Author: J. Osborne
Publisher: Springer
ISBN: 0230598935
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
This volume combines a theoretical critique of the biographical method that dominates Larkin studies with a revolutionary interpretation of his works that better accounts for their profound influence upon leading Postmodernists like Ian McEwan, David Mitchell, Carol Ann Duffy, Damien Hirst - and the creators of Jerry Springer - the Opera .
Larkin, Ideology and Critical Violence
Author: J. Osborne
Publisher: Springer
ISBN: 0230598935
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
This volume combines a theoretical critique of the biographical method that dominates Larkin studies with a revolutionary interpretation of his works that better accounts for their profound influence upon leading Postmodernists like Ian McEwan, David Mitchell, Carol Ann Duffy, Damien Hirst - and the creators of Jerry Springer - the Opera .
Publisher: Springer
ISBN: 0230598935
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
This volume combines a theoretical critique of the biographical method that dominates Larkin studies with a revolutionary interpretation of his works that better accounts for their profound influence upon leading Postmodernists like Ian McEwan, David Mitchell, Carol Ann Duffy, Damien Hirst - and the creators of Jerry Springer - the Opera .
Early Larkin
Author: James Underwood
Publisher: Bloomsbury Publishing
ISBN: 1350197130
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
"Astute." Times Literary Supplement Beginning in the late 1930s, this is the first book-length critical study of Larkin's early work: his poetry, novels, short fictions, essays, and letters. The book tells the story of Philip Larkin's early literary development, starting with Larkin's earliest literary efforts and his remarkable correspondence with Jim Sutton, and ending at the point Larkin's maturity begins, with the writing of his first great poems. In providing a comprehensive and systematic study of this part of Larkin's life, this book also presents a new and surprising narrative of Larkin's development. Critics have presented Larkin's early career as a false start which he overcame by swapping Yeats's influence for Hardy's. Having re-discovered Hardy's poetry in 1946, the story goes, Larkin realised the potential of writing about his own life, and disavowed Yeats. Central to this book's controversial counter-narrative is an insistence on the significance of Brunette Coleman, the female heteronym Larkin invented in 1943. Three years before his re-discovery of Hardy, Larkin wrote a strange and unique series of works for schoolgirls under Coleman's name. These writings not only led him away from Yeats and other hindering influences, but also away from himself. Whereas the Yeats-to-Hardy narrative emphasises the autobiographical qualities of Larkin's mature verse, Early Larkin proposes that the writer's breakthrough was a result of his burgeoning 'interest in everything outside himself' – itself the consequence of his curious experiment with Brunette Coleman.
Publisher: Bloomsbury Publishing
ISBN: 1350197130
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
"Astute." Times Literary Supplement Beginning in the late 1930s, this is the first book-length critical study of Larkin's early work: his poetry, novels, short fictions, essays, and letters. The book tells the story of Philip Larkin's early literary development, starting with Larkin's earliest literary efforts and his remarkable correspondence with Jim Sutton, and ending at the point Larkin's maturity begins, with the writing of his first great poems. In providing a comprehensive and systematic study of this part of Larkin's life, this book also presents a new and surprising narrative of Larkin's development. Critics have presented Larkin's early career as a false start which he overcame by swapping Yeats's influence for Hardy's. Having re-discovered Hardy's poetry in 1946, the story goes, Larkin realised the potential of writing about his own life, and disavowed Yeats. Central to this book's controversial counter-narrative is an insistence on the significance of Brunette Coleman, the female heteronym Larkin invented in 1943. Three years before his re-discovery of Hardy, Larkin wrote a strange and unique series of works for schoolgirls under Coleman's name. These writings not only led him away from Yeats and other hindering influences, but also away from himself. Whereas the Yeats-to-Hardy narrative emphasises the autobiographical qualities of Larkin's mature verse, Early Larkin proposes that the writer's breakthrough was a result of his burgeoning 'interest in everything outside himself' – itself the consequence of his curious experiment with Brunette Coleman.
