Author: Barbara Louise Mujica
Publisher: Yale University Press
ISBN: 0300109563
Category : Drama
Languages : en
Pages : 708
Book Description
An anthology of plays from the Spanish Golden Age contains the full text of 15 plays; an introduction to each play with information about the author, the work, performance issues and current criticism; and glossaries with definitions of difficult words and concepts.
A New Anthology of Early Modern Spanish Theater
Author: Barbara Louise Mujica
Publisher: Yale University Press
ISBN: 0300109563
Category : Drama
Languages : en
Pages : 708
Book Description
An anthology of plays from the Spanish Golden Age contains the full text of 15 plays; an introduction to each play with information about the author, the work, performance issues and current criticism; and glossaries with definitions of difficult words and concepts.
Publisher: Yale University Press
ISBN: 0300109563
Category : Drama
Languages : en
Pages : 708
Book Description
An anthology of plays from the Spanish Golden Age contains the full text of 15 plays; an introduction to each play with information about the author, the work, performance issues and current criticism; and glossaries with definitions of difficult words and concepts.
Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Author: Blair Hoxby
Publisher: University of Toronto Press
ISBN: 1487518099
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
Since the nineteenth century, some of the most influential historians have portrayed opera and tragedy as wholly distinct cultural phenomena. These historians have denied a meaningful connection between the tragedy of the ancients and the efforts of early modern composers to arrive at styles that were intensely dramatic. Drawing on a series of case studies, Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi traces the productive, if at times rivalrous, relationship between opera and tragedy from the institution of French regular tragedy under Richelieu in the 1630s to the reform of opera championed by Calzabigi and Gluck in the late eighteenth century. Blair Hoxby and his fellow contributors shed light on “neighbouring forms” of theatre, including pastoral drama, tragédie en machines, tragédie en musique, and Goldoni’s dramma giocoso. Their analysis includes famous masterpieces by Corneille, Voltaire, Metastasio, Goldoni, Calzabigi, Handel, and Gluck, as well as lesser-known artists such as Luisa Bergalli, the first female librettist to write for the public theatre in Italy. Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi delves into a series of quarrels and debates in order to illuminate the history of seventeenth- and eighteenth-century theatre.
Publisher: University of Toronto Press
ISBN: 1487518099
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
Since the nineteenth century, some of the most influential historians have portrayed opera and tragedy as wholly distinct cultural phenomena. These historians have denied a meaningful connection between the tragedy of the ancients and the efforts of early modern composers to arrive at styles that were intensely dramatic. Drawing on a series of case studies, Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi traces the productive, if at times rivalrous, relationship between opera and tragedy from the institution of French regular tragedy under Richelieu in the 1630s to the reform of opera championed by Calzabigi and Gluck in the late eighteenth century. Blair Hoxby and his fellow contributors shed light on “neighbouring forms” of theatre, including pastoral drama, tragédie en machines, tragédie en musique, and Goldoni’s dramma giocoso. Their analysis includes famous masterpieces by Corneille, Voltaire, Metastasio, Goldoni, Calzabigi, Handel, and Gluck, as well as lesser-known artists such as Luisa Bergalli, the first female librettist to write for the public theatre in Italy. Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi delves into a series of quarrels and debates in order to illuminate the history of seventeenth- and eighteenth-century theatre.
Modern Languages Study Guides: Como agua para chocolate
Author: Sebastian Bianchi
Publisher: Hodder Education
ISBN: 1471890120
Category : Study Aids
Languages : en
Pages : 103
Book Description
Exam Board: AQA, Edexcel, WJEC, Eduqas & CCEA Level: AS/A-level Subject: Modern Languages First Teaching: September 2017 First Exam: June 2018 Literature analysis made easy. Build your students' confidence in their language abilities and help them develop the skills needed to critique their chosen work: putting it into context, understanding the themes and narrative technique, as well as specialist terminology. Breaking down each scene, character and theme in Como agua para chocolate (Like Water for Chocolate), this accessible guide will enable your students to understand the historical and social context of the novel and give them the critical and language skills needed to write a successful essay. - Strengthen language skills with relevant grammar, vocab and writing exercises throughout - Aim for top marks by building a bank of textual examples and quotes to enhance exam response - Build confidence with knowledge-check questions at the end of every chapter - Revise effectively with pages of essential vocabulary and key mind maps throughout - Feel prepared for exams with advice on how to write an essay, plus sample essay questions, two levels of model answers and examiner commentary
Publisher: Hodder Education
ISBN: 1471890120
Category : Study Aids
Languages : en
Pages : 103
Book Description
Exam Board: AQA, Edexcel, WJEC, Eduqas & CCEA Level: AS/A-level Subject: Modern Languages First Teaching: September 2017 First Exam: June 2018 Literature analysis made easy. Build your students' confidence in their language abilities and help them develop the skills needed to critique their chosen work: putting it into context, understanding the themes and narrative technique, as well as specialist terminology. Breaking down each scene, character and theme in Como agua para chocolate (Like Water for Chocolate), this accessible guide will enable your students to understand the historical and social context of the novel and give them the critical and language skills needed to write a successful essay. - Strengthen language skills with relevant grammar, vocab and writing exercises throughout - Aim for top marks by building a bank of textual examples and quotes to enhance exam response - Build confidence with knowledge-check questions at the end of every chapter - Revise effectively with pages of essential vocabulary and key mind maps throughout - Feel prepared for exams with advice on how to write an essay, plus sample essay questions, two levels of model answers and examiner commentary
