Author: Rebecca Fraimow
Publisher: Rebellion Publishing Ltd
ISBN: 1837860548
Category : Fiction
Languages : en
Pages : 329
Book Description
Ruth Johnson and her sister Jules have been small-time hustlers on the interstellar cruise lines for years. But then Jules fell in love with one of their targets, Esteban Mendez-Yuki, sole heir to the family insurance fortune. Esteban seemed to love her too, until she told him who she really was, at which point he fled without a word. Now Ruth is set on revenge: disguised as provincial debutante Evelyn Ojukwu and set for the swanky satellite New Monte, she’s going to make Esteban fall in love with her, then break his heart and take half his fortune. At least, that's the plan. But Ruth hadn't accounted for his older sister, Sol, a brilliant mind in a dashing suit... and much harder to fool. Sol is hot on Ruth's tail, and as the two women learn each other’s tricks, Ruth must decide between going after the money and going after her heart.
Lady Eve's Last Con
The Unkillable Princess
Author: Taran Hunt
Publisher: Rebellion Publishing Ltd
ISBN: 1837860572
Category : Fiction
Languages : en
Pages : 470
Book Description
Having escaped the dangers of the Nameless with the Philosopher Stone data, Sean thought his troubles were over. Until he gets a call for help from his sister Brigid--his long-dead sister. Brigid is sparse on the details, but she needs Sean to go to the Republican city of Illin to retrieve something called a "Purifier" for her. Reeling from the desperate hope that his sister is alive, Sean aims for Illin, dragging his new companions, Tamara Gupta formerly a Republican soldier, and Indigo, the Minister responsible for the destruction of Sean's home, into the fray. But as usual, Sean hasn't quite thought this through. The three of them are all wanted by Republican authorities, and Illin happens to be on the same planet as Sean’s old friend Senator Ketel. Y'know, the one who blackmailed and nearly murdered Sean. With every move Sean makes he discovers more intrigue, more people on his tail, and more ways that his little adventure could be the spark for war between the Republic and the Ministers. And to what end? Is it really his sister, a chance for family, and safety, on the other side?
Publisher: Rebellion Publishing Ltd
ISBN: 1837860572
Category : Fiction
Languages : en
Pages : 470
Book Description
Having escaped the dangers of the Nameless with the Philosopher Stone data, Sean thought his troubles were over. Until he gets a call for help from his sister Brigid--his long-dead sister. Brigid is sparse on the details, but she needs Sean to go to the Republican city of Illin to retrieve something called a "Purifier" for her. Reeling from the desperate hope that his sister is alive, Sean aims for Illin, dragging his new companions, Tamara Gupta formerly a Republican soldier, and Indigo, the Minister responsible for the destruction of Sean's home, into the fray. But as usual, Sean hasn't quite thought this through. The three of them are all wanted by Republican authorities, and Illin happens to be on the same planet as Sean’s old friend Senator Ketel. Y'know, the one who blackmailed and nearly murdered Sean. With every move Sean makes he discovers more intrigue, more people on his tail, and more ways that his little adventure could be the spark for war between the Republic and the Ministers. And to what end? Is it really his sister, a chance for family, and safety, on the other side?
Gospel Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 532
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 532
Book Description
Godey's Lady's Book
Author: Louis Antoine Godey
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 654
Book Description
Includes music.
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 654
Book Description
Includes music.
Dramatic Notes
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 532
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 532
Book Description
The Gospel magazine, and theological review. Ser. 5. Vol. 3, no. 1-July 1874
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1174
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1174
Book Description
Godey's Lady's Book and Ladies American Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 310
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 310
Book Description
A Book about Ray
Author: Ellen Levy
Publisher: MIT Press
ISBN: 0262048744
Category : Art
Languages : en
Pages : 393
Book Description
The first full-career survey of the idiosyncratic life and work of Ray Johnson, a collagist, performance artist, and pioneer of mail art. Ray Johnson (1927-1995), a.k.a. “New York’s most famous unknown artist,” was notorious for the elaborate games he played with the institutions of the art world, soliciting their attention even as he rejected their invitations. In A Book about Ray, Ellen Levy offers a comprehensive study of the artist who turned the business of career-making into a tongue-in-cheek performance, tracing his artistic development from his arrival at Black Mountain College in 1945 to his death in 1995. Levy describes Johnson’s practice as one that was constantly shifting—whether in tone, in its address to potential audiences, or among three primary artistic modes: collage, performance, and correspondence art. A Book about Ray takes an elliptical path, circling around rather than trying to arrest in flight the elusive artist and his purposefully ephemeral art. By crafting the book in this way, Levy evokes Ray Johnson’s art in the moment of its making and draws readers into the artist’s world, while making them feel, from the beginning, that they somehow already know their way around that world. In exploring Johnson’s scene, readers will also encounter the artists who influenced him, like Joseph Cornell and Marcel Duchamp, and his friends and peers like Jasper Johns, Allan Kaprow, Robert Rauschenberg, and Andy Warhol. The work of such figures will look forever different in light of Johnson’s subversive take on their shared aesthetic. Suitable for readers both new to Ray Johnson and those already familiar with his work, A Book about Ray is a complete and vital portrait of an American original.
