Author: Robert Odell Bork
Publisher: Brepols Publishers
ISBN: 9782503568942
Category : Architecture, Gothic
Languages : en
Pages : 0
Book Description
In this book, Robert Bork offers a sweeping reassessment of late Gothic architecture and its fate in the Renaissance. In a chronologically organized narrative covering the whole of western and central Europe, he demonstrates that the Gothic design tradition remained inherently vital throughout the fourteenth and fifteenth centuries, creating spectacular monuments in a wide variety of national and regional styles. Bork argues that the displacement of this Gothic tradition from its long-standing position of artistic leadership in the years around 1500 reflected the impact of three main external forces: the rise of a rival architectural culture that championed the use of classical forms with a new theoretical sophistication; the appropriation of that architectural language by patrons who wished to associate themselves with papal and imperial Rome; and the chaos of the Reformation, which disrupted the circumstances of church construction on which the Gothic tradition had formerly depended. Bork further argues that art historians have much to gain from considering the character and fate of late Gothic architecture, not only because the monuments in question are intrinsically fascinating, but also because examination of the way their story has been told-and left untold, in many accounts of the Northern Renaissance-can reveal a great deal about schemes of categorization and prioritization that continue to shape the discipline even in the twenty-first century.
Late Gothic Architecture
Author: Robert Odell Bork
Publisher: Brepols Publishers
ISBN: 9782503568942
Category : Architecture, Gothic
Languages : en
Pages : 0
Book Description
In this book, Robert Bork offers a sweeping reassessment of late Gothic architecture and its fate in the Renaissance. In a chronologically organized narrative covering the whole of western and central Europe, he demonstrates that the Gothic design tradition remained inherently vital throughout the fourteenth and fifteenth centuries, creating spectacular monuments in a wide variety of national and regional styles. Bork argues that the displacement of this Gothic tradition from its long-standing position of artistic leadership in the years around 1500 reflected the impact of three main external forces: the rise of a rival architectural culture that championed the use of classical forms with a new theoretical sophistication; the appropriation of that architectural language by patrons who wished to associate themselves with papal and imperial Rome; and the chaos of the Reformation, which disrupted the circumstances of church construction on which the Gothic tradition had formerly depended. Bork further argues that art historians have much to gain from considering the character and fate of late Gothic architecture, not only because the monuments in question are intrinsically fascinating, but also because examination of the way their story has been told-and left untold, in many accounts of the Northern Renaissance-can reveal a great deal about schemes of categorization and prioritization that continue to shape the discipline even in the twenty-first century.
Publisher: Brepols Publishers
ISBN: 9782503568942
Category : Architecture, Gothic
Languages : en
Pages : 0
Book Description
In this book, Robert Bork offers a sweeping reassessment of late Gothic architecture and its fate in the Renaissance. In a chronologically organized narrative covering the whole of western and central Europe, he demonstrates that the Gothic design tradition remained inherently vital throughout the fourteenth and fifteenth centuries, creating spectacular monuments in a wide variety of national and regional styles. Bork argues that the displacement of this Gothic tradition from its long-standing position of artistic leadership in the years around 1500 reflected the impact of three main external forces: the rise of a rival architectural culture that championed the use of classical forms with a new theoretical sophistication; the appropriation of that architectural language by patrons who wished to associate themselves with papal and imperial Rome; and the chaos of the Reformation, which disrupted the circumstances of church construction on which the Gothic tradition had formerly depended. Bork further argues that art historians have much to gain from considering the character and fate of late Gothic architecture, not only because the monuments in question are intrinsically fascinating, but also because examination of the way their story has been told-and left untold, in many accounts of the Northern Renaissance-can reveal a great deal about schemes of categorization and prioritization that continue to shape the discipline even in the twenty-first century.
