Author: Lady Ottoline Violet Anne Cavendish-Bentinck Morrell
Publisher: Knopf Books for Young Readers
ISBN:
Category : Literary Collections
Languages : en
Pages : 140
Book Description
Many photographs of queer members of the Bloomsbury group.
Lady Ottoline's Album
Author: Lady Ottoline Violet Anne Cavendish-Bentinck Morrell
Publisher: Knopf Books for Young Readers
ISBN:
Category : Literary Collections
Languages : en
Pages : 140
Book Description
Many photographs of queer members of the Bloomsbury group.
Publisher: Knopf Books for Young Readers
ISBN:
Category : Literary Collections
Languages : en
Pages : 140
Book Description
Many photographs of queer members of the Bloomsbury group.
"Biography, Identity and the Modern Interior "
Author: Penny Sparke
Publisher: Routledge
ISBN: 1351573640
Category : Art
Languages : en
Pages : 235
Book Description
Through a series of case studies from the mid-eighteenth century to the start of the twenty-first, this collection of essays considers the historical insights that ethno/auto/biographical investigations into the lives of individuals, groups and interiors can offer design and architectural historians. Established scholars and emerging researchers shed light on the methodological issues that arise from the use of these sources to explore the history of the interior as a site in which everyday life is experienced and performed, and the ways in which contemporary architects and interior designers draw on personal and collective histories in their practice. Historians and theorists working within a range of disciplinary contexts and historiographical traditions are turning to biography as means of exploring and accounting for social, cultural and material change - and this volume reflects that turn, representing the fields of architectural and design history, social history, literary history, creative writing and design practice. Topics include masters and servants in eighteenth-century English kitchens; the lost interiors of Oscar Wilde's 'House Beautiful'; Elsa Schiaparelli's Surrealist spaces; Jean Genet, outlaws, and the interiors of marginality; and architect Lina Bo Bardi's 'Glass House', S?Paulo, Brazil.
Publisher: Routledge
ISBN: 1351573640
Category : Art
Languages : en
Pages : 235
Book Description
Through a series of case studies from the mid-eighteenth century to the start of the twenty-first, this collection of essays considers the historical insights that ethno/auto/biographical investigations into the lives of individuals, groups and interiors can offer design and architectural historians. Established scholars and emerging researchers shed light on the methodological issues that arise from the use of these sources to explore the history of the interior as a site in which everyday life is experienced and performed, and the ways in which contemporary architects and interior designers draw on personal and collective histories in their practice. Historians and theorists working within a range of disciplinary contexts and historiographical traditions are turning to biography as means of exploring and accounting for social, cultural and material change - and this volume reflects that turn, representing the fields of architectural and design history, social history, literary history, creative writing and design practice. Topics include masters and servants in eighteenth-century English kitchens; the lost interiors of Oscar Wilde's 'House Beautiful'; Elsa Schiaparelli's Surrealist spaces; Jean Genet, outlaws, and the interiors of marginality; and architect Lina Bo Bardi's 'Glass House', S?Paulo, Brazil.
Garsington Revisited
Author: Sandra Jobson Darroch
Publisher: Indiana University Press
ISBN: 0861969413
Category : Biography & Autobiography
Languages : en
Pages : 457
Book Description
Lady Ottoline Morrell was the foremost host of the Bloomsbury set, offering sustenance and friendship to Virginia Woolf, Vanessa Bell, TS Eliot, DH Lawrence, Duncan Grant and her lover Bertrand Russell, to name but a few. This book is a revised and updated edition of the author's original biography of Ottoline first published in 1975 worldwide. It has been updated, with vignettes about her sources, including lunch at ?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" / Charleston with Duncan Grant, and a ship's tumbler of sherry with David Garnett as a prelude to discussing "skeletons in Ottoline's cupboard"). Her sources in Texas where she read more than 8,000 letters to Ottoline including 2,500 letters from Bertrand Russell, can now be located in new footnotes. Darroch remains as impressed as ever by Ottoline's courage and determination to forgo the comfortable life of an aristocrat to mix with – and champion – some of the 20th century's leading artists and writers. The definitive biography.