Reading Philip Larkin: Selected Poems
Author: John Gilroy
Publisher: Lulu.com
ISBN: 1847602029
Category : Fiction
Languages : en
Pages : 122
Book Description
Our best-selling poetry introduction offers a detailed commentary on the poetry of Philip Larkin, exploring the political and cultural contexts which have shaped his contemporary reputation. Part 1, Life and Times, traces Larkin's early years and follows his development, within his career as a university librarian, into one of the most important and popular voices in twentieth-century poetry. Part 2, Artistic Strategies, explores a range of methodologies and aesthetic influences by which Larkin was empowered to create poetry at once both accessible and profound. Part 3, Reading Larkin, provides detailed critical commentary on many of the poems from his three major collections, The Less Deceived, The Whitsun Weddings and High Windows. Part 4, Reception, outlines the history of Larkin's reputation from the mid-1950s to the present, examining the debates to which his poetry has given rise. John Gilroy teaches at Anglia Ruskin University and for the University of Cambridge Institute of Continuing Education.
Publisher: Lulu.com
ISBN: 1847602029
Category : Fiction
Languages : en
Pages : 122
Book Description
Our best-selling poetry introduction offers a detailed commentary on the poetry of Philip Larkin, exploring the political and cultural contexts which have shaped his contemporary reputation. Part 1, Life and Times, traces Larkin's early years and follows his development, within his career as a university librarian, into one of the most important and popular voices in twentieth-century poetry. Part 2, Artistic Strategies, explores a range of methodologies and aesthetic influences by which Larkin was empowered to create poetry at once both accessible and profound. Part 3, Reading Larkin, provides detailed critical commentary on many of the poems from his three major collections, The Less Deceived, The Whitsun Weddings and High Windows. Part 4, Reception, outlines the history of Larkin's reputation from the mid-1950s to the present, examining the debates to which his poetry has given rise. John Gilroy teaches at Anglia Ruskin University and for the University of Cambridge Institute of Continuing Education.
Philip Larkin
Author: Robert C. Evans
Publisher: Bloomsbury Publishing
ISBN: 1137517123
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
Philip Larkin is widely regarded as one of the greatest English poets of the 20th century. As such, there is a vast amount of literary criticism surrounding his work. This Readers' Guide provides a comprehensive and accessible overview of the key reactions to Larkin's poetry. Using a chronological structure, Robert C. Evans charts critical responses to Larkin's work from his arrival on the British literary scene in the 1950s to the decades after his death. This includes analyses of critical material from around the world, making this an excellent guide for all students of Larkin.
Publisher: Bloomsbury Publishing
ISBN: 1137517123
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
Philip Larkin is widely regarded as one of the greatest English poets of the 20th century. As such, there is a vast amount of literary criticism surrounding his work. This Readers' Guide provides a comprehensive and accessible overview of the key reactions to Larkin's poetry. Using a chronological structure, Robert C. Evans charts critical responses to Larkin's work from his arrival on the British literary scene in the 1950s to the decades after his death. This includes analyses of critical material from around the world, making this an excellent guide for all students of Larkin.
Philip Larkin
Author: James Booth
Publisher: Bloomsbury Publishing
ISBN: 1408851679
Category : Biography & Autobiography
Languages : en
Pages : 815
Book Description
_______________ 'Superb ... Booth's psychology is subtler than Motion's and more convincing' - Peter J. Conradi, Spectator 'Booth's diligence is unquestionable and even readers who think they know the poems will see nuances they had previously missed ... should render further attention by biographers superfluous for several years' - Guardian 'Those of us who never warmed to Larkin the man or poet, will have our aversions challenged by this sympathetic but different account of his life and work' - Independent _______________ A fascinating and controversial study of Philip Larkin's world and how it bled into his work, James Booth's biography is a unique insight into the man whose life and art have been misunderstood for too long Philip Larkin was that rare thing among poets: a household name in his own lifetime. Lines such as 'Never such innocence again' and 'Sexual intercourse began / In nineteen sixty-three' made him one of the most popular poets of the last century. Larkin's reputation as a man, however, has been more controversial. A solitary librarian known for his pessimism, he disliked exposure and had no patience with the literary circus. And when, in 1992, the publication of his Selected Letters laid bare his compartmentalised personal life, accusations of duplicity, faithlessness, racism and misogyny were levelled against him. There is, of course, no requirement that poets should be likeable or virtuous, but James Booth asks whether art and life were really so deeply at odds with each other. Can the poet who composed the moving 'Love Songs in Age' have been such a cold-hearted man? Can he who uttered the playful, self-deprecating words 'Deprivation is for me what daffodils were for Wordsworth' really have been so boorish? A very different public image is offered by those who shared the poet's life: the women with whom he was romantically involved, his friends and his university colleagues. It is with their personal testimony, including access to previously unseen letters, that Booth reinstates a man misunderstood: not a gaunt, emotional failure, but a witty, provocative and entertaining presence, delightful company; an attentive son and a man devoted to the women he loved. Meticulously researched, unwaveringly frank and full of fresh material, Philip Larkin: Life, Art and Love definitively reinterprets one of our greatest poets.
