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Author: Bryan Walpert
Publisher: Seizure
ISBN: 1922267244
Category : Fiction
Languages : en
Pages : 89
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Book Description
With his wife suffering from Alzheimer’s, Stephen reluctantly edits her final book, a study of Beethoven’s sonatas, even as he still grieves the loss of their son. Each day he escapes into his own work: a novel about an experimental treatment that reverses ageing. But when he discovers in his wife’s papers a clue to an unwelcome secret, Stephen is forced to confront his past and reconsider the truths about his family. Bryan Walpert’s novella is an intimate portrait of marriage, infidelity and the legacies of memory. WINNER OF THE 2020 VIVA LA NOVELLA PRIZE
Author: Bryan Walpert
Publisher: Seizure
ISBN: 1922267244
Category : Fiction
Languages : en
Pages : 89
Get Book Here
Book Description
With his wife suffering from Alzheimer’s, Stephen reluctantly edits her final book, a study of Beethoven’s sonatas, even as he still grieves the loss of their son. Each day he escapes into his own work: a novel about an experimental treatment that reverses ageing. But when he discovers in his wife’s papers a clue to an unwelcome secret, Stephen is forced to confront his past and reconsider the truths about his family. Bryan Walpert’s novella is an intimate portrait of marriage, infidelity and the legacies of memory. WINNER OF THE 2020 VIVA LA NOVELLA PRIZE
Author: Charles Rosen
Publisher: Yale University Press
ISBN: 030019613X
Category : Music
Languages : en
Pages : 340
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Book Description
Beethoven’s piano sonatas form one of the most important collections of works in the whole history of music. Spanning several decades of his life as a composer, the sonatas soon came to be seen as the first body of substantial serious works for piano suited to performance in large concert halls seating hundreds of people. In this comprehensive and authoritative guide, Charles Rosen places the works in context and provides an understanding of the formal principles involved in interpreting and performing this unique repertoire, covering such aspects as sonata form, phrasing, and tempo, as well as the use of pedal and trills. In the second part of his book, he looks at the sonatas individually, from the earliest works of the 1790s through the sonatas of Beethoven’s youthful popularity of the early 1800s, the subsequent years of mastery, the years of stress (1812†“1817), and the last three sonatas of the 1820s. Composed as much for private music-making as public recital, Beethoven’s sonatas have long formed a bridge between the worlds of the salon and the concert hall. For today’s audience, Rosen has written a guide that brings out the gravity, passion, and humor of these works and will enrich the appreciation of a wide range of readers, whether listeners, amateur musicians, or professional pianists. The book includes a CD of Rosen performing extracts from several of the sonatas, illustrating points made in the text.
Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 9781457411052
Category : Music
Languages : en
Pages : 248
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Book Description
Beethoven wrote 32 sonatas for piano. Volume 1, edited by Stewart Gordon, includes the first 8 sonatas (Op. 2, Nos. 1-3; Op. 7; Op. 10, Nos. 1-3; and Op. 13 ["Pathétique"]), written between 1795 and 1799. Since these autographs no longer exist, this edition is based on the first editions, published by various Viennese engravers. Dr. Gordon discusses a variety of topics including Beethoven's life; the pianos of his time and their limitations; Beethoven's use of articulation, ornamentation, tempo; and the age-old challenge of attempting to determine the definitive interpretation of Beethoven's music. Valuable performance recommendations, helpful fingering suggestions and ornament realizations are offered in this comprehensive critical body of Beethoven's sonatas. Where performance options are open to interpretation, other editors' conclusions are noted, enabling students and teachers to make informed performance decisions.
Author: Allen Krantz
Publisher: Mel Bay Publications
ISBN: 1513459694
Category : Music
Languages : en
Pages : 80
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Book Description
Silvius Leopold Weiss (1687 – 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weiss’s prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, composer, and head of the guitar program at Temple University in Philadelphia, Allen Krantz explored the Weiss manuscripts found in other European cities, particularly the Dresden editions which contain the fifteen sonatas that Weiss produced from the late 1730s to the end of his life. Transcriptions of three of those fifteen late sonatas are featured in this book in modern standard notation along with the original lute tablature as found in the Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden. While the baroque lute’s tuning makes some works awkward or impossible on the guitar, the three works presented here—Sonatas No. 35 in D minor, No. 42 in A minor and No. 45 in A Major— are in their original keys which happen to be guitar-friendly. The author’s generous and scholarly “Preface” provides thorough historical and performance notes for the music in this volume. While just three of Weiss’s 109 multi-movement lute sonatas are represented here, the importance of this publication cannot be overstated. It contains some of the greatest music of a masterful lutenist— Weiss once faced-off with J. S. Bach on keyboards in a counterpoint improvisation contest—now made accessible to the modern classical guitarist.
Author: William S. Newman
Publisher: UNC Press Books
ISBN: 146964374X
Category : Music
Languages : en
Pages : 881
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Book Description
This volume completes Newman's monumental study of the sonata. It examines the evolution of the sonata idea from the prexcocious Romanticisms of Dussek before 1880 to the near exhaustion of Romantic music by the time of World War I. Thoroughly documented, illustrated by new extended lists of sonatas as well as the fullest bibliography of Romantic music literature yet published, the book is invaluable to musicians. Originally published in 1969. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
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Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Author: Thomas Schmidt-Beste
Publisher: Cambridge University Press
ISBN: 0521762545
Category : Music
Languages : en
Pages : 279
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Book Description
An introductory survey of the most enduring and popular genre of instrumental music, perfect for students, teachers and performers.
Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 9781457421082
Category : Music
Languages : en
Pages : 172
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Book Description
This carefully graded, pedagogical performance edition contains 12 outstanding classical sonatas by Haydn, Mozart and Beethoven. Each sonata appears in its original form and comes complete with performance notes and clearly presented editorial markings.
Author: Leo Tolstoy
Publisher: Xist Publishing
ISBN: 1681952483
Category : Fiction
Languages : en
Pages : 200
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Book Description
What Is Love? “It is amazing how complete is the delusion that beauty is goodness. A handsome woman talks nonsense, you listen and hear not nonsense but cleverness. She says and does horrid things, and you see only charm. And if a handsome woman does not say stupid or horrid things, you at once persuade yourself that she is wonderfully clever and moral.” - Leo Tolstoy, The Kreutzer Sonata Upon hearing a woman arguing that marriage should never be arranged and always be subject to love, Pozdnyshev asks: ‘What is love?’ He condemns the argument saying that love doesn’t last forever and can quickly turn into hatred. What is Pozdnyshev’s story? Why doesn’t he believe in love? Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
Author: Jim Samson
Publisher: Cambridge University Press
ISBN: 1139824996
Category : Music
Languages : en
Pages : 364
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Book Description
The Cambridge Companion to Chopin provides the enquiring music-lover with helpful insights into a musical style which recognises no contradiction between the accessible and the sophisticated, the popular and the significant. Twelve essays by leading Chopin scholars make up three parts. Part 1 discusses the sources of Chopin's style in the music of his predecessors and the social history of the period. Part 2 profiles the mature music, and Part 3 considers the afterlife of the music - its reception, its criticism and its compositional influence in the works of subsequent composers.
