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Author: Anna Gural-Migdal
Publisher: Peter Lang
ISBN: 9783039104550
Category : Language Arts & Disciplines
Languages : fr
Pages : 510
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Book Description
Est-ce que la représentation de la femme chez Zola, et dans la fiction naturaliste en général, entérine l'idée d'une permanence du féminin? Echappe-t-elle au contraire à toute figure, y compris au mythe de la diabolisation ou de l'exaltation, pour faire valoir une ambiguïté, une indétermination qui correspondrait à l'effacement des sexes propre à la deuxième moitié du XIXe siècle? C'est à une telle question que cet ouvrage s'attache à répondre dans le but de cerner une écriture du féminin propre à la fiction naturaliste. L'écriture du féminin est ici envisagée à la fois comme poétique de la représentation, interprétation textuelle et discours conscient ou inconscient que la société fait entendre sur la femme. Un tel discours n'échappe pas à l'hégémonie positiviste de son époque qui légitime toute catégorisation de la féminité. Parallèlement, à l'état de crise déclenché par le progrès scientifique et la peur face aux transformations qu'il engendre, fait dès lors écho une herméneutique du féminin comme métamorphose, ouverture et énigme. Does the representation of woman in Zola, and in naturalist fiction in general, confirm the notion of a permanence of the feminine; or, on the contrary, does it escape all tropes, including myths that demonize or exalt, in order to exploit its ambiguity or indeterminacy, and thereby correspond to the erasure of sex that characterizes cultural production during the second half of the nineteenth century? This is the question this work attempts to answer, in order to define and delimit the writing of the feminine in naturalist fiction. In this book, the inscription of the feminine is envisaged simultaneously as a poetics of representation, textual interpretation, and conscious or unconscious discourse that society gives to understand about woman. Such a discourse fails to escape the positivist hegemony of the period that legitimizes the categorization of the feminine. Nevertheless, beyond this systemization of the concept of woman, the idea of scientific progress brings about the development of a generalized myth of transformation that gives rise to the anguish of incertitude, degeneracy, and emptiness. A hermeneutics of woman as metamorphosis, open-mindedness, and mystery echos this situation of crisis.
Author: Anna Gural-Migdal
Publisher: Peter Lang
ISBN: 9783039104550
Category : Language Arts & Disciplines
Languages : fr
Pages : 510
Get Book Here
Book Description
Est-ce que la représentation de la femme chez Zola, et dans la fiction naturaliste en général, entérine l'idée d'une permanence du féminin? Echappe-t-elle au contraire à toute figure, y compris au mythe de la diabolisation ou de l'exaltation, pour faire valoir une ambiguïté, une indétermination qui correspondrait à l'effacement des sexes propre à la deuxième moitié du XIXe siècle? C'est à une telle question que cet ouvrage s'attache à répondre dans le but de cerner une écriture du féminin propre à la fiction naturaliste. L'écriture du féminin est ici envisagée à la fois comme poétique de la représentation, interprétation textuelle et discours conscient ou inconscient que la société fait entendre sur la femme. Un tel discours n'échappe pas à l'hégémonie positiviste de son époque qui légitime toute catégorisation de la féminité. Parallèlement, à l'état de crise déclenché par le progrès scientifique et la peur face aux transformations qu'il engendre, fait dès lors écho une herméneutique du féminin comme métamorphose, ouverture et énigme. Does the representation of woman in Zola, and in naturalist fiction in general, confirm the notion of a permanence of the feminine; or, on the contrary, does it escape all tropes, including myths that demonize or exalt, in order to exploit its ambiguity or indeterminacy, and thereby correspond to the erasure of sex that characterizes cultural production during the second half of the nineteenth century? This is the question this work attempts to answer, in order to define and delimit the writing of the feminine in naturalist fiction. In this book, the inscription of the feminine is envisaged simultaneously as a poetics of representation, textual interpretation, and conscious or unconscious discourse that society gives to understand about woman. Such a discourse fails to escape the positivist hegemony of the period that legitimizes the categorization of the feminine. Nevertheless, beyond this systemization of the concept of woman, the idea of scientific progress brings about the development of a generalized myth of transformation that gives rise to the anguish of incertitude, degeneracy, and emptiness. A hermeneutics of woman as metamorphosis, open-mindedness, and mystery echos this situation of crisis.
