Author: Barbara Haskell
Publisher: Yale University Press
ISBN: 0300246692
Category : Art
Languages : en
Pages : 263
Book Description
An in-depth look at the transformative influence of Mexican artists on their U.S. counterparts during a period of social change The first half of the 20th century saw prolific cultural exchange between the United States and Mexico, as artists and intellectuals traversed the countries' shared border in both directions. For U.S. artists, Mexico's monumental public murals portraying social and political subject matter offered an alternative aesthetic at a time when artists were seeking to connect with a public deeply affected by the Great Depression. The Mexican influence grew as the artists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros traveled to the United States to exhibit, sell their work, and make large-scale murals, working side-by-side with local artists, who often served as their assistants, and teaching them the fresco technique. Vida Americana examines the impact of their work on more than 70 artists, including Marion Greenwood, Philip Guston, Isamu Noguchi, Jackson Pollock, and Charles White. It provides a new understanding of art history, one that acknowledges the wide-ranging and profound influence the Mexican muralists had on the style, subject matter, and ideology of art in the United States between 1925 and 1945.
Vida Americana - Mexican Muralists Remake American Art, 1925-1945
Author: Barbara Haskell
Publisher: Yale University Press
ISBN: 0300246692
Category : Art
Languages : en
Pages : 263
Book Description
An in-depth look at the transformative influence of Mexican artists on their U.S. counterparts during a period of social change The first half of the 20th century saw prolific cultural exchange between the United States and Mexico, as artists and intellectuals traversed the countries' shared border in both directions. For U.S. artists, Mexico's monumental public murals portraying social and political subject matter offered an alternative aesthetic at a time when artists were seeking to connect with a public deeply affected by the Great Depression. The Mexican influence grew as the artists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros traveled to the United States to exhibit, sell their work, and make large-scale murals, working side-by-side with local artists, who often served as their assistants, and teaching them the fresco technique. Vida Americana examines the impact of their work on more than 70 artists, including Marion Greenwood, Philip Guston, Isamu Noguchi, Jackson Pollock, and Charles White. It provides a new understanding of art history, one that acknowledges the wide-ranging and profound influence the Mexican muralists had on the style, subject matter, and ideology of art in the United States between 1925 and 1945.
Publisher: Yale University Press
ISBN: 0300246692
Category : Art
Languages : en
Pages : 263
Book Description
An in-depth look at the transformative influence of Mexican artists on their U.S. counterparts during a period of social change The first half of the 20th century saw prolific cultural exchange between the United States and Mexico, as artists and intellectuals traversed the countries' shared border in both directions. For U.S. artists, Mexico's monumental public murals portraying social and political subject matter offered an alternative aesthetic at a time when artists were seeking to connect with a public deeply affected by the Great Depression. The Mexican influence grew as the artists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros traveled to the United States to exhibit, sell their work, and make large-scale murals, working side-by-side with local artists, who often served as their assistants, and teaching them the fresco technique. Vida Americana examines the impact of their work on more than 70 artists, including Marion Greenwood, Philip Guston, Isamu Noguchi, Jackson Pollock, and Charles White. It provides a new understanding of art history, one that acknowledges the wide-ranging and profound influence the Mexican muralists had on the style, subject matter, and ideology of art in the United States between 1925 and 1945.
How a Revolutionary Art Became Official Culture
Author: Mary K. Coffey
Publisher: Duke University Press
ISBN: 0822350378
Category : Art
Languages : en
Pages : 249
Book Description
This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.
Publisher: Duke University Press
ISBN: 0822350378
Category : Art
Languages : en
Pages : 249
Book Description
This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.
Hispania
Author:
Publisher:
ISBN:
Category : Civilization, Hispanic
Languages : en
Pages : 448
Book Description
Vol. 1 includes "Organization number," published Nov. 1917.
Publisher:
ISBN:
Category : Civilization, Hispanic
Languages : en
Pages : 448
Book Description
Vol. 1 includes "Organization number," published Nov. 1917.
