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Author: Louis S. Berger
Publisher: Lexington Books
ISBN: 0739147137
Category : Language Arts & Disciplines
Languages : en
Pages : 162
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Book Description
One's conception of language is central in fields such as linguistics, but less obviously so in fields studying matters other than language. In Language and the Ineffable Louis S. Berger demonstrates the flaws of the received view of language and the difficulties they raise in multiple disciplines. This breakthrough study sees past failures as inevitable, since reformers retained key detrimental features of the received view. Berger undertakes a new reform, grounded in an unconventional model of individual human development. A central radical and generative feature is the premise that the neonate's world is holistic, boundary-less, unimaginable, impossible to describe_in other words, ineffable_completely distinct from what Berger calls 'adultocentrism.' The study is a wholly original approach to epistemology, separate from the traditional interpretations offered by skepticism, idealism, and realism. The work rejects both the independence of the world and the possibility of true judgment_a startling shift in the traditional responses to the standard schema. Language and the Ineffable evolves a unique conception of language that challenges and unsettles sacrosanct beliefs, not only about language, but other disciplines as well. Berger demonstrates the framework's potential for elucidating a wide range of problems in such diverse fields as philosophy, logic, psychiatry, general-experimental psychology, psychotherapy, and arithmetic. The reconceptualization marks a revolutionary turn in language studies that reaches across academic boundaries.
Author: Louis S. Berger
Publisher: Lexington Books
ISBN: 0739147137
Category : Language Arts & Disciplines
Languages : en
Pages : 162
Get Book Here
Book Description
One's conception of language is central in fields such as linguistics, but less obviously so in fields studying matters other than language. In Language and the Ineffable Louis S. Berger demonstrates the flaws of the received view of language and the difficulties they raise in multiple disciplines. This breakthrough study sees past failures as inevitable, since reformers retained key detrimental features of the received view. Berger undertakes a new reform, grounded in an unconventional model of individual human development. A central radical and generative feature is the premise that the neonate's world is holistic, boundary-less, unimaginable, impossible to describe_in other words, ineffable_completely distinct from what Berger calls 'adultocentrism.' The study is a wholly original approach to epistemology, separate from the traditional interpretations offered by skepticism, idealism, and realism. The work rejects both the independence of the world and the possibility of true judgment_a startling shift in the traditional responses to the standard schema. Language and the Ineffable evolves a unique conception of language that challenges and unsettles sacrosanct beliefs, not only about language, but other disciplines as well. Berger demonstrates the framework's potential for elucidating a wide range of problems in such diverse fields as philosophy, logic, psychiatry, general-experimental psychology, psychotherapy, and arithmetic. The reconceptualization marks a revolutionary turn in language studies that reaches across academic boundaries.
Author: Louis S. Berger
Publisher: Lexington Books
ISBN: 0739147153
Category : Philosophy
Languages : en
Pages : 162
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Book Description
One's conception of language is central in fields such as linguistics, but less obviously so in fields studying matters other than language. In Language and the Ineffable Louis S. Berger demonstrates the flaws of the received view of language and the difficulties they raise in multiple disciplines. This breakthrough study sees past failures as inevitable, since reformers retained key detrimental features of the received view. Berger undertakes a new reform, grounded in an unconventional model of individual human development. A central radical and generative feature is the premise that the neonate's world is holistic, boundary-less, unimaginable, impossible to describe_in other words, ineffable_completely distinct from what Berger calls 'adultocentrism.' The study is a wholly original approach to epistemology, separate from the traditional interpretations offered by skepticism, idealism, and realism. The work rejects both the independence of the world and the possibility of true judgment_a startling shift in the traditional responses to the standard schema. Language and the Ineffable evolves a unique conception of language that challenges and unsettles sacrosanct beliefs, not only about language, but other disciplines as well. Berger demonstrates the framework's potential for elucidating a wide range of problems in such diverse fields as philosophy, logic, psychiatry, general-experimental psychology, psychotherapy, and arithmetic. The reconceptualization marks a revolutionary turn in language studies that reaches across academic boundaries.
