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Author: Richard Brilliant
Publisher: Univ of California Press
ISBN: 9780520216822
Category : Art
Languages : en
Pages : 172
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Book Description
Several Laocoons are identified in this study: the alleged lost "Greek original"; the extant marbles sculpted in the first century; the sixteenth-century restoration and its affect; the eighteenth- and nineteenth-century topos of critical judgment; and the twentieth-century re-restored artifact of ancient art.
Author: Richard Brilliant
Publisher: Univ of California Press
ISBN: 9780520216822
Category : Art
Languages : en
Pages : 172
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Book Description
Several Laocoons are identified in this study: the alleged lost "Greek original"; the extant marbles sculpted in the first century; the sixteenth-century restoration and its affect; the eighteenth- and nineteenth-century topos of critical judgment; and the twentieth-century re-restored artifact of ancient art.
Author: Robert Phillimore
Publisher: BoD – Books on Demand
ISBN: 3368835777
Category : Fiction
Languages : en
Pages : 430
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Book Description
Reprint of the original, first published in 1874.
Author: Gotthold Ephraim Lessing
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 444
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Book Description
Author: Avi Lifschitz
Publisher: Oxford University Press
ISBN: 0192522744
Category : Art
Languages : en
Pages : 480
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Book Description
Gotthold Ephraim Lessing first published Laokoon, oder über die Grenzen der Mahlerey und Poesie (Laocoon, or on the Limits of Painting and Poetry) in 1766. Over the last 250 years, Lessing's essay has exerted an incalculable influence on western critical thinking. Not only has it directed the history of post-Enlightenment aesthetics, it has also shaped the very practices of 'poetry' and 'painting' in a myriad of different ways. In this anthology of specially commissioned chapters - comprising the first ever edited book on the Laocoon in English - a range of leading critical voices has been brought together to reassess Lessing's essay on its 250th anniversary. Combining perspectives from multiple disciplines (including classics, intellectual history, philosophy, aesthetics, media studies, comparative literature, and art history), the book explores the Laocoon from a plethora of critical angles. Chapters discuss Lessing's interpretation of ancient art and poetry, the cultural backdrops of the eighteenth century, and the validity of the Laocoon's observations in the fields of aesthetics, semiotics, and philosophy. The volume shows how the Laocoon exploits Greek and Roman models to sketch the proper spatial and temporal 'limits' (Grenzen) of what Lessing called 'poetry' and 'painting'; at the same time it demonstrates how Lessing's essay is embedded within Enlightenment theories of art, perception, and historical interpretation, as well as within nascent eighteenth-century ideas about the 'scientific' study of Classical antiquity (Altertumswissenschaft). To engage critically with the Laocoon, and to make sense of its legacy over the last 250 years, consequently involves excavating various 'classical presences': by looking back to the Graeco-Roman past, the volume demonstrates, Lessing forged a whole new tradition of modern aesthetics.
Author: Gotthold Ephraim Lessing
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 288
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Book Description
Author: Frank Egbert Bryant
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 56
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Book Description
Author: Gotthold Ephraim Lessing
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
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Book Description
Author: Gotthold Ephraim Lessing
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 416
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Book Description
Author: Nigel Jonathan Spivey
Publisher: Univ of California Press
ISBN: 9780520230224
Category : Art
Languages : en
Pages : 280
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Book Description
Sebastians pierced with arrows, self-portraits of the aging Rembrandt, and the tortured art of Vincent van Gogh. Exploring the tender, complex rapport between art and pain, Spivey guides us through the twentieth-century photographs of casualties of war, Edvard Munch's The Scream, and back to the recorded horrors of the Holocaust.".
Author: Brad Prager
Publisher: Camden House
ISBN: 9781571133410
Category : Art
Languages : en
Pages : 304
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Book Description
Crosses disciplinary boundaries to explore German Romantic writing about visual experience and the interplay of text and image in Romantic epistemology. The work of the groundbreaking writers and artists of German Romanticism -- including the writers Tieck, Brentano, and Eichendorff and the artists Caspar David Friedrich and Philipp Otto Runge -- followed from the philosophical arguments of the German Idealists, who placed emphasis on exploring the subjective space of the imagination. The Romantic perspective was a form of engagement with Idealist discourses, especially Kant's Critique of Pure Reason and Fichte's Science of Knowledge. Through an aggressive, speculative reading of Kant, the Romantics abandoned the binary distinction between the palpable outer world and the ungraspable space of the mind's eye and were therefore compelled to develop new terms for understanding the distinction between "internal" and "external." In this light, Brad Prager urges a reassessment of some of Romanticism's major oppositional tropes, contending that binaries such as "self and other," "symbol and allegory," and "light and dark," should be understood as alternatives to Lessing's distinction between interior and exterior worlds. Prager thus crosses the boundaries between philosophy, literature, and art history to explore German Romantic writing about visual experience, examining the interplay of text and image in the formulation of Romantic epistemology. Brad Prager is Associate Professor of Germanat the University of Missouri, Columbia.