Author: Alison M. K. Walls
Publisher: Peter Lang
ISBN: 9781433102721
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
The nineteenth century saw a fundamental change in the practice and psychology of shopping with the appearance of the department store: La Samaritaine in Paris (1869), Macy's in New York (1858) and Harrods in London (1849) were early representations of Western consumer culture. The Sentiment of Spending examines this shift first on a socio-historic level and then through the literary lens of some of the century's most vital authors, the exponents of Naturalism - Emile Zola, Guy de Maupassant, and Jori-Karl Huysmans - as well as the fascinating, if rarely studied, Rachilde. In the works discussed, the characters reveal through their interpersonal, sexual, and sentimental relationships the penetrating effects of a consumerist culture. As both a literary and social analysis, this book also addresses the moral question inherent in a world where shopping and sentiment are so inextricably intertwined. The Sentiment of Spending provides profound insights into some essential texts, and is an engaging read for anyone with an interest in French literature and its reflection of our society.
Author: Catherine Dousteyssier-Khoze
Publisher: Cambridge Scholars Publishing
ISBN: 1443802549
Category : Literary Criticism
Languages : en
Pages : 175
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Book Description
Dans le sillage des travaux incontournables de David Baguley sur Zola et le Naturalisme, le recueil intitulé Naturalisme et excès visuels: pantomime, parodie, image, fête. Mélanges en l’honneur de David Baguley cherche à éclairer l’esthétique naturaliste d’une lumière nouvelle, à travers le concept d’excès. Un excès naturaliste qui devient synonyme, tout à tour ou simultanément, de théâtralisation, de surcodage, de débordement des cadres génériques et/ou littéraires. À l’intérieur comme à l’extérieur du mouvement littéraire naturaliste, il s’agit de mettre en évidence certaines énergies naturalistes à travers quatre grandes pistes ou articulations qui n’ont été que peu abordées ensemble par la recherche: celles de pantomime, de parodie, d’image et de fête. Chacune de ces facettes va, à sa façon, permettre d’affirmer ou de réaffirmer la prédominance de l’excès, du corporel, du visuel, inscrits au cœur d’une esthétique naturaliste foncièrement moderne.
Author: William H. Thompson
Publisher: Susquehanna University Press
ISBN: 9781575910970
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
Provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. This book is for the study of French literature and culture.
Author: Émile Zola
Publisher: Oxford University Press
ISBN: 0199536929
Category : Fiction
Languages : en
Pages : 318
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Book Description
'It was the time when the rush for spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women.' The Kill (La Curée) is the second volume in Zola's great cycle of twenty novels, Les Rougon-Macquart, and the first to establish Paris - the capital of modernity - as the centre of Zola's narrative world. Conceived as a representation of the uncontrollable 'appetites' unleashed by the Second Empire (1852-70) and the transformation of the city by Baron Haussmann, the novel combines into a single, powerful vision the twin themes of lust for money and lust for pleasure. The all-pervading promiscuity of the new Paris is reflected in the dissolute and frenetic lives of an unscrupulous property speculator, Saccard, his neurotic wife Renée, and her dandified lover, Saccard's son Maxime. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author: Anna Gural-Migdal
Publisher: McFarland
ISBN: 0786421150
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
French novelist Emile Zola, noted for his championship of the Naturalist novel, has been one of the most adapted authors in world literature. There have been approximately 80 film adaptations of his late 19th century novels and short stories, many of which occurred during the silent era of international film production (1895-1927). While the aesthetic elements of Zola's fiction continue to appeal to international cinema, the author's thematic naturalism and his "scientific methodology" have provided an ideological framework that incorporates art, science and history into the many cinematic adaptations of his work. This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of theoretical and interdisciplinary perspectives. The 13 essays discuss the adaptation of Zola's works within the limitations of the silent cinema; the challenges posed by film censorship and the notoriety of the author's naturalist text; the ideological inflection given to Zola's working class narratives; and Zola's representation of women. Zola's works are placed within their respective historical contexts, as the essays address encoded anti-Nazi sentiment in films produced under the German occupation of France during World War II and the French Communist Party's reception of the filmic adaptation of Germinal. Other adapted works addressed in these chapters include La Terre, Nana, La Bete humaine, Au Bonheur des Dames, Therese Raquin, Gervaise and Pot-Bouille.
