Le Trésor Du Bibliophile Romantique Et Moderne, 1801-1875 PDF Download
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Author: Léopold Carteret
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 224
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Book Description
Author: Léopold Carteret
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 224
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Book Description
Author: Léopold Carteret
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 340
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Author: Léopold Carteret
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Author: Léopold Carteret
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 528
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Book Description
Author: Arundell Esdaile
Publisher: Routledge
ISBN: 1000507041
Category : Language Arts & Disciplines
Languages : en
Pages : 244
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Book Description
This book, first published in 1931, first examines the many processes that go to the making of a book – paper, printing, illustration and binding – then lists with running commentary 300 or so important works of reference, and an account of the principles and arrangements of bibliographies.
Author: Wulf D. von Lucius
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110506149
Category : Social Science
Languages : en
Pages : 128
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Author: David S. Kerr
Publisher: Clarendon Press
ISBN: 0191543047
Category : History
Languages : en
Pages : 254
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Book Description
Charles Philipon (1800-1862) was the founder of the satirical illustrated press in France. With the newspapers he owned and directed, La Caricature and Le Charivari, he led an unprecedentedly coherent and vitriolic campaign of disrespect against King Louis-Philippe and his regime. Using a group of young caricaturists (the most talented of whom were Daumier, Grandville, and Travies) and the collaboration of a gifted team of writers (including Balzac) he crafted a new language of opposition. This book is the first full scholarly study of the structure of the illustrated press in the 1830s, its contribution to political debate in France, the dissemination of caricature and its potential as political propaganda, and the links between caricature and other forms of political-cultural discourse under the July Monarchy.
Author: Keri Yousif
Publisher: Routledge
ISBN: 1317176340
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Examining how the rise of book illustration affected the historic hegemony of the word, Keri Yousif explores the complex literary and artistic relationship between the novelist Honoré de Balzac and the illustrator J. J. Grandville during the French July Monarchy (1830-1848). Both collaborators and rivals, these towering figures struggled for dominance in the Parisian book trade at the height of the Romantic revolution and its immediate aftermath. Both men were social portraitists who collaborated on the influential encyclopedic portrayal of nineteenth-century society, Les Français peints par eux-mêmes. However, their collaboration soon turned competitive with Grandville's publication of Scènes de la vie privée et publique des animaux, a visual parody of Balzac's Scènes de la vie privée. Yousif investigates Balzac's and Grandville's individual and joint artistic productions in terms of the larger economic and aesthetic struggles within the nineteenth-century arena of cultural production, showing how writers were forced to position themselves both in terms of the established literary hierarchy and in relation to the rapidly advancing image. As Yousif shows, the industrialization of the illustrated book spawned a triadic relationship between publisher, writer, and illustrator that transformed the book from a product of individual genius to a cooperative and commercial affair. Her study represents a significant contribution to our understanding of literature, art, and their interactions in a new marketplace for publication during the fraught transition from Romanticism to Realism.
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 501
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Book Description
Author: James Smith Allen
Publisher: Syracuse University Press
ISBN: 9780815622321
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Focusing on the Paris book world of this period, Allen reveals how the rise of a new popular literature—jolly chansonniers, the roman-feuilletons or serial novels, melodramas, gothic and sentimental novels, dramatic nationalistic histories—by such authors as Dumas, Sand, Lamennais, Ancelot, Desnoyer, and de Kock coincided with remarkable developments in the production, distribution, and consumption of books. Allen's research ranges from a survey of the then-popular romantic titles and authors and the trade catalogs of booksellers and lending libraries, to the police records of their activities, diaries and journals of working people, and military conscript records and ministerial literacy statistics. The result is a remarkable picture of the exchange between elite and popular culture, the interaction between ideas and their material reality, and the relationship between the literature and the history of France in the romantic period.