Catalogue of Manuscript Music in the British Museum
Author: British Museum. Department of Manuscripts
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 996
Book Description
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 996
Book Description
The True Friend (II Vero Amico)
Author: Carlo Goldoni
Publisher: Sparkling Books
ISBN: 1907230017
Category : Drama
Languages : en
Pages : 160
Book Description
True to Goldoni's mixture of comic wit and farce, the plot is a breathtakingly fast succession of twists and turns which only unravel in the very final lines with a surprise ending. Two friends are in love with the same young woman. Neither wants to place their friendship in jeopardy. How can love triumph without breaking off their friendship? Goldoni explores the conflicts brought about when Florindo has to choose between Lelio, his best friend, and Rosaura, his best friend's fiancée. Added to this conundrum are the issues of whether Ottavio, the old miser, will provide a dowry and the mature Beatrice's unashamed incessant pursuit of Florindo. The play is set in Bologna in Lelio's house. Florindo is a guest along with his faithful manservant. From the opening of the play, Florindo seeks to return home to Venice in order not to damage his friend's relationship. However, his departure is obstructed time and again by his hosts, leading to one complication after another. From the beginning, the plot is intense and fast-moving with inversions fed into the action in quick succession. This creates suspense which continues throughout the play as potential marriage partners are switched back and forth until the very ending when the audience finally discovers what the main characters' destiny will be. Will love or friendship prevail? The Venetian element is brought into this play through Florindo and his manservant, both Venetians. Apart from these two characters, all the others are portrayed as self-seeking, selfish and sly - whether servants or masters. The tension is kept at a constantly high level by the struggles between the characters. These struggles are not just brought about through love and friendship but are also generational and social. Furthermore, there is the added complication in the contrast of the characters' ideas of reality as they deceive one another. This creates dramatic irony and humour as the audience know more than any of the characters on stage. The Italian text is taken from: Carlo Goldoni, Tutte le opere, a cura di Giuseppe Ortolani, Mondadori, Milano, 1935. In Memoirs (Carlo Goldoni's autobiography), Goldoni states: "This play [Il vero amico] is one of my favourites and I have had the greatest pleasure in seeing that the audience is of my opinion". Chap. X
Publisher: Sparkling Books
ISBN: 1907230017
Category : Drama
Languages : en
Pages : 160
Book Description
True to Goldoni's mixture of comic wit and farce, the plot is a breathtakingly fast succession of twists and turns which only unravel in the very final lines with a surprise ending. Two friends are in love with the same young woman. Neither wants to place their friendship in jeopardy. How can love triumph without breaking off their friendship? Goldoni explores the conflicts brought about when Florindo has to choose between Lelio, his best friend, and Rosaura, his best friend's fiancée. Added to this conundrum are the issues of whether Ottavio, the old miser, will provide a dowry and the mature Beatrice's unashamed incessant pursuit of Florindo. The play is set in Bologna in Lelio's house. Florindo is a guest along with his faithful manservant. From the opening of the play, Florindo seeks to return home to Venice in order not to damage his friend's relationship. However, his departure is obstructed time and again by his hosts, leading to one complication after another. From the beginning, the plot is intense and fast-moving with inversions fed into the action in quick succession. This creates suspense which continues throughout the play as potential marriage partners are switched back and forth until the very ending when the audience finally discovers what the main characters' destiny will be. Will love or friendship prevail? The Venetian element is brought into this play through Florindo and his manservant, both Venetians. Apart from these two characters, all the others are portrayed as self-seeking, selfish and sly - whether servants or masters. The tension is kept at a constantly high level by the struggles between the characters. These struggles are not just brought about through love and friendship but are also generational and social. Furthermore, there is the added complication in the contrast of the characters' ideas of reality as they deceive one another. This creates dramatic irony and humour as the audience know more than any of the characters on stage. The Italian text is taken from: Carlo Goldoni, Tutte le opere, a cura di Giuseppe Ortolani, Mondadori, Milano, 1935. In Memoirs (Carlo Goldoni's autobiography), Goldoni states: "This play [Il vero amico] is one of my favourites and I have had the greatest pleasure in seeing that the audience is of my opinion". Chap. X
Argentina
Author: United States. Office of Geography
Publisher:
ISBN:
Category : Argentina
Languages : en
Pages : 714
Book Description
Publisher:
ISBN:
Category : Argentina
Languages : en
Pages : 714
Book Description
Una Nova Generacio
Author: Carmen Capdet
Publisher: Palibrio
ISBN: 1463369905
Category : Fiction
Languages : en
Pages : 151
Book Description
És la història d’una família que arriba a Barcelona l’any 1950 procedent de Marinaleda (Sevilla). Antonio, el pare,40 anys. Ramona, la mare,35 anys. Macarena, la filla gran, 13; Rocío, 11; i Manolo, 9. Aquesta història pretén demostrar les diferents maneres d’integració: segons amb qui es casin, o també on vagin a viure. Els que no canviaran mai del tot són els pares: sempre tindran present el poble on van néixer, la música, els menjars. En definitiva, portaran sempre Andalusia en el fons de la seva ànima.
