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Author: Émile Zola
Publisher: Oxford University Press
ISBN: 019882856X
Category : Literary Criticism
Languages : en
Pages : 481
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Book Description
'in this life, even if you don't ask for much you still end up with bugger all!' In a run-down quarter of Paris, Gervaise Macquart struggles to earn a living and support her family. She earns a pittance washing other people's dirty clothes in the local washhouse, and dreams of having her own laundry. But in order to start her business she must incur debt, and her feckless husband cannot resist the lure of the Assommoir, the local bar that supplies all the working men with cheap spirits and absinthe. As her money troubles grow, so Gervaise's life begins to spiral out of control, and she is trapped in a vicious web of want and neglect. The Assommoir is a pivotal novel in Zola's Rougon-Macquart series. In it he lays bare the terrible poverty of the Parisian underclass, living in overcrowded tenements, addicted to drink, a world of squalor, and casual violence. It contains some of Zola's most powerful and graphic writing, unforgettable portrayals of individuals and their environment, and the fine line between self-respect and ruin.
Author: Émile Zola
Publisher: Oxford University Press
ISBN: 019882856X
Category : Literary Criticism
Languages : en
Pages : 481
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Book Description
'in this life, even if you don't ask for much you still end up with bugger all!' In a run-down quarter of Paris, Gervaise Macquart struggles to earn a living and support her family. She earns a pittance washing other people's dirty clothes in the local washhouse, and dreams of having her own laundry. But in order to start her business she must incur debt, and her feckless husband cannot resist the lure of the Assommoir, the local bar that supplies all the working men with cheap spirits and absinthe. As her money troubles grow, so Gervaise's life begins to spiral out of control, and she is trapped in a vicious web of want and neglect. The Assommoir is a pivotal novel in Zola's Rougon-Macquart series. In it he lays bare the terrible poverty of the Parisian underclass, living in overcrowded tenements, addicted to drink, a world of squalor, and casual violence. It contains some of Zola's most powerful and graphic writing, unforgettable portrayals of individuals and their environment, and the fine line between self-respect and ruin.
Author: Emile Zola
Publisher: 谷月社
ISBN:
Category : Literary Collections
Languages : en
Pages : 386
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Book Description
CHAPTER I. Gervaise had waited up for Lantier until two in the morning. Then, shivering from having remained in a thin loose jacket, exposed to the fresh air at the window, she had thrown herself across the bed, drowsy, feverish, and her cheeks bathed in tears. For a week past, on leaving the "Two-Headed Calf," where they took their meals, he had sent her home with the children and never reappeared himself till late at night, alleging that he had been in search of work. That evening, while watching for his return, she thought she had seen him enter the dancing-hall of the "Grand-Balcony," the ten blazing windows of which lighted up with the glare of a conflagration the dark expanse of the exterior Boulevards; and five or six paces behind him, she had caught sight of little Adele, a burnisher, who dined at the same restaurant, swinging her hands, as if she had just quitted his arm so as not to pass together under the dazzling light of the globes at the door. When, towards five o'clock, Gervaise awoke, stiff and sore, she broke forth into sobs. Lantier had not returned. For the first time he had slept away from home. She remained seated on the edge of the bed, under the strip of faded chintz, which hung from the rod fastened to the ceiling by a piece of string. And slowly, with her eyes veiled by tears, she glanced round the wretched lodging, furnished with a walnut chest of drawers, minus one drawer, three rush-bottomed chairs, and a little greasy table, on which stood a broken water-jug. There had been added, for the children, an iron bedstead, which prevented any one getting to the chest of drawers, and filled two-thirds of the room. Gervaise's and Lantier's trunk, wide open, in one corner, displayed its emptiness, and a man's old hat right at the bottom almost buried beneath some dirty shirts and socks; whilst, against the walls, above the articles of furniture, hung a shawl full of holes, and a pair of trousers begrimed with mud, the last rags which the dealers in second-hand clothes declined to buy. In the centre of the mantel-piece, lying between two odd zinc candle-sticks, was a bundle of pink pawn-tickets. It was the best room of the hotel, the first floor room, looking on to the Boulevard.
Author: Émile Zola
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Author: Émile Zola
Publisher:
ISBN:
Category : Expurgated books
Languages : en
Pages : 466
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Book Description
Author: Emile Zola
Publisher: Courier Corporation
ISBN: 0486114805
Category : Fiction
Languages : en
Pages : 354
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Book Description
French realism's immortal siren crawled from the gutter to the heights of society, devouring men and squandering fortunes along the way. Zola's 1880s classic is among the first modern novels.
Author: Brian Nelson
Publisher:
ISBN: 0198837569
Category : Biography & Autobiography
Languages : en
Pages : 161
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Book Description
Zola and the art of fiction -- Before the Rougon-Macquart -- The fat and the thin: The belly of Paris -- 'A work of truth': L'assommoir -- The man-eater: Nana --The dream machine: The ladies' paradise -- Down the mine: Germinal -- The great mother: Earth -- After the Rougon-Macquart.
Author: Émile Zola
Publisher: OUP Oxford
ISBN: 0191506451
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
Did possessing and killing amount to the same thing deep within the dark recesses of the human beast? La Bete humaine (1890), is one of Zola's most violent and explicit works. On one level a tale of murder, passion and possession, it is also a compassionate study of individuals derailed by atavistic forces beyond their control. Zola considered this his `most finely worked' novel, and in it he powerfully evokes life at the end of the Second Empire in France, where society seemed to be hurtling into the future like the new locomotives and railways it was building. While expressing the hope that human nature evolves through education and gradually frees itself of the burden of inherited evil, he is constantly reminding us that under the veneer of technological progress there remains, always, the beast within. This new translation captures Zola's fast-paced yet deliberately dispassionate style, while the introduction and detailed notes place the novel in its social, historical, and literary context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author: Émile Zola
Publisher: Oxford University Press, USA
ISBN: 9780192836618
Category : Fiction
Languages : en
Pages : 406
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Book Description
Contains English translations of sixteen short fiction stories by nineteenth-century French author Emile Zola.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438112912
Category : Criticism
Languages : en
Pages : 301
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Book Description
A collection of critical essays on Émile Zola's work.
Author: Émile Zola
Publisher:
ISBN:
Category :
Languages : en
Pages : 460
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Book Description
Book Excerpt: ...n ill-greased pulley, and ended by degenerating into a terrible spasm of coughing. The fire basket now clearly lit up his large head, with its scanty white hair and flat, livid face, spotted with bluish patches. He was short, with an enormous neck, projecting calves and heels, and long arms, with massive hands falling to his knees. For the rest, like his horse, which stood immovable, without suffering from the wind, he seemed to be made of stone; he had no appearance of feeling either the cold or the gusts that whistled at his ears. When he coughed his throat was torn by a deep rasping; he spat at the foot of the basket and the earth was blackened.Étienne looked at him and at the ground which he had thus stained."Have you been working long at the mine?"Bonnemort flung open both arms."Long? I should think so. I was not eight when I went down into the Voreux and I am now fifty-eight. Reckon that up! I have been everything down there; at first trammer, then putter, when I h...