Renaissance Gothic
Author: Ethan Matt Kavaler
Publisher:
ISBN: 9780300167924
Category : Architecture
Languages : en
Pages : 332
Book Description
This compelling book offers a new paradigm for the periodization of the arts, one that counters a prevailing Italianate bias among historians of northern Europe of this era. The years after 1500 brought the construction of several iconic Late Gothic monuments, including the transept facades of Beauvais cathedral in northern France, much of King's College in Cambridge, England, and the parish church at Annaberg in Saxony. Most designers and patrons preferred this elite Gothic style, which was considered fashionable and highly refined, to alternative Italianate styles. Ethan Matt Kavaler connects Gothic architecture to related developments in painting and other media, and considers the consequences of the breakdown of the Gothic system in the early 16th century. Late Gothic architecture is recognized for its sensuous and abundant ornament. Its visually rich surfaces signify wealth and magnificence, and its flamboyant geometric designs portray a system of perfect and essential forms that convey spiritual authority, while often serving as signs of personal or corporate identity. Renaissance Gothic presents a groundbreaking and detailed study of the Gothic architecture of the late 15th and 16th centuries across Europe.
Publisher:
ISBN: 9780300167924
Category : Architecture
Languages : en
Pages : 332
Book Description
This compelling book offers a new paradigm for the periodization of the arts, one that counters a prevailing Italianate bias among historians of northern Europe of this era. The years after 1500 brought the construction of several iconic Late Gothic monuments, including the transept facades of Beauvais cathedral in northern France, much of King's College in Cambridge, England, and the parish church at Annaberg in Saxony. Most designers and patrons preferred this elite Gothic style, which was considered fashionable and highly refined, to alternative Italianate styles. Ethan Matt Kavaler connects Gothic architecture to related developments in painting and other media, and considers the consequences of the breakdown of the Gothic system in the early 16th century. Late Gothic architecture is recognized for its sensuous and abundant ornament. Its visually rich surfaces signify wealth and magnificence, and its flamboyant geometric designs portray a system of perfect and essential forms that convey spiritual authority, while often serving as signs of personal or corporate identity. Renaissance Gothic presents a groundbreaking and detailed study of the Gothic architecture of the late 15th and 16th centuries across Europe.
Gothic Architecture
Author: Edouard Corroyer
Publisher:
ISBN:
Category : Architecture, Gothic
Languages : en
Pages : 416
Book Description
Publisher:
ISBN:
Category : Architecture, Gothic
Languages : en
Pages : 416
Book Description
German Gothic Church Architecture
Author: Norbert Nussbaum
Publisher: Yale University Press
ISBN: 0300083211
Category : Architecture
Languages : en
Pages : 284
Book Description
Nussbaum aims to provide a complete overview of German Gothic church architecture between the early 13th and early 16th centuries, looking at Germany, Bohemia, Austria, northern Switzerland, Alsace and Silesia.
Publisher: Yale University Press
ISBN: 0300083211
Category : Architecture
Languages : en
Pages : 284
Book Description
Nussbaum aims to provide a complete overview of German Gothic church architecture between the early 13th and early 16th centuries, looking at Germany, Bohemia, Austria, northern Switzerland, Alsace and Silesia.
Disciplined Exuberance
Author: Linda Elaine Neagley
Publisher: Penn State Press
ISBN: 9780271043920
Category : Architecture
Languages : en
Pages : 260
Book Description
Publisher: Penn State Press
ISBN: 9780271043920
Category : Architecture
Languages : en
Pages : 260
Book Description
The Architecture of Country Houses
Author: Andrew Jackson Downing
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : en
Pages : 572
Book Description
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : en
Pages : 572
Book Description
Building Troyes Cathedral
Author: Stephen Murray
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 348
Book Description
"Through a unique correlation of contemporary documents and architectural analysis, Stephen Murray provides a rich and unusual history of the building of the late Gothic cathedral at Troyes. From what sources were the funds obtained? How were decisions made about construction methods and style? What problems did the builders face and how were they solved? To what extent did individual stone carvers leave their imprint? Murray's narrative is based on thorough study of the fabric, or building, accounts kept by the cathedral for more than 250 years, actual records of receipts and expenses - from whom money was obtained, to whom it was paid, and for what purposes. Part One traces the progress of the building from the early thirteenth through the mid-sixteenth century, highlighting the contributions of individual master masons. Part Two provides written and visual records. A substantial selection of texts from the fabric accounts, chronologically arranged, is given both in the original language and in English translation; these rare documents furnish a wealth of information relating to the identity and skills of the artisans, the definition of the work at hand, and the techniques of construction. A series of charts analyzes the state of fabric fund and the composition of the workshop at critical stages in the construction process. Readers can follow the development of the cathedral by relating the text to the 120 detailed architectural drawings and photographs included." --
