Author: Gillian Pink
Publisher: Liverpool University Press
ISBN: 1835537634
Category : History
Languages : en
Pages : 328
Book Description
L’Écriture est la peinture de la voix honours and celebrates the inestimable contributions that Professor Nicholas Cronk has made to our understanding of the Enlightenment. As director of the University of Oxford’s Voltaire Foundation, he has played a decisive role in eighteenth-century studies. In particular he has shaped our knowledge of Voltaire as a writer, celebrity and era-defining figure whose influence has continued to be felt through the centuries. Comprising essays by a host of internationally eminent scholars, this volume is a fitting tribute to the esteem and affection in which Nicholas Cronk is held as a colleague, teacher and mentor. These sixteen essays reflect his varied research interests, exploring questions central to the eighteenth century, such as the writing process, justice, revolution, as well as the legacy of the Enlightenment, and focussing on the central figure in Nicholas Cronk’s research: Voltaire. In sections devoted to Voltaire’s writing practices, to his involvement in political, literary and religious polemics, and finally to his legacy, the essays build on Nicholas Cronk’s scholarship and editorial achievements, opening up a new chapter in research on Voltaire. This volume is complemented by an online collection of essays which speak to other topics central to Nicholas Cronk’s interests, such as authorial identities, correspondence and aesthetics. Visit the MLO site for the other half of this festschrift project, https://modernlanguagesopen.org/collections/lecriture-nicholas-cronk
L’Écriture est la peinture de la voix
Author: Gillian Pink
Publisher: Liverpool University Press
ISBN: 1835537634
Category : History
Languages : en
Pages : 328
Book Description
L’Écriture est la peinture de la voix honours and celebrates the inestimable contributions that Professor Nicholas Cronk has made to our understanding of the Enlightenment. As director of the University of Oxford’s Voltaire Foundation, he has played a decisive role in eighteenth-century studies. In particular he has shaped our knowledge of Voltaire as a writer, celebrity and era-defining figure whose influence has continued to be felt through the centuries. Comprising essays by a host of internationally eminent scholars, this volume is a fitting tribute to the esteem and affection in which Nicholas Cronk is held as a colleague, teacher and mentor. These sixteen essays reflect his varied research interests, exploring questions central to the eighteenth century, such as the writing process, justice, revolution, as well as the legacy of the Enlightenment, and focussing on the central figure in Nicholas Cronk’s research: Voltaire. In sections devoted to Voltaire’s writing practices, to his involvement in political, literary and religious polemics, and finally to his legacy, the essays build on Nicholas Cronk’s scholarship and editorial achievements, opening up a new chapter in research on Voltaire. This volume is complemented by an online collection of essays which speak to other topics central to Nicholas Cronk’s interests, such as authorial identities, correspondence and aesthetics. Visit the MLO site for the other half of this festschrift project, https://modernlanguagesopen.org/collections/lecriture-nicholas-cronk
Publisher: Liverpool University Press
ISBN: 1835537634
Category : History
Languages : en
Pages : 328
Book Description
L’Écriture est la peinture de la voix honours and celebrates the inestimable contributions that Professor Nicholas Cronk has made to our understanding of the Enlightenment. As director of the University of Oxford’s Voltaire Foundation, he has played a decisive role in eighteenth-century studies. In particular he has shaped our knowledge of Voltaire as a writer, celebrity and era-defining figure whose influence has continued to be felt through the centuries. Comprising essays by a host of internationally eminent scholars, this volume is a fitting tribute to the esteem and affection in which Nicholas Cronk is held as a colleague, teacher and mentor. These sixteen essays reflect his varied research interests, exploring questions central to the eighteenth century, such as the writing process, justice, revolution, as well as the legacy of the Enlightenment, and focussing on the central figure in Nicholas Cronk’s research: Voltaire. In sections devoted to Voltaire’s writing practices, to his involvement in political, literary and religious polemics, and finally to his legacy, the essays build on Nicholas Cronk’s scholarship and editorial achievements, opening up a new chapter in research on Voltaire. This volume is complemented by an online collection of essays which speak to other topics central to Nicholas Cronk’s interests, such as authorial identities, correspondence and aesthetics. Visit the MLO site for the other half of this festschrift project, https://modernlanguagesopen.org/collections/lecriture-nicholas-cronk
Greek Literature and Philosophy
Author: Gregory Nagy
Publisher: Routledge
ISBN: 1136540725
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
This volume is available on its own or as part of the seven volume set, Greek Literature. This collection reprints in facsimile the most influential scholarship published in this field during the twentieth century. For a complete list of the volume titles in this set, see the listing for Greek Literature [ISBN 0-8153-3681-0]. A full table of contents can be obtained by email: [email protected].
