ideal" human figure. This exceptional collection reprints 59 sketches of the skeleton, skull, upper and lower extremities, embryos, and other subjects.
Author: Pietro C. Marani
Publisher: Harry N. Abrams
ISBN: 9781419740671
Category : Art
Languages : en
Pages : 0
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Book Description
Offers a portrait of the artist, covering his life, creative process, and his art, presented in more than 295 illustrations that span the length and breadth of his career.
Author: Barbara O'Connor
Publisher: Twenty-First Century Books
ISBN: 9780876144671
Category : Juvenile Nonfiction
Languages : en
Pages : 124
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Book Description
A biography of the notable Italian Renaissance artist, scientist, and inventor.
Author: Robert Wallace
Publisher:
ISBN:
Category : Art, Renaissance
Languages : en
Pages : 192
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Book Description
Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118
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Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
Author: Charles Nicholl
Publisher: Viking Adult
ISBN:
Category : Art
Languages : en
Pages : 664
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Book Description
In this new, intimate biography, award-winning author Nicholl creates a portrait of the artist for our time--a biography that brings Leonardo to life as a complex man living in a fascinating, dangerous, quickly changing world.
Author: Joost Keizer
Publisher: Reaktion Books
ISBN: 1789141028
Category : Art
Languages : en
Pages : 384
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Book Description
Leonardo da Vinci (1452–1519) was one of the preeminent figures of the Italian Renaissance. He was also one of the most paradoxical. He spent an incredible amount of time writing notebooks, perhaps even more time than he ever held a brush, yet at the same time Leonardo was Renaissance culture’s most fanatical critic of the word. When Leonardo criticized writing he criticized it as an expert on words; when he was painting, writing remained in the back of his brilliant mind. In this book, Joost Keizer argues that the comparison between word and image fueled Leonardo’s thought. The paradoxes at the heart of Leonardo’s ideas and practice also defined some of Renaissance culture’s central assumptions about culture and nature: that there is a look to script, that painting offered a path out of culture and back to nature, that the meaning of images emerged in comparison with words, and that the difference between image-making and writing also amounted to a difference in the experience of time.
Author: Gerry Bailey
Publisher: Crabtree Publishing Company
ISBN: 9780778736875
Category : Juvenile Nonfiction
Languages : en
Pages : 44
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Book Description
Digby and his sister, Hannah find Leonardo Da Vinci's palette in an antiques market and Mr. Rummage tells them about Da Vinci's life and how he made history.
Author: Stephen Jay Gould
Publisher: Harvard University Press
ISBN: 0674061632
Category : Science
Languages : en
Pages : 433
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Book Description
With his customary brilliance, Gould examines the puzzles and paradoxes great and small that build nature’s and humanity’s diversity and order.
