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Author: Edward McCurdy
Publisher:
ISBN:
Category :
Languages : en
Pages : 270
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Author: Edward Mccurdy
Publisher: Forgotten Books
ISBN: 9780484868310
Category : Art
Languages : en
Pages : 262
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Book Description
Excerpt from Leonardo Da Vinci They suggest some of the difficulties attendant upon the attempt to write about him. He was the most versatile genius of the age of the Renaissance, and the more genius approaches the uni versal, the less can it be seen save in section. If Leonardo had never either painted or worked in sculpture, his achievements in the more mechanical arts, his inventions, his projects, and'the plans he carried out in canalization and engineering, would have received notice more befitting their magnitude. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Giorgio Vasari
Publisher: Forgotten Books
ISBN: 9780331716009
Category : Art
Languages : en
Pages : 92
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Excerpt from The Life of Leonardo Da Vinci I have to thank my friend Mr. Bernhard Berenson for several suggestions both in regard to the translation and the notes; and especially for calling my attention to the allusion in Anton Francesco Doni's letter to the Battle of the Standard. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Arthur James Anderson
Publisher: Forgotten Books
ISBN: 9781334039812
Category : Art
Languages : en
Pages : 362
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Excerpt from The Admirable Painter: A Study of Leonardo Da Vinci I have altered this story so as to hide the painter's identity, but otherwise it is true; for if an artist is to live, he must sell his pictures; if he is to sell his pictures, he must paint what the public demands. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Leonardo Da Vinci
Publisher: Forgotten Books
ISBN: 9780331436792
Category : Fiction
Languages : en
Pages : 328
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Excerpt from Leonardo Da Vinci's Note-Books This he proceeded to do with scientific thoroughness yet it would seem that the reservation pressed somewhat hardly upon the poetic instinct; so soon as ever his purpose was accomplished the muse led him back in apparent contentment to the scorned fables. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Mrs. Charles W. Heaton
Publisher: Forgotten Books
ISBN: 9781333653569
Category : Art
Languages : en
Pages : 384
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Excerpt from Leonardo Da Vinci and His Works: Consisting of a Life of Leonardo Da Vinci My share in the following work has been confined to the biographical sketch with which it opens. In its compilation I have taken advantage of most of the later and many of the earlier authorities. I have endeavoured to omit nothing of interest in regard to Leonardo's life, but I have carefully abstained from any attempt at criticism of his works or genius. The essay on Leonardo da Vinci in Science and Literature that follows my sketch is from the far abler pen of Mr. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Eugène Müntz
Publisher: Forgotten Books
ISBN: 9780666901446
Category : Art
Languages : en
Pages : 384
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Excerpt from Leonardo Da Vinci, Artist, Thinker and Man of Science, Vol. 1 of 2 The mona lisa and leonard0's female portraits - the neptune - the leda - departure from florence I 5 3 - 172. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Charles Heaton
Publisher: Palala Press
ISBN: 9781340858926
Category :
Languages : en
Pages : 380
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Jens Thiis
Publisher: Forgotten Books
ISBN: 9781527977051
Category : Art
Languages : en
Pages : 280
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Excerpt from Leonardo Da Vinci: The Florentine Years of Leonardo Verrocchio If the art-loving public could learn to look more materially at art, would turn its attention to the peculiar style, technique and execution of each particular work, and thus teach itself to judge artistic quality, much would be gained. The public would not then be so frequently the victim of trickery and advertisement as it now is; unskilled criticism would be banished, and the vulgar hunt for motives become less remunerative. Finally much fruitless discussion about art and morality would cease of its own accord as idle nonsense. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118
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Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
Author: Leonardo (da Vinci)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 234
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