Publisher: Indiana University Press
ISBN: 0861969413
Category : Biography & Autobiography
Languages : en
Pages : 457
Book Description
Lady Ottoline Morrell was the foremost host of the Bloomsbury set, offering sustenance and friendship to Virginia Woolf, Vanessa Bell, TS Eliot, DH Lawrence, Duncan Grant and her lover Bertrand Russell, to name but a few. This book is a revised and updated edition of the author's original biography of Ottoline first published in 1975 worldwide. It has been updated, with vignettes about her sources, including lunch at ?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" / Charleston with Duncan Grant, and a ship's tumbler of sherry with David Garnett as a prelude to discussing "skeletons in Ottoline's cupboard"). Her sources in Texas where she read more than 8,000 letters to Ottoline including 2,500 letters from Bertrand Russell, can now be located in new footnotes. Darroch remains as impressed as ever by Ottoline's courage and determination to forgo the comfortable life of an aristocrat to mix with – and champion – some of the 20th century's leading artists and writers. The definitive biography.
Uncommon Arrangements
Author: Katie Roiphe
Publisher: Dial Press Trade Paperback
ISBN: 0385339380
Category : Biography & Autobiography
Languages : en
Pages : 354
Book Description
Katie Roiphe’s stimulating work has made her one of the most talked about cultural critics of her generation. Now this bracing young writer delves deeply into one of the most layered of subjects: marriage. Drawn in part from the private memoirs, personal correspondence, and long-forgotten journals of the British literary community from 1910 to the Second World War, here are seven “marriages à la mode”—each rising to the challenge of intimate relations in more or less creative ways. Jane Wells, the wife of H.G., remained his rock, despite his decade-long relationship with Rebecca West (among others). Katherine Mansfield had an irresponsible, childlike romance with her husband, John Middleton Murry, that collapsed under the strain of real-life problems. Vera Brittain and George Gordon Catlin spent years in a “semidetached” marriage (he in America, she in England). Vanessa Bell maintained a complicated harmony with the painter Duncan Grant, whom she loved, and her husband, Clive. And her sister Virginia Woolf, herself no stranger to marital particularities, sustained a brilliant running commentary on the most intimate details of those around her. Every chapter revolves around a crisis that occurred in each of these marriages—as serious as life-threatening illness or as seemingly innocuous as a slightly tipsy dinner table conversation—and how it was resolved…or not resolved. In these portraits, Roiphe brilliantly evokes what are, as she says, “the fluctuations and shifts in attraction, the mysteries of lasting affection, the endurance and changes in love, and the role of friendship in marriage.” The deeper mysteries at stake in all relationships.
Publisher: Dial Press Trade Paperback
ISBN: 0385339380
Category : Biography & Autobiography
Languages : en
Pages : 354
Book Description
Katie Roiphe’s stimulating work has made her one of the most talked about cultural critics of her generation. Now this bracing young writer delves deeply into one of the most layered of subjects: marriage. Drawn in part from the private memoirs, personal correspondence, and long-forgotten journals of the British literary community from 1910 to the Second World War, here are seven “marriages à la mode”—each rising to the challenge of intimate relations in more or less creative ways. Jane Wells, the wife of H.G., remained his rock, despite his decade-long relationship with Rebecca West (among others). Katherine Mansfield had an irresponsible, childlike romance with her husband, John Middleton Murry, that collapsed under the strain of real-life problems. Vera Brittain and George Gordon Catlin spent years in a “semidetached” marriage (he in America, she in England). Vanessa Bell maintained a complicated harmony with the painter Duncan Grant, whom she loved, and her husband, Clive. And her sister Virginia Woolf, herself no stranger to marital particularities, sustained a brilliant running commentary on the most intimate details of those around her. Every chapter revolves around a crisis that occurred in each of these marriages—as serious as life-threatening illness or as seemingly innocuous as a slightly tipsy dinner table conversation—and how it was resolved…or not resolved. In these portraits, Roiphe brilliantly evokes what are, as she says, “the fluctuations and shifts in attraction, the mysteries of lasting affection, the endurance and changes in love, and the role of friendship in marriage.” The deeper mysteries at stake in all relationships.