Author: Eilene Hoft-March
Publisher: Cambridge Scholars Publishing
ISBN: 1443804576
Category : Literary Collections
Languages : en
Pages : 330
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Book Description
Aimer et Mourir offers a wide-ranging selection of essays that collectively address how, from the Middle Ages to the present, the notions of love and death get inextricably associated with the narratives that are women’s lives. Some of the essays tackle male writers’ representations that link women and, in particular, women’s sexuality, with death, resulting in the figures of the femme fatale, the woman in parturition, and the desiring vampire. A number of essays reiterate that women’s hyper-sexualized bodies have been used as a social construct and a psychological screen upon which to project a fear of death. The challenges to this pat reduction of “woman’s” domain come from the mostly women writers represented here—and they span from Marguerite de Navarre to Amélie Nothomb. These women writers rework the old formulae, giving us instead death-defying memories of love, love regenerative of language (as of bodies), love forcing the frontiers of death, or love creatively redefined within the parameters of death. Nor are these new narratives imagined as belonging to women alone but rather as attesting to a richer, more varied, and greatly sensitized human experience.
Author: Susan Hiner
Publisher: University of Pennsylvania Press
ISBN: 0812205332
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Accessories to Modernity explores the ways in which feminine fashion accessories, such as cashmere shawls, parasols, fans, and handbags, became essential instruments in the bourgeois idealization of womanhood in nineteenth-century France. Considering how these fashionable objects were portrayed in fashion journals and illustrations, as well as fiction, the book explores the histories and cultural weight of the objects themselves and offers fresh readings of works by Balzac, Flaubert, and Zola, some of the most widely read novels of the period. As social boundaries were becoming more and more fluid in the nineteenth century, one effort to impose order over the looming confusion came, in the case of women, through fashion, and the fashion accessory thus became an ever more crucial tool through which social distinction could be created, projected, and maintained. Looking through the lens of fashion, Susan Hiner explores the interplay of imperialist expansion and domestic rituals, the assertion of privilege in the face of increasing social mobility, gendering practices and their relation to social hierarchies, and the rise of commodity culture and woman's paradoxical status as both consumer and object within it. Through her close focus on these luxury objects, Hiner reframes the feminine fashion accessory as a key symbol of modernity that bridges the erotic and proper, the domestic and exotic, and mass production and the work of art while making a larger claim about the "accessory" status—in terms of both complicity and subordination—of bourgeois women in nineteenth-century France. Women were not simply passive bystanders but rather were themselves accessories to the work of modernity from which they were ostensibly excluded.
Author: Émile Zola
Publisher: Oxford University Press
ISBN: 0191044377
Category : Fiction
Languages : en
Pages : 305
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Book Description
'Everything revolved around their love. They were constantly bathed in a passion that they carried with them, around them, as though it were the only air they could breathe.' Hélène Grandjean, an attractive young widow, lives a secluded life in Paris with her only child, Jeanne. Jeanne is a delicate and nervous girl who jealously guards her mother's affections. When Jeanne falls ill, she is attended by Dr Deberle, whose growing admiration for Hélène gradually turns into mutual passion. Deberle's wife Juliette, meanwhile, flirts with a shallow admirer, and Hélène, intent on preventing her adultery, precipitates a crisis whose consequences are far-reaching. Jeanne realizes she has a rival for Hélène's devotion in the doctor, and begins to exercise a tyrannous hold over her mother. The eighth novel in Zola's celebrated Rougon-Macquart series, A Love Story is an intense psychological and nuanced portrayal of love's different guises. Zola's study extends most notably to the city of Paris itself, whose shifting moods reflect Hélène's emotional turmoil in passages of extraordinary lyrical description.
Author: Susie Hennessy
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
This work deals with Zola's realistic depiction of the effects of class, environment and heredity on his fictional women and the children they rear, providing insight into the difficulties facing mothers in late nineteenth-century France. The study of maternal figures in Zola's Rougon-Macquart reveals the extent to which the author's explicit goal of depicting reality is often accompanied by narration that casts doubt upon maternal behavior.
