Layer Cake - the Representation of London in Penelope Lively's City of the Mind and Peter Ackroyd's London PDF Download
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Author: Ana Colton-Sonnenberg
Publisher: GRIN Verlag
ISBN: 3638849252
Category : Language Arts & Disciplines
Languages : en
Pages : 57
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Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Paderborn, 19 entries in the bibliography, language: English, abstract: As history is inevitably constructed, fact and fiction lay very closely together. Furthermore, history cannot be but a subjective notion since every person, including historians, has different experiences and interests. Thus, the history of a place or an event is similar to a layer cake: it consists of the memories of all people who are in some way involved. This is the motif of the two works presented in this analysis: City of the Mind and London: A Biography. The layer cake in both Penelope Lively's novel and Peter Ackroyd's historical tract is London. Lively discovers the many strata of the capital by following the main character of her novel, Matthew Halland, around London. Ackroyd's work is as non-fictional as history can get. Similarly to Lively's novel, his structure, however, is not chronological but thematical. On the basis of these two works, a novel and a non-fictional text, this paper pretends to refute the idea of a static history and show in what way Lively's and Ackroyd's London is a 'city of the mind' consisting of layers. To get a better understanding of historiography and its controversies, I will first give a short theoretical overview over the subject. The next step will be to present the authors of the works in order to show their familiarity with history. The subsequent analysis of the representation of London will focus on the idea of London as a layer cake as it manifests itself in both Lively's novel and Ackroyd's book.
Author: Ana Colton-Sonnenberg
Publisher: GRIN Verlag
ISBN: 3638849252
Category : Language Arts & Disciplines
Languages : en
Pages : 57
Get Book Here
Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Paderborn, 19 entries in the bibliography, language: English, abstract: As history is inevitably constructed, fact and fiction lay very closely together. Furthermore, history cannot be but a subjective notion since every person, including historians, has different experiences and interests. Thus, the history of a place or an event is similar to a layer cake: it consists of the memories of all people who are in some way involved. This is the motif of the two works presented in this analysis: City of the Mind and London: A Biography. The layer cake in both Penelope Lively's novel and Peter Ackroyd's historical tract is London. Lively discovers the many strata of the capital by following the main character of her novel, Matthew Halland, around London. Ackroyd's work is as non-fictional as history can get. Similarly to Lively's novel, his structure, however, is not chronological but thematical. On the basis of these two works, a novel and a non-fictional text, this paper pretends to refute the idea of a static history and show in what way Lively's and Ackroyd's London is a 'city of the mind' consisting of layers. To get a better understanding of historiography and its controversies, I will first give a short theoretical overview over the subject. The next step will be to present the authors of the works in order to show their familiarity with history. The subsequent analysis of the representation of London will focus on the idea of London as a layer cake as it manifests itself in both Lively's novel and Ackroyd's book.
Author: Ana Colton-Sonnenberg
Publisher: GRIN Verlag
ISBN: 3638830527
Category : Literary Criticism
Languages : en
Pages : 26
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Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Paderborn, language: English, abstract: As history is inevitably constructed, fact and fiction lay very closely together. Furthermore, history cannot be but a subjective notion since every person, including historians, has different experiences and interests. Thus, the history of a place or an event is similar to a layer cake: it consists of the memories of all people who are in some way involved. This is the motif of the two works presented in this analysis: City of the Mind and London: A Biography. The layer cake in both Penelope Lively’s novel and Peter Ackroyd’s historical tract is London. Lively discovers the many strata of the capital by following the main character of her novel, Matthew Halland, around London. Ackroyd’s work is as non-fictional as history can get. Similarly to Lively’s novel, his structure, however, is not chronological but thematical. On the basis of these two works, a novel and a non-fictional text, this paper pretends to refute the idea of a static history and show in what way Lively’s and Ackroyd’s London is a ‘city of the mind’ consisting of layers. To get a better understanding of historiography and its controversies, I will first give a short theoretical overview over the subject. The next step will be to present the authors of the works in order to show their familiarity with history. The subsequent analysis of the representation of London will focus on the idea of London as a layer cake as it manifests itself in both Lively’s novel and Ackroyd’s book.
Author: Berkem Gurenci Saglam
Publisher:
ISBN: 9780773425781
Category : Biography in literature
Languages : en
Pages : 0
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Book Description
This study aims to analyze the significance of the city, namely London, in Peter Ackroyd's work from a postmodern perspective
Author: Berkem Gürenci Saglam
Publisher:
ISBN: 9780773421349
Category : Biography in literature
Languages : en
Pages : 203
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Book Description
A critical literary analysis of how the literature of Peter Ackroyd's fiction represent the city of London.
