Author: Silas Tertius Rand
Publisher: New York ; London : Longmans, Green
ISBN:
Category : Folklore
Languages : en
Pages : 510
Book Description
Legends of the Micmacs
Author: Silas Tertius Rand
Publisher: New York ; London : Longmans, Green
ISBN:
Category : Folklore
Languages : en
Pages : 510
Book Description
Publisher: New York ; London : Longmans, Green
ISBN:
Category : Folklore
Languages : en
Pages : 510
Book Description
The Algonquin Legends of New England, Or, Myths and Folk Lore of the Micmac, Passamaquoddy, and Penobscot Tribes
Author: Charles Godfrey Leland
Publisher: Boston ; New York : Houghton, Mifflin, 1885 [c1884]
ISBN:
Category : Algonquian Indians
Languages : en
Pages : 444
Book Description
Publisher: Boston ; New York : Houghton, Mifflin, 1885 [c1884]
ISBN:
Category : Algonquian Indians
Languages : en
Pages : 444
Book Description
Glooscap the Great Chief, and Other Stories
Author: Emelyn Newcomb Partridge
Publisher:
ISBN:
Category : Gluskap (Legendary character)
Languages : en
Pages : 356
Book Description
Publisher:
ISBN:
Category : Gluskap (Legendary character)
Languages : en
Pages : 356
Book Description
Rand and the Micmacs
Author: Jeremiah Simpson Clark
Publisher:
ISBN:
Category : Baptists
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category : Baptists
Languages : en
Pages : 112
Book Description
The Stone Canoe
Author: Peter Sanger
Publisher:
ISBN: 9781554470433
Category : Micmac Indians
Languages : en
Pages : 0
Book Description
This is a story about two stories and their travels through the written record. The written part begins in the mid-nineteenth century, when Silas T. Rand, a Baptist clergyman from Cornwallis, Nova Scotia, took as his task the translation of the Bible into Mi'kmaq-the language of the indigenous communities in the region. In the process of developing his vocabulary, Rand transcribed narratives from Mi'kmaq storytellers, and following his death, 87 of these stories were published in a book called Legends of the Micmacs. As his understanding of the language grew, Rand began to translate the stories as he heard them, and to record them in English. Until recently, it appeared that none of the early transcriptions in the original Mi'kmaq had survived. Then, in 2003, poet and essayist Peter Sanger uncovered two manuscripts among the Rand holdings in the library at Acadia University in Wolfville, Nova Scotia. One of these contains the story of Little Thunder and his journey to find a wife, as told to Rand by Susan Barss in 1847. The other is the story of a woman who survives alone on an island after being abandoned by her husband. It was told by a storyteller known to us now only as Old Man Stevens and dates from 1884. Both are among the earliest examples of indigenous Canadian literature recorded in their original language; the 1847 transcript being perhaps the earliest. Their publication in The Stone Canoe makes a significant contribution to our understanding of Mi'kmaq storytelling and indigenous Canadian literature. With the same passion for research and sleuthing that characterized his two previous prose publications, Spar (GP, 2002) and White Salt Mountain (GP, 2005), Peter Sanger provides commentary that recounts the adventure of his discoveries and the paths of written correspondence, library acquisitions, name changes, transcriptions, translations and human error that separate and reconnect two stories and their tellers. He also unpacks some of the complexities of Mi'kmaq cultural motifs as they emerge in these stories. At the heart of The Stone Canoe are the two stories themselves, including Rand's published versions, along with new translations and transliterations by Elizabeth Paul, a Mi'kmaq speaker and teacher of the Eskasoni First Nation. Paul provides new English translations, and Mi'kmaq transliterations of Rand's transcripts, as well as notes detailing issues of language and culture. The Stone Canoe also features artwork by Alan Syliboy, a Millbrook First Nation artist. Syliboy's original ink drawings illustrate scenes from the two narratives, employing some of the traditional patterns in Mi'kmaq art, and work visually alongside the translations and Sanger's engagement with the patterns contained in the stories.