Brothers and Sisters to Us
Author:
Publisher: USCCB Publishing
ISBN: 9781555866532
Category : Race relations
Languages : en
Pages : 56
Book Description
This landmark pastoral letter promotes discussion and action against racism, "an evil which endures in our society and in our Church." The English/Spanish edition also includes For the Love of One Another: A Special Message on the Occasion of the Tenth Anniversary of "Brothers and Sisters to Us." Esta es la trascendental carta pastoral de los Obispos de EE.UU. en que promueven el debate y la acción contra el racismo, "un mal que perdura en nuestra sociedad y en nuestra Iglesia". La edición bilingüe en inglés y español incluye también Por el amor recíproco: Mensaje especial en ocasión del décimo aniversario de Nuestros hermanos y hermanas.
Publisher: USCCB Publishing
ISBN: 9781555866532
Category : Race relations
Languages : en
Pages : 56
Book Description
This landmark pastoral letter promotes discussion and action against racism, "an evil which endures in our society and in our Church." The English/Spanish edition also includes For the Love of One Another: A Special Message on the Occasion of the Tenth Anniversary of "Brothers and Sisters to Us." Esta es la trascendental carta pastoral de los Obispos de EE.UU. en que promueven el debate y la acción contra el racismo, "un mal que perdura en nuestra sociedad y en nuestra Iglesia". La edición bilingüe en inglés y español incluye también Por el amor recíproco: Mensaje especial en ocasión del décimo aniversario de Nuestros hermanos y hermanas.
American Nation Series
Author: Pan American Union
Publisher:
ISBN:
Category :
Languages : en
Pages : 824
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 824
Book Description
Antologia de Cuentos Americanos
Author: Lawrence Augustus Wilkins
Publisher:
ISBN:
Category : Spanish language
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category : Spanish language
Languages : en
Pages : 328
Book Description
Education
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 770
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 770
Book Description
2017
Author: Mariana Aguirre
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110527030
Category : Literary Criticism
Languages : en
Pages : 583
Book Description
Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre – periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, i.e. indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110527030
Category : Literary Criticism
Languages : en
Pages : 583
Book Description
Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre – periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, i.e. indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them.
Monthly Bulletin of the International Bureau of the American Republics, International Union of American Republics
Author:
Publisher:
ISBN:
Category : America
Languages : en
Pages : 928
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 928
Book Description
Cronica de la vida de un inmigrante en los Estados Unidos
Author: Francis Ashun
Publisher: Page Publishing, Inc
ISBN: 1646284984
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
Mi libro es ciertamente oportuno considerando la difícil situación que enfrentan muchos inmigrantes en los Estados Unidos y otros países. El libro es interesante y entretenido; ofrece inspiración para personas nuevas en los EE. UU. y ayuda a educar a los estadounidenses y, por extensión, a los nativos de otras naciones industrializadas sobre la difícil situación de los inmigrantes y su resistencia. El libro está lleno de humor y momentos conmovedores, pero también existe la clara oportunidad de debatir con respecto a las diferencias en las tradiciones culturales y la crianza de los hijos. Es un excelente trabajo y una experiencia de vida bien escrita y un plano para cada inmigrante que llega a un país extranjero. Una valiosa contribución a la comprensión de las dificultades de los inmigrantes y su resistencia. ¿Quieres una definición de racismo, estigma, discriminación, prejuicio, intolerancia y supervivencia? Usted debe leer este libro.
Publisher: Page Publishing, Inc
ISBN: 1646284984
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
Mi libro es ciertamente oportuno considerando la difícil situación que enfrentan muchos inmigrantes en los Estados Unidos y otros países. El libro es interesante y entretenido; ofrece inspiración para personas nuevas en los EE. UU. y ayuda a educar a los estadounidenses y, por extensión, a los nativos de otras naciones industrializadas sobre la difícil situación de los inmigrantes y su resistencia. El libro está lleno de humor y momentos conmovedores, pero también existe la clara oportunidad de debatir con respecto a las diferencias en las tradiciones culturales y la crianza de los hijos. Es un excelente trabajo y una experiencia de vida bien escrita y un plano para cada inmigrante que llega a un país extranjero. Una valiosa contribución a la comprensión de las dificultades de los inmigrantes y su resistencia. ¿Quieres una definición de racismo, estigma, discriminación, prejuicio, intolerancia y supervivencia? Usted debe leer este libro.