Bloomsbury and France
Author: Mary Ann Caws
Publisher: Oxford University Press
ISBN: 0199923639
Category : Biography & Autobiography
Languages : en
Pages : 703
Book Description
"Bloomsbury on the Mediterranean," is how Vanessa Bell described France in a letter to her sister, Virginia Woolf. Remarking on the vivifying effect of Cassis, Woolf herself said, "I will take my mind out of its iron cage and let it swim.... Complete heaven, I think it." Yet until now there has never been a book that focused on the profound influence of France on the Bloomsbury group. In Bloomsbury and France: Art and Friends, Mary Ann Caws and Sarah Bird Wright reveal the crucial importance of the Bloomsbury group's frequent sojourns to France, the artists and writers they met there, and the liberating effect of the country itself. Drawing upon many previously unpublished letters, memoirs, and photographs, the book illuminates the artistic development of Virginia and Leonard Woolf, Clive Bell, David Garnett, E. M. Forster, Lytton Strachey, Dora Carrington, and others. The authors cover all aspects of the Bloomsbury experience in France, from the specific influence of French painting on the work of Roger Fry, Duncan Grant, and Vanessa Bell, to the heady atmosphere of the medieval Cistercian Abbaye de Pontigny, the celebrated meeting place of French intellectuals where Lytton Strachey, Julian Bell, and Charles Mauron mingled with writers and critics, to the relationships between the Bloomsbury group and Henri Matisse, Pablo Picasso, Gertrude Stein, Andre Gide, Jean Marchand, and many others. Caws and Wright argue that Bloomsbury would have been very different without France, that France was their anti-England, a culture in which their eccentricities and aesthetic experiments could flower. This remarkable study offers a rich new perspective on perhaps the most creative group of artists and friends in the 20th century.
Publisher: Oxford University Press
ISBN: 0199923639
Category : Biography & Autobiography
Languages : en
Pages : 703
Book Description
"Bloomsbury on the Mediterranean," is how Vanessa Bell described France in a letter to her sister, Virginia Woolf. Remarking on the vivifying effect of Cassis, Woolf herself said, "I will take my mind out of its iron cage and let it swim.... Complete heaven, I think it." Yet until now there has never been a book that focused on the profound influence of France on the Bloomsbury group. In Bloomsbury and France: Art and Friends, Mary Ann Caws and Sarah Bird Wright reveal the crucial importance of the Bloomsbury group's frequent sojourns to France, the artists and writers they met there, and the liberating effect of the country itself. Drawing upon many previously unpublished letters, memoirs, and photographs, the book illuminates the artistic development of Virginia and Leonard Woolf, Clive Bell, David Garnett, E. M. Forster, Lytton Strachey, Dora Carrington, and others. The authors cover all aspects of the Bloomsbury experience in France, from the specific influence of French painting on the work of Roger Fry, Duncan Grant, and Vanessa Bell, to the heady atmosphere of the medieval Cistercian Abbaye de Pontigny, the celebrated meeting place of French intellectuals where Lytton Strachey, Julian Bell, and Charles Mauron mingled with writers and critics, to the relationships between the Bloomsbury group and Henri Matisse, Pablo Picasso, Gertrude Stein, Andre Gide, Jean Marchand, and many others. Caws and Wright argue that Bloomsbury would have been very different without France, that France was their anti-England, a culture in which their eccentricities and aesthetic experiments could flower. This remarkable study offers a rich new perspective on perhaps the most creative group of artists and friends in the 20th century.
