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Author: Ericka Kim Verba
Publisher: UNC Press Books
ISBN: 1469679639
Category : Biography & Autobiography
Languages : en
Pages : 313
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Book Description
Chilean musician and artist Violeta Parra (1917–1967) is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Cancion (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms.
Author: Ericka Kim Verba
Publisher: UNC Press Books
ISBN: 1469679639
Category : Biography & Autobiography
Languages : en
Pages : 313
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Book Description
Chilean musician and artist Violeta Parra (1917–1967) is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Cancion (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms.
Author: Lessie Jo Frazier
Publisher: Rutgers University Press
ISBN: 0813597234
Category : History
Languages : en
Pages : 291
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Book Description
Desired States challenges the notion that in some cultures, sex and sexuality have become privatized and located in individual subjectivity rather than in public political practices and institutions. Instead, the book contends that desire is a central aspect of political culture. Based on fieldwork and archival research, Frazier explores the gendered and sexualized dynamics of political culture in Chile, an imperialist context, asking how people connect with and become mobilized in political projects in some cases or, in others, become disaffected or are excluded to varying degrees. The book situates the state in a rich and changing context of transnational and localized movements, imperialist interests, geo-political conflicts, and market forces to explore the broader struggles of desiring subjects, especially in those dimensions of life that are explicitly sexual and amorous: free love movements, marriage, the sixties’ sexual revolution in Cold War contexts, prostitution policies, ideas about men’s gratification, the charisma of leaders, and sexual/domestic violence against women.
Author: Fischlin Daniel Fischlin
Publisher: Black Rose Books Ltd.
ISBN: 155164701X
Category : Music
Languages : en
Pages : 280
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Book Description
When it was first published in 2003, Rebel Musics sought to explore how musical activism resonates as resistance to the dominant culture, and how political action through music increases the potential for people to determine their own fate. If anything, these issues seem to be even more pressing today. Rebel Musics offers a fascinating journey into a rich, complex world where music and politics unite, and where rebel musicians are mobilizing for political change, resistance, and social justice. Daniel Fischlin and Ajay Heble cover a wide range of artists, genres, and topics, including Thomas Mapfumo, Bob Marley, William Parker, Frank Zappa, Edgard Varese, Ice-T, American blues, West African drumming, hip hop, gospel, rock'n'roll cabaret, Paul Robeson, and free jazz. This book shows how rebel music is at the heart of some of the most incisive critiques of global politics. With explosive lyrics and driving rhythms, rebel musicians are helping to mobilize movements for political change and social justice, at home and around the world. In celebration of the 50th anniversary of Black Rose Books, this revised and expanded edition of Rebel Musics will include all the original essays, as well as a new contribution by the editors. Rounding out the new edition will be several new pieces from artists and scholars that will continue to spark debate about these vital topics in compelling ways.
Author: International Correspondence Schools
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 586
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Book Description
Author: Juan Pablo González
Publisher: Lexington Books
ISBN: 1498568653
Category : History
Languages : en
Pages : 200
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Book Description
Tracing musicology in Latin American during the twentieth century, this book presents case studies to illustrate how Latin American music has interacted with social and global processes. The book addresses such topics as popular music, post-colonialism, women in Latin American music, tradition and modernity, musical counterculture, globalization, and identity construction through music. It contributes to the development of paradigms of cultural analysis that originated outside of Latin America by testing them in the Latin American musical context, while also exploring how specifically Latin American models can contribute to broader cultural analysis.
Author: Fernando Rios
Publisher: Oxford University Press
ISBN: 0190692294
Category : Music
Languages : en
Pages : 272
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Book Description
Melodious panpipes and kena flutes. The shimmering strums of a charango. Poncho-clad musicians playing "El Cóndor Pasa" at subway stops or street corners while selling their recordings. These sounds and images no doubt come to mind for many "world music" fans when they recall their early encounters with Andean music groups. Ensembles of this type known as "Andean conjuntos" or "pan-Andean bands" have long formed part of the world music circuit in the Global North. In the major cities of Latin America, too, Andean conjuntos have been present in the local music scene for decades, not only in Peru, Bolivia, and Ecuador (i.e., in the Andean countries), but also in Argentina, Chile, Colombia, and Mexico. It is solely in Bolivia, however, that the Andean conjunto has represented the preeminent folkloric-popular music ensemble configuration for interpreting national musical genres from the late 1960s onward. Despite its frequent association with indigenous villages, the music of Andean conjuntos bears little resemblance to the indigenous musical expressions of the Southern Andes. Created by urban criollo and mestizo folkloric artists, the Andean conjunto tradition represents a form of mass-mediated folkloric music, one that is only loosely based on indigenous musical practices. Panpipes & Ponchos reveals that in the early-to-mid 20th century, a diverse range of musicians and ensembles, including estudiantinas, female vocal duos, bolero trios, art-classical composers, and mestizo panpipe groups, laid the groundwork for the Andean conjunto format to eventually take root in the Bolivian folklore scene amid the boom decade of the 1960s. Author Fernando Rios analyzes local musical trends in conjunction with government initiatives in nation-building and the ideologies of indigenismo and mestizaje. Beyond the local level, Rios also examines key developments in Bolivian national musical practices through their transnational links with trends in Peru, Argentina, Chile, Mexico, and France. As the first book-length study that chronicles how Bolivia's folkloric music movement articulated, on the one hand, with Bolivian state projects, and on the other, with transnational artistic currents, for the pivotal era spanning the 1920s to 1960s, Panpipes & Ponchos offers new perspectives on the Andean conjunto's emergence as Bolivia's favored ensemble line-up in the field of national folkloric-popular music.