Author: Wesley J. Wildman
Publisher: State University of New York Press
ISBN: 1438471254
Category : Philosophy
Languages : en
Pages : 258
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Book Description
In Effing the Ineffable, Wesley J. Wildman confronts the human obsession with ultimate reality and our desire to conceive and speak of this reality through religious language, despite the seeming impossibility of doing so. Each chapter is a meditative essay on an aspect of life that, for most people, is fraught with special spiritual significance: dreaming, suffering, creating, slipping, balancing, eclipsing, loneliness, intensity, and bliss. These moments can inspire religious questioning and commitment, and, in extreme situations, drive us in search of ways to express what matters most to us. Drawing upon American pragmatist, Anglo-American analytic, and Continental traditions of philosophical theology, Wildman shows how, through direct description, religious symbolism, and phenomenological experience, the language games of religion become a means to attempt, and, in some sense, to accomplish this task.
Author: Siglind Bruhn
Publisher: Pendragon Press
ISBN: 9781576470893
Category : Juvenile Nonfiction
Languages : en
Pages : 330
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Book Description
The relationship between music and religion has long been a clearly delineated one. Up to the late Middle Ages, music employed for ritual expressions of faith in sacred contexts was contrasted with secular music, then mostly played in open spaces. The former was believed to aid in the communication of divine truths, while the latter was suspected of arousing sensuality and thus potentially leading away from the spiritual perspective of life. In subsequent centuries, music entered first the courtly salons, then the concert hall and the home. Such music, created for virtuoso performance or for the enjoyment in private chambers, occasionally made room for an expression of religious experiences outside the dedicated spaces of worship. This aspect is particularly intriguing in instrumental music, where allusions to extra-musical messages are at best hinted at in titles or explanatory notes, and in those cases of vocal music where it can be shown that the musical language adds significant nuances to the verbal text. On the basis of various case studies that transcend a music-analytical approach in the direction of the hermeneutic perspective, this volume explores in which ways the musical language in itself, independently of an explicitly sacred context, communicates the ineffable. The discussion focuses on the musical means and devices employed to this effect and on the question what the presence of religious messages in certain works of secular music tells us about the spirituality of an era.
Author: Vladimir Jankélévitch
Publisher: Princeton University Press
ISBN: 069126838X
Category : Music
Languages : en
Pages : 201
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Book Description
The classic work on the philosophy of music—now available in English to a new generation of readers Vladimir Jankélévitch left behind a remarkable body of work steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and, as a counterpoint, he wrote on music aesthetics and on modernist composers such as Fauré, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankélévitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense. Music, Jankélévitch argues, is not a hieroglyph, not a language or sign system; nor does it express emotions, depict landscapes or cultures, or narrate. On the other hand, music cannot be imprisoned within the icy, morbid notion of pure structure or autonomous discourse. Yet if musical works are not a cipher awaiting the decoder, music is nonetheless entwined with human experience, and with the physical, material reality of music in performance. Music is "ineffable," as Jankélévitch puts it, because it cannot be pinned down, and has a capacity to engender limitless resonance in several domains. Jankélévitch's singular work on music was central to such figures as Roland Barthes and Catherine Clément, and the complex textures and rhythms of his lyrical prose sound a unique note, until recently seldom heard outside the francophone world.
Author: Noam Reisner
Publisher: Oxford University Press
ISBN: 0199572623
Category : Language Arts & Disciplines
Languages : en
Pages : 336
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Book Description
Situating Milton's poetics of ineffability in the context of the intellectual cross-currents of Renaissance humanism and Protestant theology, this text reassesses Milton's poetry in light of the literary and conceptual problems posed by the poet's attempt to put into words that which is unsayable and beyond representation.