A Russian Jew of Bloomsbury
Author: Galya Diment
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773541764
Category : Biography & Autobiography
Languages : en
Pages : 451
Book Description
A Russian Jew of Bloomsbury looks at the remarkable influence that an outsider had on the tightly knit circle of Britain's cultural elite. Among Koteliansky's friends were Katherine Mansfield, Leonard and Virginia Woolf, Mark Gertler, Lady Ottoline Morrell, H.G. Wells, and Dilys Powell. But it was his close and turbulent friendship with D.H. Lawrence that proved to be Koteliansky's lasting legacy. In a lively and vibrant narrative, Galya Diment shows how, despite Kot's determination, he could never escape the dark aspects of his past or overcome the streak of anti-Semitism that ran through British society, including the hearts and minds of many of his famous literary friends.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773541764
Category : Biography & Autobiography
Languages : en
Pages : 451
Book Description
A Russian Jew of Bloomsbury looks at the remarkable influence that an outsider had on the tightly knit circle of Britain's cultural elite. Among Koteliansky's friends were Katherine Mansfield, Leonard and Virginia Woolf, Mark Gertler, Lady Ottoline Morrell, H.G. Wells, and Dilys Powell. But it was his close and turbulent friendship with D.H. Lawrence that proved to be Koteliansky's lasting legacy. In a lively and vibrant narrative, Galya Diment shows how, despite Kot's determination, he could never escape the dark aspects of his past or overcome the streak of anti-Semitism that ran through British society, including the hearts and minds of many of his famous literary friends.
Snapshots of Bloomsbury
Author: Maggie Humm
Publisher: Rutgers University Press
ISBN: 9780813537061
Category : Art
Languages : en
Pages : 254
Book Description
Photographs, some barely known, on the domestic lives of Virginia Woolf (1882-1941) and Vanessa Bell (1879-1961) and the historical, cultural and artistic milieux of their circle in Bloomsbury, including Vivienne Eliot, Vita Sackville-West, Lady Ottoline Morrell and Dora Carrington.
Publisher: Rutgers University Press
ISBN: 9780813537061
Category : Art
Languages : en
Pages : 254
Book Description
Photographs, some barely known, on the domestic lives of Virginia Woolf (1882-1941) and Vanessa Bell (1879-1961) and the historical, cultural and artistic milieux of their circle in Bloomsbury, including Vivienne Eliot, Vita Sackville-West, Lady Ottoline Morrell and Dora Carrington.
Elizabeth Bowen
Author: Patricia Laurence
Publisher: Springer Nature
ISBN: 3030713601
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
Elizabeth Bowen: A Literary Life reinvents Bowen as a public intellectual, propagandist, spy, cultural ambassador, journalist, and essayist as well as a writer of fiction. Patricia Laurence counters the popular image of Bowen as a mannered, reserved Anglo-Irish writer and presents her as a bold, independent woman who took risks and made her own rules in life and writing. This biography distinguishes itself from others in the depth of research into the life experiences that fueled Bowen’s writing: her espionage for the British Ministry of Information in neutral Ireland, 1940-1941, and the devoted circle of friends, lovers, intellectuals and writers whom she valued: Isaiah Berlin, William Plomer, Maurice Bowra, Stuart Hampshire, Charles Ritchie, Sean O’Faolain, Virginia Woolf, Rosamond Lehmann, and Eudora Welty, among others. The biography also demonstrates how her feelings of irresolution about national identity and gender roles were dispelled through her writing. Her vivid fiction, often about girls and women, is laced with irony about smooth social surfaces rent by disruptive emotion, the sadness of beleaguered adolescents, the occurrence of cultural dislocation, historical atmosphere, as well as undercurrents of violence in small events, and betrayal and disappointment in romance. Her strong visual imagination—so much a part of the texture of her writing—traces places, scenes, landscapes, and objects that subliminally reveal hidden aspects of her characters. Though her reputation faltered in the 1960s-1970s given her political and social conservatism, now, readers are discovering her passionate and poetic temperament and writing as well as the historical consciousness behind her worldly exterior and writing.