Author:
Publisher: Ediciones de la Torre
ISBN: 8479605464
Category :
Languages : en
Pages : 327
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Book Description
Author: Claire Taylor
Publisher: Cambridge Scholars Publishing
ISBN: 1443803774
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
This volume explores women’s literary and cultural production in Latin America, and suggests how such works engage with discourses of identity, nationhood, and gender. Including contributions by several prominent Latin American scholars themselves, it seeks to provide a vital insight into the analysis and reception of the works in a local context, and foster debate between Latin American and metropolitan academics. The book is divided into two sections: Women and Nationhood, and Models and Genres. The first section comprises six chapters which examines women’s responses to, and attempts to carve out space within, national discourses in a Latin American context. Spanning the nineteenth century to the present day, the chapters offer an insight into the ways in which Latin American women have constructed themselves as modern subjects of the nation, and made use of the ambiguous spaces created by modernization and national discourses. The section starts firstly with a focus on the Southern Cone, covering Chile and Argentina, and then moves geographically northward, to Colombia and Bolivia. The second section, Models and Genres, consists of six chapters that examine how women writers engage with, and critically re-work, existing literary discourses and paradigms. Considering phenomena such as detective fiction, fairy-tales, and classical mythological figures, the chapters illustrate how these genres and models–frequently coded as masculine–are given new inflections, both as a result of their deployment by women, and as a result of their re-working in a Latin American context.
Author: Kathryn A. Sloan
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 257
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Book Description
This book surveys Latin American and Caribbean women's contributions throughout history from conquest through the 20th century. From the colonial period to the present day, women across the Caribbean and Latin America were an intrinsic part of the advancement of society and helped determine the course of history. Women's Roles in Latin America and the Caribbean highlights their varied and important roles over five centuries of time, providing geographical breadth and ethnic diversity to the Women's Roles through History series. Women's roles are the focus of all six chapters, covering themes that include religion, family, law, politics, culture, and labor. Each section provides specific examples of real-life women throughout history, providing readers with an overview of Latin American women's history that pays special attention to continuity across regions and variances over time and geography.
Author: Jedrek Mularski
Publisher: Cambria Press
ISBN: 1621967379
Category : Music
Languages : en
Pages : 300
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Book Description
To date, scholars have paid little attention to the role that music played at political rallies and protests, the political activism of right-wing and left-wing musicians, and the emergence of musical performances as sites of verbal and physical confrontations between Allende supporters and the opposition. This book illuminates a largely unexplored facet of the Cold War era in Latin America by examining linkages among music, politics, and the development of extreme political violence. It traces the development of folk-based popular music against the backdrop of Chile's social and political history, explaining how music played a fundamental role in a national conflict that grew out of deep cultural divisions. Through a combination of textual and musical analysis, archival research, and oral histories, Jedrek Mularski demonstrates that Chilean rightists came to embrace a national identity rooted in Chile's central valley and its huaso ("cowboy") traditions, which groups of well-groomed, singing huasos expressed and propagated through música típica. In contrast, leftists came to embrace an identity that drew on musical traditions from Chile's outlying regions and other Latin American countries, which they expressed and propagated through nueva canción. Conflicts over these notions of Chilenidad ("Chileanness") both reflected and contributed to the political polarization of Chilean society, sparking violent confrontations at musical performances and political events during the late 1960s and early 1970s. Mularski offers a powerful example and multifaceted understanding of the fundamental role that music often plays in shaping the contours of political struggles and conflicts throughout the world.This is an important book for Latin American studies, history, musicology/ethnomusicology, and communication.
