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Author: Nishida Kitaro
Publisher: University of Hawaii Press
ISBN: 9780824815547
Category : Religion
Languages : en
Pages : 164
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Book Description
Nishida Kitarô, Japan's premier modern philosopher, was born in 1870 and grew to intellectual maturity in the final decades of the Meiji period (1868–1912). He achieved recognition as Japan's leading establishment philosopher during his tenure as professor of philosophy at Kyoto University. After his retirement in 1927, and until his death in 1945, Nishida published a continuous stream of original essays that can best be described as intercivilizational, a meeting point of East and West. His final essay, "The Logic of the Place of Nothingness and the Religious Worldview," completed in the last few months before his death, is a summation of his philosophy of religion and has come to be regarded as the foundational text of the Kyoto school. It is one of the few places in his writings where Nishida draws openly and freely on East Asian Buddhist sources as analogs of his own ideas. Here Nishida argues for the existential primordiality of the religious consciousness against Kant, while also critically engaging the thought of such authors as Aristotle, the Christian Neo-Platonists, Spinoza, Fichte, Hegel, Barth, and Tillich. He makes it clear that he is also indebted to Pascal, Kierkegaard, and Dostoievsky as well as to Nâgârjuna, the Ch'an masters, Shinran, Dôgen, and other Buddhist thinkers. This book--a translation of the most seminal work of Nishida's career--also includes a translation of his "Last Writing" (Zeppitsu), written just two days before his death.
Author: Nishida Kitaro
Publisher: University of Hawaii Press
ISBN: 9780824815547
Category : Religion
Languages : en
Pages : 164
Get Book Here
Book Description
Nishida Kitarô, Japan's premier modern philosopher, was born in 1870 and grew to intellectual maturity in the final decades of the Meiji period (1868–1912). He achieved recognition as Japan's leading establishment philosopher during his tenure as professor of philosophy at Kyoto University. After his retirement in 1927, and until his death in 1945, Nishida published a continuous stream of original essays that can best be described as intercivilizational, a meeting point of East and West. His final essay, "The Logic of the Place of Nothingness and the Religious Worldview," completed in the last few months before his death, is a summation of his philosophy of religion and has come to be regarded as the foundational text of the Kyoto school. It is one of the few places in his writings where Nishida draws openly and freely on East Asian Buddhist sources as analogs of his own ideas. Here Nishida argues for the existential primordiality of the religious consciousness against Kant, while also critically engaging the thought of such authors as Aristotle, the Christian Neo-Platonists, Spinoza, Fichte, Hegel, Barth, and Tillich. He makes it clear that he is also indebted to Pascal, Kierkegaard, and Dostoievsky as well as to Nâgârjuna, the Ch'an masters, Shinran, Dôgen, and other Buddhist thinkers. This book--a translation of the most seminal work of Nishida's career--also includes a translation of his "Last Writing" (Zeppitsu), written just two days before his death.
Author: Helen Vendler
Publisher: Princeton University Press
ISBN: 1400834325
Category : Literary Criticism
Languages : en
Pages : 165
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Book Description
Modern American poets writing in the face of death In Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry.
Author: Elin Kelsey
Publisher: Owlkids
ISBN: 9781771473644
Category : Juvenile Nonfiction
Languages : en
Pages : 32
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Book Description
A compassionate exploration of all the ways animals, including humans, grieve
Author: Cullen Bunn
Publisher: Vault Comics
ISBN: 1638491097
Category : Comics & Graphic Novels
Languages : en
Pages : 196
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Book Description
A supernatural horror thriller for readers of Chuck Palahniuk (Lullaby and Haunted: A Novel), Marisha Pessl,(Night Film), and Scarlett Thomas (The End of Mr. Y), The Last Book You’ll Ever Read tells the terrifying story of a woman who knows the horrific truth about the past – and future - of humankind, and, when captured in her book SATYR, it becomes the catalyst for worldwide, mind-numbing violence Read this book at your own peril. Olivia Kade wrote the book that ended the world. Now she needs someone who won't read it. Civilization is a lie. Hidden deep in our genes is the truth. And it is slowly clawing its way to the surface. Olivia Kade knows the truth, and she has become the prophet of the coming collapse. Her book, SATYR, is an international bestseller, and it is being blamed for acts of senseless violence and bloodshed all over the world. Olivia's own life is in danger from those who have read her work. Determined to conduct a book tour, she hires security professional Connor Wilson to act as her bodyguard. She only has one requirement: he cannot read her work. John Carpenter’s In the Mouth of Madness meets Chuck Palahniuk’s Lullaby in this terrifyingly dangerous tale of the descent of humankind where reality and fantasy collide. Collects the entire smash 8-issue series. For fans of Stephen Graham Jones, Stephen King, Chuck Palahniuk, Alma Katsu, The Ring, and The Ninth Gate. "I truly hope this terrific horror comic is in no way prescient or timely." - Patton Oswalt “…perfectly disturbing and mysterious.” – The Beat
Author: Sean Manning
Publisher: Da Capo Press
ISBN: 030681921X
Category : Literary Collections
Languages : en
Pages : 242
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Book Description
Lovers of the printed book, arise! Thirty of today’s top writers are here to tell you you’re not alone. In Bound to Last,an amazing array of authors comes to the passionate defense of the printed book with spirited, never-before-published essays celebrating the hardcover or paperback they hold most dear—not necessarily because of its contents, but because of its significance as a one-of-a-kind, irreplaceable object. Whether focusing on the circumstances behind how a particular book was acquired, or how it has become forever “bound up” with a specific person, time, or place, each piece collected here confirms—poignantly, delightfully, irrefutably—that every book tells a story far beyond the one found within its pages. In addition to a foreword by Ray Bradbury, Bound to Last features original contributions by:Chris Abani, Rabih Alameddine, Anthony Doerr, Louis Ferrante, Nick Flynn, Karen Joy Fowler, Julia Glass, Karen Green, David Hajdu, Terrence Holt, Jim Knipfel, Shahriar Mandanipour, Sarah Manguso, Sean Manning, Joyce Maynard, Philipp Meyer, Jonathan Miles, Sigrid Nunez, Ed Park, Victoria Patterson, Francine Prose, Michael Ruhlman, Elissa Schappell, Christine Schutt, Jim Shepard, Susan Straight, J. Courtney Sullivan, Anthony Swofford, Danielle Trussoni, and Xu Xiaobin
Author: Tamiko Beyer
Publisher: Alice James Books
ISBN: 1948579405
Category : Poetry
Languages : en
Pages : 83
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Book Description
Last Days is a practice of radical imagination for our current political and environmental crises. It excavates the conditions that have brought us here—white supremacy, heteropatriarchy, corporate power, capitalism—and calls ancestors, birds, organizers, and lovers to conjure a new world. It explores how to transform our future to be more beautiful, more just, and more compassionate than we can imagine.