Publisher: Springer Nature
ISBN: 3030713601
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
Elizabeth Bowen: A Literary Life reinvents Bowen as a public intellectual, propagandist, spy, cultural ambassador, journalist, and essayist as well as a writer of fiction. Patricia Laurence counters the popular image of Bowen as a mannered, reserved Anglo-Irish writer and presents her as a bold, independent woman who took risks and made her own rules in life and writing. This biography distinguishes itself from others in the depth of research into the life experiences that fueled Bowen’s writing: her espionage for the British Ministry of Information in neutral Ireland, 1940-1941, and the devoted circle of friends, lovers, intellectuals and writers whom she valued: Isaiah Berlin, William Plomer, Maurice Bowra, Stuart Hampshire, Charles Ritchie, Sean O’Faolain, Virginia Woolf, Rosamond Lehmann, and Eudora Welty, among others. The biography also demonstrates how her feelings of irresolution about national identity and gender roles were dispelled through her writing. Her vivid fiction, often about girls and women, is laced with irony about smooth social surfaces rent by disruptive emotion, the sadness of beleaguered adolescents, the occurrence of cultural dislocation, historical atmosphere, as well as undercurrents of violence in small events, and betrayal and disappointment in romance. Her strong visual imagination—so much a part of the texture of her writing—traces places, scenes, landscapes, and objects that subliminally reveal hidden aspects of her characters. Though her reputation faltered in the 1960s-1970s given her political and social conservatism, now, readers are discovering her passionate and poetic temperament and writing as well as the historical consciousness behind her worldly exterior and writing.
Rooms of their Own
Author: Nino Strachey
Publisher: National Trust
ISBN: 1841658162
Category : Biography & Autobiography
Languages : en
Pages : 504
Book Description
Evocative, engaging and filled with vivid details, Rooms of their Own explores the homes of these three writers linked to the Bloomsbury Group. Bringing together stories of love, desire and intimacy, of evolving relationships and erotic encounters, with vivid accounts of the settings in which they took place, it offers fresh insights into their complicated, interlocking lives. Complete with first-hand accounts, this book illuminates shifting social and moral attitudes towards sexuality and gender in the 1920s and 30s. “I hold the conviction that as the centuries go on, and the sexes become more nearly merged on account of their increasing resemblances ... such connections will to a very large extent cease to be regarded as merely unnatural, and will be understood far better”. Vita Sackville-West, 1920 In the deep blue Turret Room at Knole sits a battered tin trunk inscribed “Edward Sackville-West: Various Papers”. Hoarded inside were the intimate records of lives lived at the heart of 1920s literary Bloomsbury. Lytton Strachey, James Strachey, Alix Strachey, Duncan Grant, Bunny Garnett and Stephen Tomlin all stayed with Eddy at Knole. Two of these friends – Duncan Grant and Stephen Tomlin – became lovers, filling his rooms with the vibrant outpourings of Bloomsbury creativity. Living in an England where homosexuality was illegal until 1967, Eddy’s design choices were boldly counter-cultural. Eddy’s first cousin, Vita Sackville-West, and her lover, Virginia Woolf, were equally at home in this world, their names permanently associated through the publication of Orlando in 1928. Set at Knole, Woolf’s tribute to Vita created a hero/heroine who evaded categorisations of sex and time, changing as the centuries progress. Linked by an intimate web of relationships, Eddy, Virginia and Vita created homes in Kent and East Sussex which challenged contemporary conventions. While Virginia Woolf and Eddy Sackville-West favoured the bright colours and bold patterns of Bloomsbury, Vita Sackville-West looked backwards to the Elizabethan age, filling her rooms with the romantic relics of past lovers.
