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Author: Molière
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 386
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Book Description
Author: Molière
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 386
Get Book Here
Book Description
Author: Molière
Publisher:
ISBN:
Category :
Languages : en
Pages : 404
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Book Description
Author: Sandra Cavallo
Publisher: Routledge
ISBN: 1317882768
Category : History
Languages : en
Pages : 232
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Book Description
This new collection of essays brings together brand new research on widowhood in medieval and early modern Europe. The volume opens with an introductory chapter by the Editors which looks generally at the conditions and constructions of widowhood in this period. This is followed by a range of essays which illuminate different dimensions of widowhood across Europe - in England, Italy, France, Germany and Spain. A particular attraction of the volume is the attention given to widowers, and the comparisons made between the male and female experience of widowhood. It is an exciting reinterpretation of the subject which will do much to undo the traditional stereotype of the widow. Contributing to the volume are: Jodi Bilinkoff, Giulia Calvi, Sandra Cavallo, Isabelle Chabot, Julia Crick, Amy Erikson, Dagmar Freist, Elizabeth Foyster, Margaret Pelling, Pamela Sharpe,Tim Stretton, Barbara Todd, and Lyndan Warner.
Author: Rogério Budasz
Publisher: Oxford University Press
ISBN: 0190215844
Category : Music
Languages : en
Pages : 505
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Book Description
Opera in the Tropics is an engaging exploration of theater with music in Brazil from the mid 1500s to the early 1820s. Author Rogério Budasz delves into the practices of the actors, singers, poets, and composers who created and performed Jesuit moral plays, Spanish comedias, and Portuguese vernacular operas and entremezes during the colonial period, as well as the Italian operas that celebrated the new independent nation in 1822. A Brazilian producer claimed in 1825 that the goal of music-theater was to instruct, entertain, and distract the population. Budasz argues that this threefold goal had in fact been present throughout the colonial period, in different combinations and with different purposes, at the hands of missionaries, intellectuals, bureaucrats, political leaders, and cultural producers. While Budasz demonstrates a continuity from Portuguese theatrical practices, primarily through the circulation of artists and repertory, he also examines a number of localized departures from the metropolitan model, particularly in the ethnic and gender profile of theatrical workers, in the modifications determined by local tastes, priorities, and materials, and in the political use of theater as an ideological and civilizing tool within the paradoxical context of a slave society. An eye-opening narrative of the transformations and uses of a colonial art form, Opera in the Tropics will be essential reading for all interested in the music and theater in Iberian and Latin American culture.
Author: Joseph L. Anderson
Publisher: Wheatmark, Inc.
ISBN: 160494367X
Category : Actors
Languages : en
Pages : 597
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Book Description
Looking back to the last years of the nineteenth century, veteran producer-director Joseph L. Anderson draws upon a monumental body of research gleaned from libraries and archives in seven countries to introduce the Japanese theatrical impresario Kawakami Otojirō. In 1899, Kawakami, his wife--the inspired dancer and actress Sadayakko--and his troupe went on epochal performance tours of the U.S. and Europe, introducing audiences to new forms of dramatic art and dance previously unseen in the West. Possessed of boundless energy and limitless imagination, Kawakami was a pioneer who quite literally viewed the world as his stage. In the closing decade of an all-too-brief life, Kawakami introduced major reforms of Japanese performance and the theatre business. Scholarly, witty, and filled with fascinating insights into the culture and conventions of fin de siècle America, Europe, and Japan, Enter a Samurai opens a door into a little-known, yet vitally important era of modern theatrical history. -- Back cover of volume 1
Author: Molière
Publisher:
ISBN:
Category :
Languages : en
Pages : 550
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Book Description
Author: Louis Chambaud
Publisher:
ISBN:
Category : French language
Languages : en
Pages : 522
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Book Description
Author: D. Nikulin
Publisher: Springer
ISBN: 1137415142
Category : Philosophy
Languages : en
Pages : 201
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Book Description
Comedy, Seriously provides a philosophical interpretation of comedy and argues that comedy displays a particular kind of rationality that reflects philosophical thinking. In particular, that comedy is defined not so much by laughter or jokes, but rather the structure of its plot, which is isomorphic with that of the philosophical argument. Comedy allows for the resolution of a conflict and the achievement of well-being and equality through action that follows the comic plot. Moreover, such action is propelled by the 'thinker on stage,' who, as socially and politically oppressed, contributes to the liberation of all and the achievement of the good life. Comedy, therefore, establishes the universal pattern for justice and well-being and allows us to rethink the notion of subjectivity not as the modern isolated subject, but rather as integrated with others through shared action and dialogical involvement.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 264
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Book Description
Author: Walter Puchner
Publisher: Cambridge University Press
ISBN: 1108210260
Category : History
Languages : en
Pages : 377
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Book Description
This first general history of Greek theatre from Hellenistic times to the foundation of the Modern Greek state in 1830 marks a radical departure from traditional methods of historiography. We like to think of history unfolding continuously, in an evolutionary form, but the story of Greek theatre is rather different. After traditional theatre ended in the sixth and seventh centuries, no traditional drama was written or performed on stage throughout the Greek-speaking world for centuries due to the Orthodox Church's hostile attitude toward spectacles. With the reinvention of theatre in Renaissance Italy, however, Greek theatre was revived in Crete under Venetian rule in the late sixteenth century. The following centuries saw the restoration of Greek theatre at various locations, albeit characterized by numerous ruptures and discontinuities in terms of geography, stylistics, thematic approaches and ideologies. These diverse developments were only 'normalized' with the establishment of the Greek nation state.
