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Author: Catherine Larson
Publisher: Bucknell University Press
ISBN: 9780838751800
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
This study illustrates how a focus on language, which is manifest in so much of contemporary literary theory, can help to open some of the canonical texts of Spanish Golden Age theater to new readings.
Author: Catherine Larson
Publisher: Bucknell University Press
ISBN: 9780838751800
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
This study illustrates how a focus on language, which is manifest in so much of contemporary literary theory, can help to open some of the canonical texts of Spanish Golden Age theater to new readings.
Author: Fred Miller Robinson
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Catherine Larson
Publisher:
ISBN: 9781611480658
Category : Literary Criticism
Languages : en
Pages : 181
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Book Description
This study illustrates how a focus on language, which is manifest in so much of contemporary literary theory, can help to open some of the canonical texts of Spanish Golden Age theater to new readings.
Author: Susan Paun De García
Publisher: Tamesis Books
ISBN: 9781855661691
Category : Literary Collections
Languages : en
Pages : 328
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Book Description
"The bringing of Spanish seventeenth-century verse plays to the contemporary English-speaking stage involves a number of fundamental questions. Are verse translations preferable to prose, and if so, what kind of verse? To what degree should translations aim to be 'faithful'? Which kinds of plays 'work', and which do not? Which values and customs of the past present no difficulties for contemporary audiences, and which need to be decoded in performance?Which kinds of staging are suitable, and which are not? To what degree, if any, should one aim for 'authenticity' in staging? In this volume, a group of translators, directors, and scholars explores these and related questions."--Jacket
Author: Evangelos Karakasis
Publisher: Cambridge University Press
ISBN: 113944445X
Category : History
Languages : en
Pages : 325
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Book Description
This book offers a comprehensive examination of the language of Roman comedy in general and that of Terence in particular. The study explores Terence's use of language to differentiate his characters and his language in relation to the language of the comic fragments of the palliata, the togata and the atellana. Linguistic categories in the Terentian corpus explored include colloquialisms, archaisms, hellenisms and idiolectal features. Terence is shown to give his old men an old-fashioned and verbose tone, while low characters are represented as using colloquial diction. An examination of Eunuchus' language shows it to be closer to the Plautine linguistic tradition. The book also provides a thorough linguistic/stylistic commentary on all the fragments of the palliata, the togata and the atellana. It shows that Terence, except in the case of his Eunuchus, consciously distances himself from the linguistic/stylistic tradition of Plautus followed by all other comic poets.
Author: Alison Ross
Publisher: Routledge
ISBN: 1134701721
Category : Language Arts & Disciplines
Languages : en
Pages : 122
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Book Description
This work examines the importance of the social context for humour and explores the issue of gender and humour in areas such as the New Lad culture in comedy. The book also includes comic transcripts from TV sketches such as Clive Anderson.
Author: Peter Barrios-Lech
Publisher: Cambridge University Press
ISBN: 1107129826
Category : Drama
Languages : en
Pages : 407
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Book Description
A comprehensive account of features of Latin that emerge from dialogue, drawing on the data from Roman comedy and drama.
Author: Andreas Willi
Publisher: Oxford University Press, USA
ISBN: 0199245479
Category : Drama
Languages : en
Pages : 354
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Book Description
The contributions to this volume illustrate how the linguistic study of Greek comedy can deepen our knowledge of the intricate connections between the dramatic texts and their literary and socio-cultural environment. Topics discussed include the relationship of comedy and iambus, the world of Doric comedy in Sicily, figures of speech and obscene vocabulary in Aristophanes, comic elements in tragedy, language and cultural identity in fifth-century Athens, linguistic characterizationin Middle Comedy, the textual transmission of New Comedy, and the interaction of language and dramatic technique in Menander. Research in these topics and in related areas is reviewed in an extensive bibliographical essay.While the main focus is on comedy, the diversity of the approaches adopted (including narratology, pragmatics, lexicology, dialectology, sociolinguistics, and textual criticism) ensures that much of the work applies to different genres and is relevant also to linguists and literary scholars.
Author: Dante Alighieri
Publisher:
ISBN: 9781719836340
Category :
Languages : en
Pages : 448
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Book Description
When you want to read in both Italian and English, though, there's a great option: bilingual books! Reading bilingual books and inferring the vocabulary and grammar is a far superior method of language learning than traditional memorization. It is also much less painful. The Divine Comedy (Italian: Divina Commedia) is a long narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered to be the preeminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso. Durante degli Alighieri, commonly known as Dante Alighieri or simply Dante (1265 - 1321), was a major Italian poet of the Late Middle Ages. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Giovanni Boccaccio, is widely considered the most important poem of the Middle Ages and the greatest literary work in the Italian language.
Author: Daphne Elizabeth O'Regan
Publisher: Oxford University Press, USA
ISBN: 0195070178
Category : Comedy
Languages : en
Pages : 225
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Book Description
This is an intelligent and unusually thought-provoking reading of Aristophanes' Clouds. O'Regan focuses on logos, or the power of argument, and its effects, and on the self-awareness of the second Clouds as a comedy of logos directed toward an audience made resistant by devotion to the body. Within and without the play, logos meets defeat when confronted with human nature and desire. The argument conveys much insight into fifth-century thought and the play's workings, the more so because it balances rhetoric with comedy, and reminds the reader that this is a comic logos--explored in the comic mode, and connected with the intentions and vicissitudes of the first and second Clouds.
