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Author: Anj Boniface
Publisher: Lulu.com
ISBN: 1847539130
Category : Juvenile Fiction
Languages : en
Pages : 178
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Book Description
Laura thought that she was a normal teenager. She had a fantastic best friend, an evil 'soon to be' step sister and the greatest mother in the world. Nothing extra ordinary happened to Laura. That was until the day her summer assignment dragged her into the murky world of grave robbing and body snatching. In her reluctant bid to rescue a young boy, suffering at the hands of a notorious, violent gang, Scotland in the 1800's was about to provide her with the most frightening History lesson she was ever likely to study.
Author: Anj Boniface
Publisher: Lulu.com
ISBN: 1847539130
Category : Juvenile Fiction
Languages : en
Pages : 178
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Book Description
Laura thought that she was a normal teenager. She had a fantastic best friend, an evil 'soon to be' step sister and the greatest mother in the world. Nothing extra ordinary happened to Laura. That was until the day her summer assignment dragged her into the murky world of grave robbing and body snatching. In her reluctant bid to rescue a young boy, suffering at the hands of a notorious, violent gang, Scotland in the 1800's was about to provide her with the most frightening History lesson she was ever likely to study.
Author: Annette Kuhn
Publisher: Verso
ISBN: 9780860919933
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
A collection of essays, bringing science fiction cinema into the ambit of film and cultural theory.
Author: Priscilla Wald
Publisher: Duke University Press
ISBN: 0822390574
Category : Social Science
Languages : en
Pages : 392
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Book Description
How should we understand the fear and fascination elicited by the accounts of communicable disease outbreaks that proliferated, following the emergence of HIV, in scientific publications and the mainstream media? The repetition of particular characters, images, and story lines—of Patients Zero and superspreaders, hot zones and tenacious microbes—produced a formulaic narrative as they circulated through the media and were amplified in popular fiction and film. The “outbreak narrative” begins with the identification of an emerging infection, follows it through the global networks of contact and contagion, and ends with the epidemiological work that contains it. Priscilla Wald argues that we need to understand the appeal and persistence of the outbreak narrative because the stories we tell about disease emergence have consequences. As they disseminate information, they affect survival rates and contagion routes. They upset economies. They promote or mitigate the stigmatizing of individuals, groups, locales, behaviors, and lifestyles. Wald traces how changing ideas about disease emergence and social interaction coalesced in the outbreak narrative. She returns to the early years of microbiology—to the identification of microbes and “Typhoid Mary,” the first known healthy human carrier of typhoid in the United States—to highlight the intertwined production of sociological theories of group formation (“social contagion”) and medical theories of bacteriological infection at the turn of the twentieth century. Following the evolution of these ideas, Wald shows how they were affected by—or reflected in—the advent of virology, Cold War ideas about “alien” infiltration, science-fiction stories of brainwashing and body snatchers, and the HIV/AIDS pandemic. Contagious is a cautionary tale about how the stories we tell circumscribe our thinking about global health and human interactions as the world imagines—or refuses to imagine—the next Great Plague.
Author: Michael Bliss
Publisher: Rowman & Littlefield
ISBN: 1442236523
Category : Performing Arts
Languages : en
Pages : 189
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Book Description
Out of more than 180 science fiction films produced in the United States between 1950 and 1959, twenty were concerned with the notion of an invasion. Of these, a select number used the invasions as metaphors of issues that were of importance to America at the time, such as assaults upon individuality and marriage and debates about the supremacy of the human race. The invasion may be real (The Day the Earth Stood Still and War of the Worlds), dreamed (Invaders from Mars), or the result of a mental breakdown, as seems to be the case in Invasion of the Body Snatchers. Real or not, all of these massive disturbances to the status quo convey the same anxiety: In the 1950s, many Americans felt that things in their world weren’t quite right, and this sense of unease was expressed in the country’s art, notably these films. In Invasions USA: The Essential Science Fiction Films of the 1950s, Michael Bliss examines movies that stripped away the veneer of normality during a decade often portrayed as the last innocent period in American history. From a boy’s nightmares about his alien-controlled parents and a young woman’s fears that her fiancé has been replaced by an emotionless alien to an extraterrestrial visitor who comes to warn mankind about its self-destructive ways, the stories of these films offer a variety of messages, both subtle and overt. With detailed discussions and analyses of the films in question, this book examines a unique group of movies with profound messages. By exploring depictions of insecurities—whether personal or political—Bliss shows how science fiction films spoke to American audiences deeply troubled by their circumstances. Invasions USA will appeal to science fiction buffs and film aficionados interested in this significant phenomenon in movie and cultural history.