Author: Silvia Jonas
Publisher: Palgrave MacMillan
ISBN: 9781349954247
Category : Philosophy
Languages : en
Pages : 240
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Book Description
Can art, religion, or philosophy afford ineffable insights? If so, what are they? The idea of ineffability has puzzled philosophers from Laozi to Wittgenstein. In Ineffability and its Metaphysics: The Unspeakable in Art, Religion and Philosophy, Silvia Jonas examines different ways of thinking about what ineffable insights might involve metaphysically, and shows which of these are in fact incoherent. Jonas discusses the concepts of ineffable properties and objects, ineffable propositions, ineffable content, and ineffable knowledge, examining the metaphysical pitfalls involved in these concepts. Ultimately, she defends the idea that ineffable insights as found in aesthetic, religious, and philosophical contexts are best understood in terms of self-acquaintance, a particular kind of non-propositional knowledge. Ineffability as a philosophical topic is as old as the history of philosophy itself, but contributions to the exploration of ineffability have been sparse. The theory developed by Jonas makes the concept tangible and usable in many different philosophical contexts.
Author: Kaye Curto
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 330
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Book Description
If you build your whole life around someone... who do you become once they're gone?Let's talk about romance, redamancy and other lies I believed. What are you supposed to do when "The One" goes looking for someone else? It is this exact instance that leaves Allyson Bennett at a loss for words. Nothing in her extensive vocabulary can describe the feeling of hearing that her hopes and plans for the future had been spotted on a coffee date with a stranger. Alone with her thoughts, she questions everything she'd fallen into believing. What if even the most perfect relationships are not destined for happily ever after? Does that mean a relationship isn't worth it if there is no chance at "forever" with that person?Do the people who hurt you the most deserve a second chance?What if your soulmate falls in love with someone else?What if, outside of your relationship, you have absolutely no idea who you are? And perhaps the most foreboding: What if the only way you can love yourself, is by first losing it all?Author, Kaye Curto, embraces the metanoia that often gets swept under the rug in debut novel, INEFFABLE.
Author: Michael Gallope
Publisher: University of Chicago Press
ISBN: 022648369X
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
Deep Refrains is a wide-ranging investigation of the philosophy of music. Michael Gallope asks what it means for music to "speak” when it is not saying anything in particular. To answer this question, he turns to the writings of some of the most revered thinkers of the twentieth century--Ernst Bloch, Theodor Adorno, Vladimir Jank�l�vitch, Gilles Deleuze, and F�lix Guattari. For these theorists, Gallope argues, the paradox that music is both ineffable and yet harbors deep philosophical wisdoms is fertile ground for thinking outside of conceptual boundaries. It provides the lens for a utopian potentiality that inspires hope (Bloch), an ethical critique of modernity (Adorno), an exemplification of the ephemeral movement of lived time (Jank�l�vitch), and a sonic extension of the syncopated, contrapuntal rhythms of sense and social life (Deleuze and Guattari). Gallope argues that a philosophical engagement with music’s ineffability rarely calls for silence or declarations of the unspeakable. Rather, it asks us to think through the ways in which the impact of music is made to address complex philosophical problems specific to the modern world.
Author: A. W. Moore
Publisher: Oxford University Press
ISBN: 0192556762
Category : Philosophy
Languages : en
Pages : 292
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Book Description
These essays by A.W. Moore are all concerned with the business of representing how things are - its nature, its scope, and its limits. The essays in Part One deal with linguistic representation and discuss topics such as rules of representation and their nature, the sorites paradox, and the very distinction between sense and nonsense. Wittgenstein's work, both early and late, figures prominently. One thesis that surfaces at various points is that some things are beyond representation. The essays in Part Two deal with representation more generally and with the character of what is represented, and owe much to Bernard Williams's argument for the possibility of representation from no point of view. They touch more or less directly on the distinction between representation from a point of view and representation from no point of view-in some cases by exploring various consequences of Kant's belief that representation of how things are physically is always, eo ipso, representation from a point of view. One thesis that surfaces at various points is that nothing is beyond representation. Each of the essays in Part Three, which draw inspiration from the early work of Wittgenstein, indicate how the resulting tension between Parts One and Two is to be resolved: namely, by construing the first part as a thesis about states of knowledge or understanding, and the second part as a thesis about facts or truths.
