Labyrinths/paracriticism PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Labyrinths/paracriticism PDF full book. Access full book title Labyrinths/paracriticism by . Download full books in PDF and EPUB format.
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 32
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 32
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 298
Get Book Here
Book Description
Author: Ihab Hassan
Publisher: University of Illinois Press
ISBN: 9780252011665
Category : Literary Criticism
Languages : en
Pages : 204
Get Book Here
Book Description
Author: NA NA
Publisher: Springer
ISBN: 134981475X
Category : Literary Criticism
Languages : en
Pages : 556
Get Book Here
Book Description
A reference guide to the work of 115 modern British and American critics.
Author: Deborah L. Madsen
Publisher: Burns & Oates
ISBN:
Category : Literary Collections
Languages : en
Pages : 168
Get Book Here
Book Description
This study of all the major narrative works of Thomas Pynchon (V, The Crying of Lot 49, Gravity's Rainbow, Vineland) and his early fiction is an attempt to describe the narrative mechanisms that produce the uncertainty and ambiguity noted by all of Pynchon's critics. These critics have analyzed the dynamic uncertainties of Pynchon's texts in terms of cybernetics, thermodynamics, Rilke, Weber, Jung - all terms that are offered by the fiction itself. The generic concept of postmodernist allegory allows the critic to speak from a position outside the text and allows us to see that ambiguity and indeterminancy are the effects produced by the way in which the text is constructed.
Author: Matthias Kugler
Publisher: diplom.de
ISBN: 3832418520
Category : Literary Collections
Languages : en
Pages : 168
Get Book Here
Book Description
Inhaltsangabe:Abstract: Paul Auster's New York Trilogy, published in one volume for the first time in England in 1988 and in the U.S. in 1990 has been widely categorised as detective fiction among literary scholars and critics. There is, however, a striking diversity and lack of consensus regarding the classification of the trilogy within the existing genre forms of the detective novel. Among others, Auster's stories are described as: metaanti-detective-fiction; mysteries about mysteries; a strangely humorous working of the detective novel; very soft-boiled; a metamystery; glassy little jigsaws; a mixture between the detective story and the nouveau roman; a metaphysical detective story; a deconstruction of the detective novel; antidetective-fiction; a late example of the anti-detective genre; and being related to 'hard-boiled' novels by authors like Hammett and Chandler. Such a striking lack of agreement within the secondary literature has inspired me to write this paper. It does not, however, elaborate further an this diversity of viewpoints although they all seem to have a certain validity and underline the richness and diversity of Auster's detective trilogy; neither do I intend to coin a new term for Auster's detective fiction. I would rather place The New York Trilogy within a more general and open literary form, namely postmodern detective fiction. This classifies Paul Auster as an American writer who is part of the generation that immediately followed the 'classical literary movement' of American postmodernism' of the 60s and 70s. His writing demonstrates that he has been influenced by the revolutionary and innovative postmodern concepts, characterised by the notion of 'anything goes an a planet of multiplicity' as well as by French poststructuralism. He may, however, be distinguished from a 'traditional' postmodern writer through a certain coherence in the narrative discourse, a neo-realistic approach and by showing a certain responsibility for social and moral aspects going beyond mere metafictional and subversive elements. Many of the ideas of postmodernism were formulated in theoretical literary texts of the 60s and 70s and based an formal experiments include the attempt of subverting the ability of language to refer truthfully to the world, and a radical turning away from coherent narrative discourse and plot. These ideas seem to have been intemalized by the new generation of postmodern writers of the 80s to such [...]
Author: Johannes Willem Bertens
Publisher: John Benjamins Publishing
ISBN: 9789027234452
Category : Art
Languages : en
Pages : 622
Get Book Here
Book Description
Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism.
Author: Matei Calinescu
Publisher: John Benjamins Publishing
ISBN: 902727858X
Category : Philosophy
Languages : en
Pages : 277
Get Book Here
Book Description
The great diversity of contexts in which the term Postmodernism is currently encountered reflects the remarkable success of a coinage that has been in circulation for only about forty years. It has been used by philosophers, sociologists, art critics and literary historians to become, finally, a household word in the language of advertising and politics. Before letting it fade to a derelict cliché, an attempt is made in this volume of essays to use its potential as a cultural concept for the analysis and understanding of contemporary literature and thought.
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 1664
Get Book Here
Book Description
Author: Ihab Hassan
Publisher: [Columbus] : Ohio State University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 296
Get Book Here
Book Description