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 348
Book Description
"Through a unique correlation of contemporary documents and architectural analysis, Stephen Murray provides a rich and unusual history of the building of the late Gothic cathedral at Troyes. From what sources were the funds obtained? How were decisions made about construction methods and style? What problems did the builders face and how were they solved? To what extent did individual stone carvers leave their imprint? Murray's narrative is based on thorough study of the fabric, or building, accounts kept by the cathedral for more than 250 years, actual records of receipts and expenses - from whom money was obtained, to whom it was paid, and for what purposes. Part One traces the progress of the building from the early thirteenth through the mid-sixteenth century, highlighting the contributions of individual master masons. Part Two provides written and visual records. A substantial selection of texts from the fabric accounts, chronologically arranged, is given both in the original language and in English translation; these rare documents furnish a wealth of information relating to the identity and skills of the artisans, the definition of the work at hand, and the techniques of construction. A series of charts analyzes the state of fabric fund and the composition of the workshop at critical stages in the construction process. Readers can follow the development of the cathedral by relating the text to the 120 detailed architectural drawings and photographs included." --
Gothic Architecture
Author: Paul Frankl
Publisher: Yale University Press
ISBN: 9780300087994
Category : Architecture
Languages : en
Pages : 420
Book Description
This magisterial study of Gothic architecture traces the meaning and development of the Gothic style through medieval churches across Europe. Ranging geographically from Poland to Portugal and from Sicily to Scotland and chronologically from 1093 to 1530, the book analyzes changes from Romanesque to Gothic as well as the evolution within the Gothic style and places these changes in the context of the creative spirit of the Middle Ages. In its breadth of outlook, its command of detail, and its theoretical enterprise, Frankl's book has few equals in the ambitious Pelican History of Art series. It is single-minded in its pursuit of the general principles that informed all aspects of Gothic architecture and its culture. In this edition Paul Crossley has revised the original text to take into account the proliferation of recent literature--books, reviews, exhibition catalogues, and periodicals--that have emerged in a variety of languages. New illustrations have also been included.
Publisher: Yale University Press
ISBN: 9780300087994
Category : Architecture
Languages : en
Pages : 420
Book Description
This magisterial study of Gothic architecture traces the meaning and development of the Gothic style through medieval churches across Europe. Ranging geographically from Poland to Portugal and from Sicily to Scotland and chronologically from 1093 to 1530, the book analyzes changes from Romanesque to Gothic as well as the evolution within the Gothic style and places these changes in the context of the creative spirit of the Middle Ages. In its breadth of outlook, its command of detail, and its theoretical enterprise, Frankl's book has few equals in the ambitious Pelican History of Art series. It is single-minded in its pursuit of the general principles that informed all aspects of Gothic architecture and its culture. In this edition Paul Crossley has revised the original text to take into account the proliferation of recent literature--books, reviews, exhibition catalogues, and periodicals--that have emerged in a variety of languages. New illustrations have also been included.
French Gothic Architecture of the Twelfth and Thirteenth Centuries
Author: Jean Bony
Publisher: Univ of California Press
ISBN: 0520907876
Category : Art
Languages : en
Pages : 672
Book Description
Gothic architecture is the most visible and striking product of medieval European civilization. Jean Bony, whose reputation as a medievalist is worldwide, presents its development as an adventure of the imagination allied with radical technical advances—the result of a continuining quest for new ways of handling space and light as well as experimenting with the mechanics of stone construction. He shows how the new architecture came unexpectedly to be invented in the Paris region around 1140 and follows its history—in the great cathedrals of northern France and dozens of other key buildings—to the end of the thirteenth century, when profound changes occurred in the whole fabric of medieval civilization. Rich illustrations, including comprehensive maps, enhance the text and themselves constitute an exceptionally valuable documenation. Despite its evident scholarly intention, this book is not meant for specialists alone, but is conceived as a progressive infiltration into the complexities of history at work, revealing its unpredictable vitality to the uninitiated curious mind.