Publisher:
ISBN: 9781554470433
Category : Micmac Indians
Languages : en
Pages : 0
Book Description
This is a story about two stories and their travels through the written record. The written part begins in the mid-nineteenth century, when Silas T. Rand, a Baptist clergyman from Cornwallis, Nova Scotia, took as his task the translation of the Bible into Mi'kmaq-the language of the indigenous communities in the region. In the process of developing his vocabulary, Rand transcribed narratives from Mi'kmaq storytellers, and following his death, 87 of these stories were published in a book called Legends of the Micmacs. As his understanding of the language grew, Rand began to translate the stories as he heard them, and to record them in English. Until recently, it appeared that none of the early transcriptions in the original Mi'kmaq had survived. Then, in 2003, poet and essayist Peter Sanger uncovered two manuscripts among the Rand holdings in the library at Acadia University in Wolfville, Nova Scotia. One of these contains the story of Little Thunder and his journey to find a wife, as told to Rand by Susan Barss in 1847. The other is the story of a woman who survives alone on an island after being abandoned by her husband. It was told by a storyteller known to us now only as Old Man Stevens and dates from 1884. Both are among the earliest examples of indigenous Canadian literature recorded in their original language; the 1847 transcript being perhaps the earliest. Their publication in The Stone Canoe makes a significant contribution to our understanding of Mi'kmaq storytelling and indigenous Canadian literature. With the same passion for research and sleuthing that characterized his two previous prose publications, Spar (GP, 2002) and White Salt Mountain (GP, 2005), Peter Sanger provides commentary that recounts the adventure of his discoveries and the paths of written correspondence, library acquisitions, name changes, transcriptions, translations and human error that separate and reconnect two stories and their tellers. He also unpacks some of the complexities of Mi'kmaq cultural motifs as they emerge in these stories. At the heart of The Stone Canoe are the two stories themselves, including Rand's published versions, along with new translations and transliterations by Elizabeth Paul, a Mi'kmaq speaker and teacher of the Eskasoni First Nation. Paul provides new English translations, and Mi'kmaq transliterations of Rand's transcripts, as well as notes detailing issues of language and culture. The Stone Canoe also features artwork by Alan Syliboy, a Millbrook First Nation artist. Syliboy's original ink drawings illustrate scenes from the two narratives, employing some of the traditional patterns in Mi'kmaq art, and work visually alongside the translations and Sanger's engagement with the patterns contained in the stories.
Glooscap Legends
Author: Stanley Spicer
Publisher: Halifax, N.S. : Nimbus Pub.
ISBN: 9781551095981
Category : History
Languages : en
Pages : 0
Book Description
These stirring tales describe the life-history of Glooscap. Endowed with supreme powers, Glooscap, the benevolent warrior against evil, was credited with the creation of many wild creatures and the change in form of others. Even the land was influenced by his handiwork and several notable landmarks along the Fundy Coast are linked with this story. In Glooscap Legends, both famous and little-known legends are told of this god who made his home on the mountaintop of Cape Blomidon. He was a giant, a magician and a friend to the oppressed. This edition is illustrated by native artist Teresa MacPhee and includes a map of Glooscap landmarks.
Publisher: Halifax, N.S. : Nimbus Pub.
ISBN: 9781551095981
Category : History
Languages : en
Pages : 0
Book Description
These stirring tales describe the life-history of Glooscap. Endowed with supreme powers, Glooscap, the benevolent warrior against evil, was credited with the creation of many wild creatures and the change in form of others. Even the land was influenced by his handiwork and several notable landmarks along the Fundy Coast are linked with this story. In Glooscap Legends, both famous and little-known legends are told of this god who made his home on the mountaintop of Cape Blomidon. He was a giant, a magician and a friend to the oppressed. This edition is illustrated by native artist Teresa MacPhee and includes a map of Glooscap landmarks.
Colonialism and Animality
Author: Kelly Struthers Montford
Publisher: Routledge
ISBN: 1000046982
Category : Social Science
Languages : en
Pages : 319
Book Description
The fields of settler colonial, decolonial, and postcolonial studies, as well as Critical Animal Studies are growing rapidly, but how do the implications of these endeavours intersect? Colonialism and Animality: Anti-Colonial Perspectives in Critical Animal Studies explores some of the ways that the oppression of Indigenous persons and more-than-human animals are interconnected. Composed of 12 chapters by an international team of specialists plus a Foreword by Dinesh Wadiwel, the book is divided into four themes: Tensions and Alliances between Animal and Decolonial Activisms Revisiting the Stereotypes of Indigenous Peoples’ Relationships with Animals Cultural Perspectives Colonialism, Animals, and the Law This book will be of interest to undergraduate and postgraduate students, activists, as well as postdoctoral scholars, working in the areas of Critical Animal Studies, Native Studies, postcolonial and critical race studies, with particular chapters being of interest to scholars and students in other fields, such as Cultural Studies, Animal Law and Critical Criminology.
Publisher: Routledge
ISBN: 1000046982
Category : Social Science
Languages : en
Pages : 319
Book Description
The fields of settler colonial, decolonial, and postcolonial studies, as well as Critical Animal Studies are growing rapidly, but how do the implications of these endeavours intersect? Colonialism and Animality: Anti-Colonial Perspectives in Critical Animal Studies explores some of the ways that the oppression of Indigenous persons and more-than-human animals are interconnected. Composed of 12 chapters by an international team of specialists plus a Foreword by Dinesh Wadiwel, the book is divided into four themes: Tensions and Alliances between Animal and Decolonial Activisms Revisiting the Stereotypes of Indigenous Peoples’ Relationships with Animals Cultural Perspectives Colonialism, Animals, and the Law This book will be of interest to undergraduate and postgraduate students, activists, as well as postdoctoral scholars, working in the areas of Critical Animal Studies, Native Studies, postcolonial and critical race studies, with particular chapters being of interest to scholars and students in other fields, such as Cultural Studies, Animal Law and Critical Criminology.
Dictionary of the Language of the Micmac Indians, who Reside in Nova Scotia, New Brunswick, Prince Edward Island, Cape Breton, and Newfoundland
Author: Silas Tertius Rand
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 304
Book Description
Anthropological Series
Author:
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 506
Book Description
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 506
Book Description
Memoir
Author:
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 152
Book Description