Publisher: National Trust
ISBN: 1841658162
Category : Biography & Autobiography
Languages : en
Pages : 504
Book Description
Evocative, engaging and filled with vivid details, Rooms of their Own explores the homes of these three writers linked to the Bloomsbury Group. Bringing together stories of love, desire and intimacy, of evolving relationships and erotic encounters, with vivid accounts of the settings in which they took place, it offers fresh insights into their complicated, interlocking lives. Complete with first-hand accounts, this book illuminates shifting social and moral attitudes towards sexuality and gender in the 1920s and 30s. “I hold the conviction that as the centuries go on, and the sexes become more nearly merged on account of their increasing resemblances ... such connections will to a very large extent cease to be regarded as merely unnatural, and will be understood far better”. Vita Sackville-West, 1920 In the deep blue Turret Room at Knole sits a battered tin trunk inscribed “Edward Sackville-West: Various Papers”. Hoarded inside were the intimate records of lives lived at the heart of 1920s literary Bloomsbury. Lytton Strachey, James Strachey, Alix Strachey, Duncan Grant, Bunny Garnett and Stephen Tomlin all stayed with Eddy at Knole. Two of these friends – Duncan Grant and Stephen Tomlin – became lovers, filling his rooms with the vibrant outpourings of Bloomsbury creativity. Living in an England where homosexuality was illegal until 1967, Eddy’s design choices were boldly counter-cultural. Eddy’s first cousin, Vita Sackville-West, and her lover, Virginia Woolf, were equally at home in this world, their names permanently associated through the publication of Orlando in 1928. Set at Knole, Woolf’s tribute to Vita created a hero/heroine who evaded categorisations of sex and time, changing as the centuries progress. Linked by an intimate web of relationships, Eddy, Virginia and Vita created homes in Kent and East Sussex which challenged contemporary conventions. While Virginia Woolf and Eddy Sackville-West favoured the bright colours and bold patterns of Bloomsbury, Vita Sackville-West looked backwards to the Elizabethan age, filling her rooms with the romantic relics of past lovers.
In the Hollow of the Wave
Author: Bonnie Kime Scott
Publisher: University of Virginia Press
ISBN: 0813932602
Category : Literary Criticism
Languages : en
Pages : 451
Book Description
Examining the writings and life of Virginia Woolf, In the Hollow of the Wave looks at how Woolf treated "nature" as a deliberate discourse that shaped her way of thinking about the self and the environment and her strategies for challenging the imbalances of power in her own culture--all of which remain valuable in the framing of our discourse about nature today. Bonnie Kime Scott explores Woolf's uses of nature, including her satire of scientific professionals and amateurs, her parodies of the imperial conquest of land, her representations of flora and fauna, her application of post-impressionist and modernist modes, her merging of characters with the environment, and her ventures across the species barrier. In shedding light on this discourse of Woolf and the natural world, Scott brings to our attention a critical, neglected, and contested aspect of modernism itself. She relies on feminist, ecofeminist, and postcolonial theory in the process, drawing also on the relatively recent field of animal studies. By focusing on multiple registers of Woolf's uses of nature, the author paves the way for more extended research in modernist practices, natural history, garden and landscape studies, and lesbian/queer studies.
Publisher: University of Virginia Press
ISBN: 0813932602
Category : Literary Criticism
Languages : en
Pages : 451
Book Description
Examining the writings and life of Virginia Woolf, In the Hollow of the Wave looks at how Woolf treated "nature" as a deliberate discourse that shaped her way of thinking about the self and the environment and her strategies for challenging the imbalances of power in her own culture--all of which remain valuable in the framing of our discourse about nature today. Bonnie Kime Scott explores Woolf's uses of nature, including her satire of scientific professionals and amateurs, her parodies of the imperial conquest of land, her representations of flora and fauna, her application of post-impressionist and modernist modes, her merging of characters with the environment, and her ventures across the species barrier. In shedding light on this discourse of Woolf and the natural world, Scott brings to our attention a critical, neglected, and contested aspect of modernism itself. She relies on feminist, ecofeminist, and postcolonial theory in the process, drawing also on the relatively recent field of animal studies. By focusing on multiple registers of Woolf's uses of nature, the author paves the way for more extended research in modernist practices, natural history, garden and landscape studies, and lesbian/queer studies.