Publisher: Univ of California Press
ISBN: 0520907876
Category : Art
Languages : en
Pages : 672
Book Description
Gothic architecture is the most visible and striking product of medieval European civilization. Jean Bony, whose reputation as a medievalist is worldwide, presents its development as an adventure of the imagination allied with radical technical advances—the result of a continuining quest for new ways of handling space and light as well as experimenting with the mechanics of stone construction. He shows how the new architecture came unexpectedly to be invented in the Paris region around 1140 and follows its history—in the great cathedrals of northern France and dozens of other key buildings—to the end of the thirteenth century, when profound changes occurred in the whole fabric of medieval civilization. Rich illustrations, including comprehensive maps, enhance the text and themselves constitute an exceptionally valuable documenation. Despite its evident scholarly intention, this book is not meant for specialists alone, but is conceived as a progressive infiltration into the complexities of history at work, revealing its unpredictable vitality to the uninitiated curious mind.
Skyscraper Gothic
Author: Kevin D. Murphy estate
Publisher: University of Virginia Press
ISBN: 0813939739
Category : Architecture
Languages : en
Pages : 289
Book Description
Of all building types, the skyscraper strikes observers as the most modern, in terms not only of height but also of boldness, scale, ingenuity, and daring. As a phenomenon born in late nineteenth-century America, it quickly became emblematic of New York, Chicago, and other major cities. Previous studies of these structures have tended to foreground examples of more evincing modernist approaches, while those with styles reminiscent of the great Gothic cathedrals of Europe were initially disparaged as being antimodernist or were simply unacknowledged. Skyscraper Gothic brings together a group of renowned scholars to address the medievalist skyscraper—from flying buttresses to dizzying spires; from the Chicago Tribune Tower to the Woolworth Building in Manhattan. Drawing on archival evidence and period texts to uncover the ways in which patrons and architects came to understand the Gothic as a historic style, the authors explore what the appearance of Gothic forms on radically new buildings meant urbanistically, architecturally, and socially, not only for those who were involved in the actual conceptualization and execution of the projects but also for the critics and the general public who saw the buildings take shape. Contributors: Lisa Reilly on the Gothic skyscraper ● Kevin Murphy on the Trinity and U.S. Realty Buildings ● Gail Fenske on the Woolworth Building ● Joanna Merwood-Salisbury on the Chicago School ● Katherine M. Solomonson on the Tribune Tower ● Carrie Albee on Atlanta City Hall ● Anke Koeth on the Cathedral of Learning ● Christine G. O'Malley on the American Radiator Building
Publisher: University of Virginia Press
ISBN: 0813939739
Category : Architecture
Languages : en
Pages : 289
Book Description
Of all building types, the skyscraper strikes observers as the most modern, in terms not only of height but also of boldness, scale, ingenuity, and daring. As a phenomenon born in late nineteenth-century America, it quickly became emblematic of New York, Chicago, and other major cities. Previous studies of these structures have tended to foreground examples of more evincing modernist approaches, while those with styles reminiscent of the great Gothic cathedrals of Europe were initially disparaged as being antimodernist or were simply unacknowledged. Skyscraper Gothic brings together a group of renowned scholars to address the medievalist skyscraper—from flying buttresses to dizzying spires; from the Chicago Tribune Tower to the Woolworth Building in Manhattan. Drawing on archival evidence and period texts to uncover the ways in which patrons and architects came to understand the Gothic as a historic style, the authors explore what the appearance of Gothic forms on radically new buildings meant urbanistically, architecturally, and socially, not only for those who were involved in the actual conceptualization and execution of the projects but also for the critics and the general public who saw the buildings take shape. Contributors: Lisa Reilly on the Gothic skyscraper ● Kevin Murphy on the Trinity and U.S. Realty Buildings ● Gail Fenske on the Woolworth Building ● Joanna Merwood-Salisbury on the Chicago School ● Katherine M. Solomonson on the Tribune Tower ● Carrie Albee on Atlanta City Hall ● Anke Koeth on the Cathedral of Learning ● Christine G. O'Malley on the American Radiator Building