Author: Ronald Kidd
Publisher: Simon and Schuster
ISBN: 1416958924
Category : Juvenile Fiction
Languages : en
Pages : 210
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Book Description
It's 1955, and Paul and his friends are excited when filming of "Invasion of the Body Snatchers" begins in their small California town. But they soon become involved in a conspiracy that puts them in real danger.
Author: Laura Whitcomb
Publisher: HarperCollins
ISBN: 0547349130
Category : Young Adult Fiction
Languages : en
Pages : 291
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Book Description
In the class of the high school English teacher she has been haunting, Helen feels them: for the first time in 130 years, human eyes are looking at her. They belong to a boy, a boy who has not seemed remarkable until now. And Helen—terrified, but intrigued—is drawn to him. The fact that he is in a body and she is not presents this unlikely couple with their first challenge. But as the lovers struggle to find a way to be together, they begin to discover the secrets of their former lives and of the young people they come to possess.
Author: Sarah Juliet Lauro
Publisher: U of Minnesota Press
ISBN: 1452955522
Category : Social Science
Languages : en
Pages : 615
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Book Description
Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other. Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.
Author: J. Hoberman
Publisher: The New Press
ISBN: 1595587276
Category : Performing Arts
Languages : en
Pages : 471
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Book Description
The film critic’s sweeping analysis of American cinema in the Cold War era is both “utterly compulsive reading [and] majestic” in its “breadth and rigor” (Film Comment). An Army of Phantoms is a major work of film history and cultural criticism by leading film critic J. Hoberman. Tracing the dynamic interplay between politics and popular culture, Hoberman offers “the most detailed year-by-year look at Hollywood during the first decade of the Cold War ever published, one that takes film analysis beyond the screen and sets it in its larger political context” (Los Angeles Review of Books). By “tell[ing] the story not just of what’s on the screen but of what played out behind it,” Hoberman demonstrates how the nation’s deep-seated fears and wishes were projected onto the big screen. In this far-reaching work of historical synthesis, Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on the radio, and Joe McCarthy is bracketed with Marilyn Monroe (The American Scholar). From cavalry Westerns to apocalyptic sci-fi flicks, and biblical spectaculars; from movies to media events, congressional hearings and political campaigns, An Army of Phantoms “remind[s] you what criticism is supposed to be: revelatory, reflective and as rapturous as the artwork itself” (Time Out New York). “An epic . . . alternately fevered and measured account of what might be called the primal scene of American cinema.” —Cineaste “There’s something majestic about the reach of Hoberman’s ambitions, the breadth and rigor of his research, and especially the curatorial vision brought to historical data.” —Film Comment
Author: L. M. Ollie
Publisher: eBookIt.com
ISBN: 0473183102
Category : Fiction
Languages : en
Pages : 261
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Book Description
Every age has its heroes, and its villains. Richard III, King of England (1483-1485) was a villain, a monster perhaps, but that's Shakespeare's version, sourced from documents which were either pro-Tudor or blatantly anti-York; the War of the Roses – The Continuation.But, was he so very evil? Not according to a small group of enthusiastic individuals called Ricardians who seek to have the truth told. The central character of this work of fiction - Laura Kempe - is determined to undertake her own investigation, using a combination of common sense, instinct and more than a touch of ESP. She gets more than she bargains for however when she reaches for the ultimate prize; the truth about what happened to the "Princes in the Tower" and unwittingly unleashes a chain of events which threaten to destroy her and her travelling companions.Witty, amusing and provocative, this is a story overflowing with little-known facts, bizarre encounters and finally, unremitting evil. A traveler's tale? Absolutely! But, be warned! For those who seek knowledge must come prepared, for often it seems that Truth is jealously guarded to the death, and sometimes beyond!Reputed to be the most concise and historically accurate rendering of King Richard III yet set within the confines of an intelligently written, exciting and frequently amusing story line.
Author: Jennifer Forrest
Publisher: State University of New York Press
ISBN: 0791489639
Category : Social Science
Languages : en
Pages : 382
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Book Description
While the popular press has criticized movie remakes as signs of Hollywood's collective lack of imagination, the essays in Dead Ringers reveal the centrality and staying power of remakes as a formative genre in filmmaking. The contributors show that the practice of remaking films dates back to the origins of cinema and the evolution of film markets. In fact, remakes were never so prevalent as during the Classic Hollywood period, when filmmaking had achieved its greatest degree of industrialization, and they continue to play a crucial role in the development of film genres generally. Offering a variety of historical, commercial, theoretical, and cultural perspectives on the remake, Dead Ringers is a valuable resource for students of film history and theory, as well as those interested in the cultural politics of the late twentieth century.