Publisher: MIT Press
ISBN: 0262048744
Category : Art
Languages : en
Pages : 393
Book Description
The first full-career survey of the idiosyncratic life and work of Ray Johnson, a collagist, performance artist, and pioneer of mail art. Ray Johnson (1927-1995), a.k.a. “New York’s most famous unknown artist,” was notorious for the elaborate games he played with the institutions of the art world, soliciting their attention even as he rejected their invitations. In A Book about Ray, Ellen Levy offers a comprehensive study of the artist who turned the business of career-making into a tongue-in-cheek performance, tracing his artistic development from his arrival at Black Mountain College in 1945 to his death in 1995. Levy describes Johnson’s practice as one that was constantly shifting—whether in tone, in its address to potential audiences, or among three primary artistic modes: collage, performance, and correspondence art. A Book about Ray takes an elliptical path, circling around rather than trying to arrest in flight the elusive artist and his purposefully ephemeral art. By crafting the book in this way, Levy evokes Ray Johnson’s art in the moment of its making and draws readers into the artist’s world, while making them feel, from the beginning, that they somehow already know their way around that world. In exploring Johnson’s scene, readers will also encounter the artists who influenced him, like Joseph Cornell and Marcel Duchamp, and his friends and peers like Jasper Johns, Allan Kaprow, Robert Rauschenberg, and Andy Warhol. The work of such figures will look forever different in light of Johnson’s subversive take on their shared aesthetic. Suitable for readers both new to Ray Johnson and those already familiar with his work, A Book about Ray is a complete and vital portrait of an American original.
The Woman Who Stole Vermeer
Author: Anthony M. Amore
Publisher: Simon and Schuster
ISBN: 1643135309
Category : True Crime
Languages : en
Pages : 191
Book Description
The extraordinary life and crimes of heiress-turned-revolutionary Rose Dugdale, who in 1974 became the only woman to pull off a major art heist. In the world of crime, there exists an unusual commonality between those who steal art and those who repeatedly kill: they are almost exclusively male. But, as with all things, there is always an outlier—someone who bucks the trend, defying the reliable profiles and leaving investigators and researchers scratching their heads. In the history of major art heists, that outlier is Rose Dugdale. Dugdale’s life is singularly notorious. Born into extreme wealth, she abandoned her life as an Oxford-trained PhD and heiress to join the cause of Irish Republicanism. While on the surface she appears to be the British version of Patricia Hearst, she is anything but. Dugdale ran head-first towards the action, spearheading the first aerial terrorist attack in British history and pulling off the biggest art theft of her time. In 1974, she led a gang into the opulent Russborough House in Ireland and made off with millions in prized paintings, including works by Goya, Gainsborough, and Rubens, as well as Lady Writing a Letter with her Maid by the mysterious master Johannes Vermeer. Dugdale thus became—to this day—the only woman to pull off a major art heist. And as Anthony Amore explores in The Woman Who Stole Vermeer, it’s likely that this was not her only such heist. The Woman Who Stole Vermeer is Rose Dugdale’s story, from her idyllic upbringing in Devonshire and her presentation to Elizabeth II as a debutante to her university years and her eventual radical lifestyle. Her life of crime and activism is at turns unbelievable and awe-inspiring, and sure to engross readers.
