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Author: Robert W. Kapoun
Publisher: Gibbs Smith
ISBN: 1423600169
Category : Indian blankets
Languages : en
Pages : 202
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Book Description
From the history of the trade blanket to contemporary collectible blankets to designs of the major trade blanket manufacturers such as Pendleton Woolen Mills, Racine Woolen Mills, and Buell Manufacturing Company, Language of the Robe presents the bright colors and intricately woven patterns hallmark to American Indian trade blankets.
Author: Robert W. Kapoun
Publisher: Gibbs Smith
ISBN: 1423600169
Category : Indian blankets
Languages : en
Pages : 202
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Book Description
From the history of the trade blanket to contemporary collectible blankets to designs of the major trade blanket manufacturers such as Pendleton Woolen Mills, Racine Woolen Mills, and Buell Manufacturing Company, Language of the Robe presents the bright colors and intricately woven patterns hallmark to American Indian trade blankets.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Barry Friedman
Publisher: Bulfinch Press
ISBN: 9780821227589
Category : Art
Languages : en
Pages : 303
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Book Description
More than 350 full-color and black-and-white photographs highlight this comprehensive guide to the art of Indian trade blankets, tracing the history of this beautiful Native American craft, offering helpful tips on caring for vintage blankets, and providing a helpful catalog of the various makers of trade blankets. 20,000 first printing.
Author: Leslie H. Tepper
Publisher: U of Nebraska Press
ISBN: 1496201493
Category : Social Science
Languages : en
Pages : 218
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Book Description
Salish Blankets presents a new perspective on Salish weaving through technical and anthropological lenses. Worn as ceremonial robes, the blankets are complex objects said to preexist in the supernatural realm and made manifest in the natural world through ancestral guidance. The blankets are protective garments that at times of great life changes—birth, marriage, death—offer emotional strength and mental focus. A blanket can help establish the owner’s standing in the community and demonstrate a weaver’s technical expertise and artistic vision. The object, the maker, the wearer, and the community are bound and transformed through the creation and use of the blanket. Drawing on first-person accounts of Salish community members, object analysis, and earlier ethnographic sources, the authors offer a wide-ranging material culture study of Coast Salish lifeways. Salish Blankets explores the design, color/pigmentation, meaning, materials, and process of weaving and examines its historical and cultural contexts.
Author: Dale Chihuly
Publisher: Chihuly Workshop
ISBN:
Category : Art
Languages : en
Pages : 78
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Book Description
"Trade blankets, often called "Pendletons" after their best-known manufacturer, were woven in hundreds of combinations of colors and designs by woolen mills. Chihuly, who had studied weaving and textiles, became intrigued by the blankets' vibrant beauty and began collecting them. Included in this collection are blankets not only from Pendleton Woolen Mills, but also from other manufacturers, such as J. Capps and Sons, Buell Manufacturing Company, Racine Woolen Mills, and Oregon City Woolen Mills. Also included in this volume are selections of Chihuly's series of Blanket Cylinders. This series features an innovative technique: threads of colored glass are fused into a drawing of a blanket design, then picked up on the surface of hot cylinders, resulting in an image that vividly evokes a blanket's unique texture, pattern, and colors. Chihuly's Pendletons has 172 full-color reproductions, including blankets from the artist's private collection, historical photographs, and the distinguished Blanket Cylinders series. The volume also features an essay by Chihuly on his attraction to the blankets and his creative process in developing the series"-- Jacket.
Author: Gerry R. Cox
Publisher: Rowman & Littlefield
ISBN: 1666908517
Category : Social Science
Languages : en
Pages : 395
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Book Description
Sociology of Death and the American Indian examines dying, death, disposal, and bereavement practices and applies those concepts to selectAmerican Indian tribes historically and currently, supplemented with oral histories. The focus is that learning about other cultures can enhance the understanding of one’s own culture by comparing traditional and modern societies. Gerry R. Cox addresses the centuries of injustices committed against American Indians that led to a neglect of learning about American Indian cultures and attempts to fill the gaps in knowledge of American Indian practices.