Publisher: Bloomsbury Publishing
ISBN: 1408851679
Category : Biography & Autobiography
Languages : en
Pages : 815
Book Description
_______________ 'Superb ... Booth's psychology is subtler than Motion's and more convincing' - Peter J. Conradi, Spectator 'Booth's diligence is unquestionable and even readers who think they know the poems will see nuances they had previously missed ... should render further attention by biographers superfluous for several years' - Guardian 'Those of us who never warmed to Larkin the man or poet, will have our aversions challenged by this sympathetic but different account of his life and work' - Independent _______________ A fascinating and controversial study of Philip Larkin's world and how it bled into his work, James Booth's biography is a unique insight into the man whose life and art have been misunderstood for too long Philip Larkin was that rare thing among poets: a household name in his own lifetime. Lines such as 'Never such innocence again' and 'Sexual intercourse began / In nineteen sixty-three' made him one of the most popular poets of the last century. Larkin's reputation as a man, however, has been more controversial. A solitary librarian known for his pessimism, he disliked exposure and had no patience with the literary circus. And when, in 1992, the publication of his Selected Letters laid bare his compartmentalised personal life, accusations of duplicity, faithlessness, racism and misogyny were levelled against him. There is, of course, no requirement that poets should be likeable or virtuous, but James Booth asks whether art and life were really so deeply at odds with each other. Can the poet who composed the moving 'Love Songs in Age' have been such a cold-hearted man? Can he who uttered the playful, self-deprecating words 'Deprivation is for me what daffodils were for Wordsworth' really have been so boorish? A very different public image is offered by those who shared the poet's life: the women with whom he was romantically involved, his friends and his university colleagues. It is with their personal testimony, including access to previously unseen letters, that Booth reinstates a man misunderstood: not a gaunt, emotional failure, but a witty, provocative and entertaining presence, delightful company; an attentive son and a man devoted to the women he loved. Meticulously researched, unwaveringly frank and full of fresh material, Philip Larkin: Life, Art and Love definitively reinterprets one of our greatest poets.
Philip Larkin’s Poetics
Author: István D. Rácz
Publisher: BRILL
ISBN: 9004311076
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
In Philip Larkin’s Poetics István D. Rácz offers a reading of Larkin’s credo that systematically discusses the links between his principles and practice – a discussion notably absent up to now from the many studies of this outstanding post-1945 British poet. While Larkin claimed that his poetry did not need any explication, Rácz argues that a careful reading reveals a coherent poetics. This thoroughgoing discussion of the oeuvre provides ample evidence that Larkin’s poetry of interacting opposites creates a logically organized system based on principles to be found in his poetics.
Publisher: BRILL
ISBN: 9004311076
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
In Philip Larkin’s Poetics István D. Rácz offers a reading of Larkin’s credo that systematically discusses the links between his principles and practice – a discussion notably absent up to now from the many studies of this outstanding post-1945 British poet. While Larkin claimed that his poetry did not need any explication, Rácz argues that a careful reading reveals a coherent poetics. This thoroughgoing discussion of the oeuvre provides ample evidence that Larkin’s poetry of interacting opposites creates a logically organized system based on principles to be found in his poetics.
Belonging and Estrangement in the Poetry of Philip Larkin, R.S. Thomas and Charles Causley
Author: Rory Waterman
Publisher: Routledge
ISBN: 1317175239
Category : Literary Criticism
Languages : en
Pages : 361
Book Description
Focusing on the significance of place, connection and relationship in three poets who are seldom considered in conjunction, Rory Waterman argues that Philip Larkin, R.S. Thomas and Charles Causley epitomize many of the emotional and societal shifts and mores of their age. Waterman looks at the foundations underpinning their poetry; the attempts of all three to forge a sense of belonging with or separateness from their readers; the poets’ varying responses to their geographical and cultural origins; the belonging and estrangement that inheres in relationships, including marriage; the forced estrangements of war; the antagonism between social belonging and a need for isolation; and, finally, the charged issues of faith and mortality in an increasingly secularized country.