Author: Mark C. Taylor
Publisher: Yale University Press
ISBN: 0300231423
Category : Religion
Languages : en
Pages : 386
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Book Description
A powerful consideration of the lessons imparted in the final works of essential writers and philosophers For many today, retirement and the leisure said to accompany it have become vestiges of a slower, long-lost time. In a world where the sense of identity is tied to work and careers, to stop working often is to become nobody. In this deeply perceptive and personal exploration of last works, Mark C. Taylor poignantly explores the final reflections of writers and thinkers from Kierkegaard to David Foster Wallace. How did they either face or avoid ending and leaving? What do their lessons in ending teach us about living in the time that remains for us? Some leavings brought relief, even joy, while others brought pain and suffering. Whether the cause was infirmity, impending death, or simply exhaustion and ennui, the ways these influential voices fell silent offer poignant examples of people withdrawing from the world’s stage. Throughout this learned and moving book, Taylor probes how the art of living involves learning to leave gracefully.
Author: Donald Shambroom
Publisher: David Zwirner Books
ISBN: 1941701876
Category : Art
Languages : en
Pages : 66
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Book Description
Published on the fiftieth anniversary of Marcel Duchamp’s death, Duchamp’s Last Day offers a radical reading of the artist’s final hours. Just moments after Duchamp died, his closest friend Man Ray took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom begins to examine the surrounding context—the dinner with Man Ray and another friend, Robert Lebel, the night Duchamp died, the conversations about his own death at that dinner and elsewhere, and the larger question of whether this radical artist’s death can be read as an extension of his work. Shambroom’s in-depth research into this final night, and his analysis of the photograph, feeds into larger questions about the very nature of artworks and authorship which Duchamp raised in his lifetime. In the case of this mysterious and once long-lost photograph, who is the author? Man Ray or Duchamp? Is it an artwork or merely a record? Has the artist himself turned into one of his own readymades? A fascinating essay that is both intimate and steeped in art history, Duchamp’s Last Day is filled with intricate details from decades of research into this peculiar encounter between art, life, and death. Shambroom’s book is a wonderful study of one of the greatest artists of the twentieth century.
Author: Robert J. Richards
Publisher: University of Chicago Press
ISBN: 022631720X
Category : Biography & Autobiography
Languages : en
Pages : 211
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Book Description
Thomas S. Kuhn's 'The Structure of Scientific Revolutions' was a watershed event when it was published in 1962, upending the previous understanding of science as a slow, logical accumulation of facts and introducing, with the concept of the 'paradigm shift,' social and psychological considerations into the heart of the scientific process. The essays in this book exhume important historical context for Kuhn's work, critically analyzing its foundations in twentieth-century science, politics and Kuhn's own intellectual biography.
Author: Sandra Harding
Publisher: University of Chicago Press
ISBN: 022624136X
Category : Philosophy
Languages : en
Pages : 232
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Book Description
Worries about scientific objectivity just won t go away, but by now, it s safe to say, no one who reflects on the appropriate role of values and interests in scientific research thinks it is or could be free of them. It now seems obvious that social, political, and economic values and interests influence research on weapons, for example, or health and the environment. Yet the dominant late twentieth-century philosophies of science have tended to conceptualize the reliability and predictive power of the results of research as damaged by such values and interests, and they continue to do so in spite of powerful analyses of how sciences operate in practice and in spite of the rise around the globe in the last four decades of various forms of participatory action research and citizen science, both of which take their research agendas from the concerns of disadvantaged groups. Why are the epistemic/scientific norm of objectivity and the social/political norm of diversity still perceived as inevitably in conflict with each other? Why aren t they perceived as in conflict only sometimes, but many times as providing valuable resources for each other? How can we promote science that is both more epistemically adequate and socially just? Sandra Harding probes these questions with clarity and concrete cases, and in doing so puts severe pressure on conventional philosophies of science and points to intellectually sounder and politically more progressive ways to think about them. She proposes a new way to relink sciences and their philosophies to democratic social relations, even while these are themselves undergoing transformations. A must read for anyone interested in how to think about the politics of science globally."