Publisher: Palibrio
ISBN: 1463369905
Category : Fiction
Languages : en
Pages : 151
Book Description
És la història d’una família que arriba a Barcelona l’any 1950 procedent de Marinaleda (Sevilla). Antonio, el pare,40 anys. Ramona, la mare,35 anys. Macarena, la filla gran, 13; Rocío, 11; i Manolo, 9. Aquesta història pretén demostrar les diferents maneres d’integració: segons amb qui es casin, o també on vagin a viure. Els que no canviaran mai del tot són els pares: sempre tindran present el poble on van néixer, la música, els menjars. En definitiva, portaran sempre Andalusia en el fons de la seva ànima.
Il Vero Amico - The True Friend
Author: Carlo Goldoni
Publisher: Sparkling Books
ISBN: 1907230009
Category : Drama
Languages : en
Pages : 160
Book Description
Carlo Goldoni's classic comedy 'Il vero amico', translated as 'The True Friend', is presented here in English and Italian.
Publisher: Sparkling Books
ISBN: 1907230009
Category : Drama
Languages : en
Pages : 160
Book Description
Carlo Goldoni's classic comedy 'Il vero amico', translated as 'The True Friend', is presented here in English and Italian.
The Grand Theater of the World
Author: Valeria De Lucca
Publisher: Routledge
ISBN: 1315465876
Category : Music
Languages : en
Pages : 234
Book Description
Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance of identity in early modern Rome. Rome’s unique milieu, as defined by spiritual and political power, as well as diplomacy and competition between aristocratic families, offers an exceptionally wide array of musical spaces and practices to be explored from an interdisciplinary perspective. Space is viewed as the theatrical backdrop against which to study a variety of musical practices in their functions as signifiers of social and political meanings. The editors wish to go beyond the traditional distinction between music theatrical spectacles – namely opera – and other musical genres and practices to offer a more comprehensive perspective on the ways in which not only dramatic, but also instrumental music and even the sounds of voices and objects in the streets relied on the theatrical dimension of space for their effectiveness in conveying social and political messages. While most chapters deal with musical performances, some focus on specific aspects of the Roman soundscape, or are even intentionally "silent", dealing with visual arts and architecture in their performative and theatrical aspects. The latter offer a perspective that creates a visual counterpoint to the ways in which music and sound shaped space.
Publisher: Routledge
ISBN: 1315465876
Category : Music
Languages : en
Pages : 234
Book Description
Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance of identity in early modern Rome. Rome’s unique milieu, as defined by spiritual and political power, as well as diplomacy and competition between aristocratic families, offers an exceptionally wide array of musical spaces and practices to be explored from an interdisciplinary perspective. Space is viewed as the theatrical backdrop against which to study a variety of musical practices in their functions as signifiers of social and political meanings. The editors wish to go beyond the traditional distinction between music theatrical spectacles – namely opera – and other musical genres and practices to offer a more comprehensive perspective on the ways in which not only dramatic, but also instrumental music and even the sounds of voices and objects in the streets relied on the theatrical dimension of space for their effectiveness in conveying social and political messages. While most chapters deal with musical performances, some focus on specific aspects of the Roman soundscape, or are even intentionally "silent", dealing with visual arts and architecture in their performative and theatrical aspects. The latter offer a perspective that creates a visual counterpoint to the ways in which music and sound shaped space.
Arauca Zona Roja
Author: Beverly Prieto
Publisher: Palibrio
ISBN: 1463319010
Category : Fiction
Languages : en
Pages : 165
Book Description
La experiencia de dos jovenes medicas que deciden prestar su servicio social obligatorio en la selva Colombiana. Una historia que atrapa al lector desde el principio, hasta conducirlo a un fi nal inesperado. Un lugar donde las leyes y las costumbres se detienen en el tiempo y donde hombres y mujeres luchan por sobrevivir en la cruenta batalla por la dignidad humana."
Publisher: Palibrio
ISBN: 1463319010
Category : Fiction
Languages : en
Pages : 165
Book Description
La experiencia de dos jovenes medicas que deciden prestar su servicio social obligatorio en la selva Colombiana. Una historia que atrapa al lector desde el principio, hasta conducirlo a un fi nal inesperado. Un lugar donde las leyes y las costumbres se detienen en el tiempo y donde hombres y mujeres luchan por sobrevivir en la cruenta batalla por la dignidad humana."