Author: Penelope Lively
Publisher: Penguin UK
ISBN: 014190996X
Category : Fiction
Languages : en
Pages : 224
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Book Description
City of the Mind is the second novel by Booker Prize winning author Penelope Lively. 'This is the city in which everything is simultaneous. There is no yesterday, nor tomorrow, merely weather, and decay, and construction.' In London's changing heartland, architect Matthew Halland is aware of how the past and the present blend. It stirs memories of his boyhood, the early years of his daughter Jane and the failed marriage that he has almost put behind him. Here too is the London of prehistory, of Georgian elegance, of the Blitz. But Matthew is occupied with constructing a new future for London in Docklands, and with it he begins to forge new beginnings of his own. 'A glorious novel' Observer 'The descriptions of the London Blitz are achingly real' Sunday Telegraph Penelope Lively is the author of many prize-winning novels and short-story collections for both adults and children. She has twice been shortlisted for the Booker Prize: once in 1977 for her first novel, The Road to Lichfield, and again in 1984 for According to Mark. She later won the 1987 Booker Prize for her highly acclaimed novel Moon Tiger. Her other books include Going Back; Judgement Day; Next to Nature, Art; Perfect Happiness; Passing On; City of the Mind; Cleopatra's Sister; Heat Wave; Beyond the Blue Mountains, a collection of short stories; Oleander, Jacaranda, a memoir of her childhood days in Egypt; Spiderweb; her autobiographical work, A House Unlocked; The Photograph; Making It Up; Consequences; Family Album, which was shortlisted for the 2009 Costa Novel Award, and How It All Began. She is a popular writer for children and has won both the Carnegie Medal and the Whitbread Award. She was appointed CBE in the 2001 New Year's Honours List, and DBE in 2012. Penelope Lively lives in London.
Author: Dominic Head
Publisher: Cambridge University Press
ISBN: 9780521669665
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
In this introduction to post-war fiction in Britain, Dominic Head shows how the novel yields a special insight into the important areas of social and cultural history in the second half of the twentieth century. Head's study is the most exhaustive survey of post-war British fiction available. It includes chapters on the state and the novel, class and social change, gender and sexual identity, national identity and multiculturalism. Throughout Head places novels in their social and historical context. He highlights the emergence and prominence of particular genres and links these developments to the wider cultural context. He also provides provocative readings of important individual novelists, particularly those who remain staple reference points in the study of the subject. Accessible, wide-ranging and designed specifically for use on courses, this is the most current introduction to the subject available. An invaluable resource for students and teachers alike.
Author: Philip Tew
Publisher: A&C Black
ISBN: 0826493203
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
Second edition of this guide for students studying contemporary British writing - written by one of the key academics in the field of modern fiction studies.
Author: Stoddard Martin
Publisher: Springer
ISBN: 1349064106
Category : Fiction
Languages : en
Pages : 232
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Book Description
Author: Kathryn Schulz
Publisher: Harper Collins
ISBN: 0061176052
Category : Psychology
Languages : en
Pages : 418
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Book Description
To err is human. Yet most of us go through life assuming (and sometimes insisting) that we are right about nearly everything, from the origins of the universe to how to load the dishwasher. In Being Wrong, journalist Kathryn Schulz explores why we find it so gratifying to be right and so maddening to be mistaken. Drawing on thinkers as varied as Augustine, Darwin, Freud, Gertrude Stein, Alan Greenspan, and Groucho Marx, she shows that error is both a given and a gift—one that can transform our worldviews, our relationships, and ourselves.
Author: Laura E. Savu
Publisher: Associated University Presse
ISBN: 9780838641811
Category : Biography & Autobiography
Languages : en
Pages : 302
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Book Description
This book scrutinizes the genre of the author-as-character with respect to three broad issues--authorship, the posthumous, and cultural revisionism--that arise in reading such works from a contemporary perspective. Late twentieth-century fiction "postmodernizes" romantic and modern authors not only to understand them better, but also to understand itself in relation to a past (literary tradition, aesthetic paradigms, cultural formations, etc.) that has not really passed. Penelope Fitzgerald's The Blue Flower, Peter Ackroyd's The Last Testament of Oscar Wilde and Chatterton, Peter Carey's Jack Maggs, Michael Cunningham's The Hours, Colm Toibin's The Master, and Geoff Dyer's Out of Sheer Rage: Wrestling with D. H. Lawrence--"the mighty dead" (Harold Bloom) are brought back to life, reanimated and bodied forth in new textual bodies that project a post-modern understanding of the author as a historically and culturally contingent subjectivity constructed along the lines of gender, sexual orientation, class, and nationality. Laura E. Savu is a lecturer at the University of Bucharest.