Publisher: Routledge
ISBN: 1317175239
Category : Literary Criticism
Languages : en
Pages : 361
Book Description
Focusing on the significance of place, connection and relationship in three poets who are seldom considered in conjunction, Rory Waterman argues that Philip Larkin, R.S. Thomas and Charles Causley epitomize many of the emotional and societal shifts and mores of their age. Waterman looks at the foundations underpinning their poetry; the attempts of all three to forge a sense of belonging with or separateness from their readers; the poets’ varying responses to their geographical and cultural origins; the belonging and estrangement that inheres in relationships, including marriage; the forced estrangements of war; the antagonism between social belonging and a need for isolation; and, finally, the charged issues of faith and mortality in an increasingly secularized country.
Philip Larkin and His Audiences
Author: G. Steinberg
Publisher: Springer
ISBN: 0230251196
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
Philip Larkin, one of England's greatest and most popular twentieth-century poets, is nonetheless widely regarded as a misanthropic, provincial recluse. This volume re-examines that critical view and argues that Larkin's poetry, far from demonstrating his misanthropy, highlights his profound awareness of and concern for readers.
Publisher: Springer
ISBN: 0230251196
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
Philip Larkin, one of England's greatest and most popular twentieth-century poets, is nonetheless widely regarded as a misanthropic, provincial recluse. This volume re-examines that critical view and argues that Larkin's poetry, far from demonstrating his misanthropy, highlights his profound awareness of and concern for readers.
Philip Larkin, Popular Culture, and the English Individual
Author: J. Ryan Hibbett
Publisher: Rowman & Littlefield
ISBN: 1498543030
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
Despite the denigrating revelations of his published letters, Philip Larkin looms larger than ever, both as an English national icon and as a championed voice of postwar English poetry. Philip Larkin, Popular Culture, and the English Individual seeks to move beyond the decades-long preoccupation with Larkin’s reputation and canonical status, approaching Larkin instead as part of a persevering cultural phenomenon through which the traditionally distinguished individual is reconstituted in the company of the ordinary and the interchangeable. It tracks how Larkin’s poetic texts negotiate and engage with representations of popular culture at a time when notions of celebrity, authenticity, and cultural authority were newly (and deeply) unsettled by rock and roll, and when cultural capital had become a coveted substitute for diminished imperial wealth. From his unprecedented f-bombs to his cultivation of a familiar, comedic personality, this book examines how Larkin realigns common social practices and popular art forms—be it attending a church service, watching television, or enjoying a concert—to the isolated, knowing gaze of the individual.
Publisher: Rowman & Littlefield
ISBN: 1498543030
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
Despite the denigrating revelations of his published letters, Philip Larkin looms larger than ever, both as an English national icon and as a championed voice of postwar English poetry. Philip Larkin, Popular Culture, and the English Individual seeks to move beyond the decades-long preoccupation with Larkin’s reputation and canonical status, approaching Larkin instead as part of a persevering cultural phenomenon through which the traditionally distinguished individual is reconstituted in the company of the ordinary and the interchangeable. It tracks how Larkin’s poetic texts negotiate and engage with representations of popular culture at a time when notions of celebrity, authenticity, and cultural authority were newly (and deeply) unsettled by rock and roll, and when cultural capital had become a coveted substitute for diminished imperial wealth. From his unprecedented f-bombs to his cultivation of a familiar, comedic personality, this book examines how Larkin realigns common social practices and popular art forms—be it attending a church service, watching television, or enjoying a concert—to the isolated, knowing gaze of the individual.
Philip Larkin: Art and Self
Author: M. Rowe
Publisher: Springer
ISBN: 0230302157
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Exploring the complex relationship between aesthetic experience and personal identity in Larkin's work, this book gives close and original readings of three major poems ('Here', 'Livings' and 'Aubade'), and two neglected but important themes (Larkin and the supernatural, Larkin and Flaubert).
Publisher: Springer
ISBN: 0230302157
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Exploring the complex relationship between aesthetic experience and personal identity in Larkin's work, this book gives close and original readings of three major poems ('Here', 'Livings' and 'Aubade'), and two neglected but important themes (Larkin and the supernatural, Larkin and Flaubert).