Publisher: Simon and Schuster
ISBN: 1643135309
Category : True Crime
Languages : en
Pages : 191
Book Description
The extraordinary life and crimes of heiress-turned-revolutionary Rose Dugdale, who in 1974 became the only woman to pull off a major art heist. In the world of crime, there exists an unusual commonality between those who steal art and those who repeatedly kill: they are almost exclusively male. But, as with all things, there is always an outlier—someone who bucks the trend, defying the reliable profiles and leaving investigators and researchers scratching their heads. In the history of major art heists, that outlier is Rose Dugdale. Dugdale’s life is singularly notorious. Born into extreme wealth, she abandoned her life as an Oxford-trained PhD and heiress to join the cause of Irish Republicanism. While on the surface she appears to be the British version of Patricia Hearst, she is anything but. Dugdale ran head-first towards the action, spearheading the first aerial terrorist attack in British history and pulling off the biggest art theft of her time. In 1974, she led a gang into the opulent Russborough House in Ireland and made off with millions in prized paintings, including works by Goya, Gainsborough, and Rubens, as well as Lady Writing a Letter with her Maid by the mysterious master Johannes Vermeer. Dugdale thus became—to this day—the only woman to pull off a major art heist. And as Anthony Amore explores in The Woman Who Stole Vermeer, it’s likely that this was not her only such heist. The Woman Who Stole Vermeer is Rose Dugdale’s story, from her idyllic upbringing in Devonshire and her presentation to Elizabeth II as a debutante to her university years and her eventual radical lifestyle. Her life of crime and activism is at turns unbelievable and awe-inspiring, and sure to engross readers.
Hollywood Screwball Comedy 1934-1945
Author: Grégoire Halbout
Publisher: Bloomsbury Publishing USA
ISBN: 1501347608
Category : Performing Arts
Languages : en
Pages : 353
Book Description
Love at first sight, whirlwind marriages, break-ups, divorces, remarriage... What accounts for the enduring success of the Hollywood madcap comedies of the 1930s? Directed by masters of comedy (Hawks, LaCava, Leisen, Ruggles...) and featuring the decade's most iconic stars (Colbert, Dunne, Grant, Hepburn...), these films set romantic comedy standards for decades to come. Screwball comedy embarked on two challenging missions: to poke fun at established social norms and to undermine stereotypical depictions of gender roles, putting forward a discourse that postulated the possibility of equality between men and women. Grégoire Halbout's reexamination of screwball comedy provides a comprehensive overview of this (sub)genre, eschewing the auteurist approach and including “minor” works never before analyzed through the screwball lens. His book explains how these screwball stories met the expectations of a booming American middle class eager for the liberalization of morals, with daring plots, verbal humor and slapstick techniques. Building on the work of Cavell, Altman and Gehring, as well as international and French scholarship, Halbout's investigation unfolds in three parts. He first establishes a definition of Hollywood screwball comedy through a cross-sectional analysis of its socio-historical context and an in-depth examination of the genre. He then situates screwball comedy in relation to its institutional context. An exclusive study of archival material explains the emergence of a screwball aesthetic meant to subvert the prohibitions of the 1934 Hollywood Production Code through a verbal and visual rhetoric of diversion and mitigation. Finally, Halbout explores the social function of the genre's placement of romantic intimacy at the center of the public sphere and the democratic debate, confirming that screwball eccentricity upholds America's founding values: freedom of speech, free consent, and contractual engagement.
Publisher: Bloomsbury Publishing USA
ISBN: 1501347608
Category : Performing Arts
Languages : en
Pages : 353
Book Description
Love at first sight, whirlwind marriages, break-ups, divorces, remarriage... What accounts for the enduring success of the Hollywood madcap comedies of the 1930s? Directed by masters of comedy (Hawks, LaCava, Leisen, Ruggles...) and featuring the decade's most iconic stars (Colbert, Dunne, Grant, Hepburn...), these films set romantic comedy standards for decades to come. Screwball comedy embarked on two challenging missions: to poke fun at established social norms and to undermine stereotypical depictions of gender roles, putting forward a discourse that postulated the possibility of equality between men and women. Grégoire Halbout's reexamination of screwball comedy provides a comprehensive overview of this (sub)genre, eschewing the auteurist approach and including “minor” works never before analyzed through the screwball lens. His book explains how these screwball stories met the expectations of a booming American middle class eager for the liberalization of morals, with daring plots, verbal humor and slapstick techniques. Building on the work of Cavell, Altman and Gehring, as well as international and French scholarship, Halbout's investigation unfolds in three parts. He first establishes a definition of Hollywood screwball comedy through a cross-sectional analysis of its socio-historical context and an in-depth examination of the genre. He then situates screwball comedy in relation to its institutional context. An exclusive study of archival material explains the emergence of a screwball aesthetic meant to subvert the prohibitions of the 1934 Hollywood Production Code through a verbal and visual rhetoric of diversion and mitigation. Finally, Halbout explores the social function of the genre's placement of romantic intimacy at the center of the public sphere and the democratic debate, confirming that screwball eccentricity upholds America's founding values: freedom of speech, free consent, and contractual engagement.