Author: ShiPu Wang
Publisher: Penn State Press
ISBN: 0271080701
Category : Art
Languages : en
Pages : 422
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Book Description
In The Other American Moderns, ShiPu Wang analyzes the works of four early twentieth-century American artists who engaged with the concept of “Americanness”: Frank Matsura, Eitarō Ishigaki, Hideo Noda, and Miki Hayakawa. In so doing, he recasts notions of minority artists’ contributions to modernism and American culture. Wang presents comparative studies of these four artists’ figurative works that feature Native Americans, African Americans, and other racial and ethnic minorities, including Matsura and Susan Timento Pose at Studio (ca. 1912), The Bonus March (1932), Scottsboro Boys (1933), and Portrait of a Negro (ca. 1926). Rather than creating art that reflected “Asian aesthetics,” Matsura, Ishigaki, Noda, and Hayakawa deployed “imagery of the Other by the Other” as their means of exploring, understanding, and contesting conditions of diaspora and notions of what it meant to be American in an age of anti-immigrant sentiment and legislation. Based on a decade-long excavation of previously unexamined collections in the United States and Japan, The Other American Moderns is more than a rediscovery of “forgotten” minority artists: it reconceives American modernism by illuminating these artists’ active role in the shaping of a multicultural and cosmopolitan culture. This nuanced analysis of their deliberate engagement with the ideological complexities of American identity contributes a new vision to our understanding of non-European identity in modernism and American art.
Author: William R. Swagerty
Publisher: University of Oklahoma Press
ISBN: 0806188219
Category : Biography & Autobiography
Languages : en
Pages : 830
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Book Description
Although some have attributed the success of the Lewis and Clark expedition primarily to gunpowder and gumption, historian William R. Swagerty demonstrates in this two-volume set that adopting Indian ways of procuring, processing, and transporting food and gear was crucial to the survival of the Corps of Discovery. The Indianization of Lewis and Clark retraces the well-known trail of America’s most famous explorers as a journey into the heart of Native America—a case study of successful material adaptation and cultural borrowing. Beginning with a broad examination of regional demographics and folkways, Swagerty describes the cultural baggage and material preferences the expedition carried west in 1804. Detailing this baseline reveals which Indian influences were already part of Jeffersonian American culture, and which were progressive adaptations the Corpsmen made of Indian ways in the course of their journey. Swagerty’s exhaustive research offers detailed information on both Indian and Euro-American science, medicine, cartography, and cuisine, and on a wide range of technologies and material culture. Readers learn what the Corpsmen wore, what they ate, how they traveled, and where they slept (and with whom) before, during, and after the return. Indianization is as old as contact experiences between Native Americans and Europeans. Lewis and Clark took the process to a new level, accepting the hospitality of dozens of Native groups as they sought a navigable water route to the Pacific. This richly illustrated, interdisciplinary study provides a unique and complex portrait of the material and cultural legacy of Indian America, offering readers perspective on lessons learned but largely forgotten in the aftermath of the epic journey.
Author: Erika Bsumek
Publisher: University Press of Kansas
ISBN: 0700618902
Category : Social Science
Languages : en
Pages : 304
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Book Description
In works of silver and wool, the Navajos have established a unique brand of American craft. And when their artisans were integrated into the American economy during the late nineteenth century, they became part of a complex cultural and economic framework in which their handmade crafts conveyed meanings beyond simple adornment. As Anglo tourists discovered these crafts, the Navajo weavings and jewelry gained appeal from the romanticized notion that their producers were part of a primitive group whose traditions were destined to vanish. Erika Bsumek now explores the complex links between Indian identity and the emergence of tourism in the Southwest to reveal how production, distribution, and consumption became interdependent concepts shaped by the forces of consumerism, race relations, and federal policy. Bsumek unravels the layers of meaning that surround the branding of "Indian made." When Navajo artisans produced their goods, collaborating traders, tourist industry personnel, and even ethnologists created a vision of Navajo culture that had little to do with Navajos themselves. And as Anglos consumed Navajo crafts, they also consumed the romantic notion of Navajos as "primitives" perpetuated by the marketplace. These processes of production and consumption reinforced each other, creating a symbiotic relationship and influencing both mutual Anglo-Navajo perceptions and the ways in which Navajos participated in the modern marketplace. Examining varied sites of production-artisans' workshops, museums, trading posts, Bsumek shows how the market economy perpetuated "Navaho" stereotypes and cultural assumptions. She takes readers into the hogans where men worked silver and women wove rugs and into the outlets where middlemen dictated what buyers wanted and where Navajos influenced inventory. Exploring this process over seven decades, she describes how artisans' increasing use of modern tools created controversy about authenticity and how the meaning of the "Indian made" label was even challenged in court. Ultimately, Bsumek shows that the sale of Indian-made goods cannot be explained solely through supply and demand. It must also reckon with the multiple images and narratives that grew up around the goods themselves, integrating consumer culture, tourism, and history to open new perspectives on our understanding of American Indian material culture.
Author: Thomas Constantine Maroukis
Publisher: University of Arizona Press
ISBN: 0816542260
Category : History
Languages : en
Pages : 297
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Book Description
The early twentieth-century roots of modern American Indian protest and activism are examined in We Are Not a Vanishing People. It tells the history of Native intellectuals and activists joining together to establish the Society of American Indians, a group of Indigenous men and women united in the struggle for Indian self-determination.