Publisher: Routledge
ISBN: 1136540725
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
This volume is available on its own or as part of the seven volume set, Greek Literature. This collection reprints in facsimile the most influential scholarship published in this field during the twentieth century. For a complete list of the volume titles in this set, see the listing for Greek Literature [ISBN 0-8153-3681-0]. A full table of contents can be obtained by email: [email protected].
Author:
Publisher: Odile Jacob
ISBN: 2738186688
Category :
Languages : en
Pages : 482
Book Description
Publisher: Odile Jacob
ISBN: 2738186688
Category :
Languages : en
Pages : 482
Book Description
The "Grammaire des grammaires" of Girault-Duvivier
Author: Jesse Levitt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111349055
Category : Language Arts & Disciplines
Languages : en
Pages : 340
Book Description
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111349055
Category : Language Arts & Disciplines
Languages : en
Pages : 340
Book Description
Pioneer of Simplified Spelling
Author:
Publisher:
ISBN:
Category : Spelling reform
Languages : en
Pages : 706
Book Description
Publisher:
ISBN:
Category : Spelling reform
Languages : en
Pages : 706
Book Description
The Pioneer Ov Simplified Speling
Author:
Publisher:
ISBN:
Category : Spelling reform
Languages : en
Pages : 326
Book Description
Publisher:
ISBN:
Category : Spelling reform
Languages : en
Pages : 326
Book Description
The Nineteenth Century and After
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 564
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 564
Book Description
Nineteenth Century and After
Author:
Publisher:
ISBN:
Category : English periodicals
Languages : en
Pages : 1104
Book Description
Publisher:
ISBN:
Category : English periodicals
Languages : en
Pages : 1104
Book Description
Nineteenth Century
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1114
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1114
Book Description
The Bad Taste of Others
Author: Jennifer Tsien
Publisher: University of Pennsylvania Press
ISBN: 081220512X
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
An act of bad taste was more than a faux pas to French philosophers of the Enlightenment. To Montesquieu, Voltaire, Diderot, and others, bad taste in the arts could be a sign of the decline of a civilization. These intellectuals, faced with the potential chaos of an expanding literary market, created seals of disapproval in order to shape the literary and cultural heritage of France in their image. In The Bad Taste of Others Jennifer Tsien examines the power of ridicule and exclusion to shape the period's aesthetics. Tsien reveals how the philosophes consecrated themselves as the protectors of true French culture modeled on the classical, the rational, and the orderly. Their anxiety over the invasion of the Republic of Letters by hordes of hacks caused them to devise standards that justified the marginalization of worldy women, "barbarians," and plebeians. While critics avoided strict definitions of good taste, they wielded the term "bad taste" against all popular works they wished to erase from the canon of French literature, including Renaissance poetry, biblical drama, the burlesque theater of the previous century, the essays of Montaigne, and genres associated with the so-called précieuses. Tsien's study draws attention to long-disregarded works of salon culture, such as the énigmes, and offers a new perspective on the critical legacy of Voltaire. The philosophes' open disdain for the undiscerning reading public challenges the belief that the rise of aesthetics went hand in hand with Enlightenment ideas of equality and relativism.
Publisher: University of Pennsylvania Press
ISBN: 081220512X
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
An act of bad taste was more than a faux pas to French philosophers of the Enlightenment. To Montesquieu, Voltaire, Diderot, and others, bad taste in the arts could be a sign of the decline of a civilization. These intellectuals, faced with the potential chaos of an expanding literary market, created seals of disapproval in order to shape the literary and cultural heritage of France in their image. In The Bad Taste of Others Jennifer Tsien examines the power of ridicule and exclusion to shape the period's aesthetics. Tsien reveals how the philosophes consecrated themselves as the protectors of true French culture modeled on the classical, the rational, and the orderly. Their anxiety over the invasion of the Republic of Letters by hordes of hacks caused them to devise standards that justified the marginalization of worldy women, "barbarians," and plebeians. While critics avoided strict definitions of good taste, they wielded the term "bad taste" against all popular works they wished to erase from the canon of French literature, including Renaissance poetry, biblical drama, the burlesque theater of the previous century, the essays of Montaigne, and genres associated with the so-called précieuses. Tsien's study draws attention to long-disregarded works of salon culture, such as the énigmes, and offers a new perspective on the critical legacy of Voltaire. The philosophes' open disdain for the undiscerning reading public challenges the belief that the rise of aesthetics went hand in hand with Enlightenment ideas of equality and relativism.