Merriam-Webster's Visual Dictionary PDF Download
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Author: Jean-Claude Corbeil
Publisher: Merriam-Webster
ISBN:
Category : Reference
Languages : en
Pages : 968
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Book Description
Incorporates more than 20,000 words and their definitions, and 6,000 full-color illustrations, plus seventeen chapters on a wide variety of subjects.
Author: Jean-Claude Corbeil
Publisher: Merriam-Webster
ISBN:
Category : Reference
Languages : en
Pages : 968
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Book Description
Incorporates more than 20,000 words and their definitions, and 6,000 full-color illustrations, plus seventeen chapters on a wide variety of subjects.
Author: Cédric Viale
Publisher: BRILL
ISBN: 9047431758
Category : Law
Languages : en
Pages : 528
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Book Description
This volume contains terms often found in international human rights instruments together with clear, authentic, objective and easily understandable definitions of them. Human rights are so fundamental and so important for everyone that all human rights documents should be understood by anyone, old or young, educated or uneducated, expert or non-expert. Yet many human rights conventions, declarations, instruments and volumes and papers are extremely hard to comprehend or are easily misunderstood because certain expressions and terms are not clearly defined, or are written in such a way that only those familiar with UN jargon can understand. This publication is a useful tool for those who face such difficulty in understanding UN human rights documents and other texts. The volume is easy to use, yet rich in detail, and will be an indispensable tool for practitioners, researchers and students of human rights law.
Author: Clifford E. Landers
Publisher: Multilingual Matters
ISBN: 9781853595196
Category : Language Arts & Disciplines
Languages : en
Pages : 228
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Book Description
In this book, both beginning and experienced translators will find pragmatic techniques for dealing with problems of literary translation, whatever the original language. Certain challenges and certain themes recur in translation, whatever the language pair. This guide proposes to help the translator navigate through them.
Author: Mary E. Bond
Publisher: UBC Press
ISBN: 9780774805650
Category : Language Arts & Disciplines
Languages : en
Pages : 1102
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Book Description
In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Howard C. Warren
Publisher: Routledge
ISBN: 0429869045
Category : Psychology
Languages : en
Pages : 372
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Book Description
First published in 1935, this volume was designed to explain a range of technical psychological terms along with some amendments on usage. Howard C. Warren includes terms from fields related to 1930s psychology, such as folk-lore, religion, education and physiology, as well as more frequently used foreign terms.
Author: North Atlantic Treaty Organization
Publisher:
ISBN:
Category : Military art and science
Languages : en
Pages : 276
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Book Description
Author: James Mark Baldwin
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 938
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Book Description
Author: Cristina Baldacci
Publisher: Mimesis
ISBN: 8869771822
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
Montage, today, is a widespread procedure that doesn’t concern just artistic production, but also our daily lives and the use everyone makes of that huge visual archive that contemporary media place at our disposal. In a technologically advanced society, where the notion of postproduction regulates our relationship with images and objects, it is therefore necessary to thoroughly investigate the role, possibilities, and, most of all, anthropological and political connotations of montage; and to ask ourselves whether – in comparison to the heroic years of the avant-garde movements – montage has become a faded and standardized practice or if it is a more and more effective means to understand and reprogramme the world, especially in relation to the technical possibilities offered by new media and remix practices.
Author: Margot Irvine
Publisher: Cambridge Scholars Publishing
ISBN: 1527541258
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
Literature strives to interpret and explain the unknown, and to propose ways in which to engage with it—even if, at least initially, these keys exist only in the realm of the imagination. This is one of the many important qualities that draw us to study literature, and to marvel at the creative understandings that it offers. However, many questions call for further exploration: how does something “unknowable”, unspeakable, become a subject that can be examined and debated? How have literary and scientific communities entered into the dialogue and exchange that are crucial to the consolidation of knowledge? By what processes can we come to know and understand that which remains hidden, undocumented, unspoken, poorly understood: the memories, secrets, “unknowable” and “unspeakable” truths of public and private human lives? Inspired by questions such as these, the contributors to this volume reflect on fin de siècle discourses around homosexuality and sexual “inversion”, on Émile Zola as seeker of concealed truths and figure of scandal, on the modes and crises of representing human experience in literary and visual forms, and on the dialogic space between self and other.
Author: Kate Ince
Publisher: Manchester University Press
ISBN: 1526141396
Category : Performing Arts
Languages : en
Pages : 168
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Book Description
Auteurism – the idea that a director of a film is its source of meaning and should retain creative control over the finished product – has been one of film studies’ most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term auteur by Andrew Sarris. Through the popular, controversial and critically acclaimed films of Olivier Assayas, Jacques Audiard, the Dardenne borthers, Michael Haneke and Francois Ozon, this book looks into how the meaning of ‘auteur’ has changed over this half-century, and assesses the current state of Francophone auteur cinema. It combines French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism. This volume will be of interest to researchers and students of film studies, European cinema and French and Francophone studies, as well as to film enthusiasts.
