Author:
Publisher: Liguori Editore Srl
ISBN: 9788820740061
Category : Literary Criticism
Languages : en
Pages : 254

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Book Description

Author: L. M. Crisafulli
Publisher:
ISBN: 9788820743260
Category : Literary Criticism
Languages : en
Pages : 231

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Book Description

Author:
Publisher:
ISBN: 9788820725259
Category : Romanticism
Languages : it
Pages :

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Book Description

Author:
Publisher:
ISBN: 9788820769185
Category : Literary Criticism
Languages : en
Pages : 190

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Book Description

Author: L. M. Crisafulli
Publisher:
ISBN: 9788820758165
Category : Literary Criticism
Languages : un
Pages : 176

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Author:
Publisher:
ISBN: 9788820706647
Category : Literary Criticism
Languages : en
Pages : 243

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Book Description

Author: Vilma De Gasperin
Publisher: OUP Oxford
ISBN: 0191655112
Category : Literary Criticism
Languages : en
Pages : 319

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Book Description
This book examines the vre of Anna Maria Ortese (1914-1998) from her first literary writings in the Thirties to her great novels in the Nineties. The analysis focusses on two interweaving core themes, loss and the Other. It begins with the shaping of personal loss of an Other following death, separation, abandonment, coupled with melancholy for life's transience as depicted in autobiographical works and in her masterpiece Il porto di Toledo. The book then addresses Ortese's literary engagement with social themes in realist stories set in post-war Naples in her collection Il mare non bagna Napoli and then explores her continuing preoccupation with socio-ethical issues, imbued with autobiographical elements, in non-realist texts, including her masterful novels L'Iguana, Il cardillo addolorato and Alonso e i visionari The book combines theme and genre analysis, highlighting Ortese's adoption and hybridization of diverse literary forms such as poetry, the novel, the short story, the essay, autobiography, realism, fairy tales, fantasy, allegory. In her work Ortese weaves an ongoing dialogue with literary and non-literary works, through direct quotations, allusions, echoes, adoption of motifs and topoi. The book thus highlights the intertextual relationship with her sources: Leopardi, Dante, Petrarch, Manzoni, Collodi, Montale, Serao; Shakespeare, Milton, Keats, Blake, Joyce, Conrad, Melville, Poe, Hawthorne, Hardy; Manrique, Gongora, de Quevedo, Villalón, Bello, Cantar del mio Cid; Heine, Valery, Puccini's Madam Butterfly, folklore, popular songs, and the Bible. Ortese thus shapes her literary themes in the background of social, political and economic upheavals over six decades of Italian history, culminating in an allegorical critique of modernity and a call for a renewed bond between humans and the Other.

Author: Alexander von Humboldt
Publisher:
ISBN:
Category : Physical geography
Languages : en
Pages : 682

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Book Description

Author: Silvia Valisa
Publisher: Toronto Italian Studies
ISBN: 9781442649224
Category : Literary Criticism
Languages : en
Pages : 0

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Book Description
Combining close textual readings with a broad theoretical perspective, this book is a study of the ways in which gender shapes the characters and narratives of seven important Italian novels of the nineteenth and twentieth centuries.

Author: Andrew Piper
Publisher: University of Chicago Press
ISBN: 0226922898
Category : Literary Criticism
Languages : en
Pages : 207

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Book Description
Andrew Piper grew up liking books and loving computers. While occasionally burying his nose in books, he was going to computer camp, programming his Radio Shack TRS-80, and playing Pong. His eventual love of reading made him a historian of the book and a connoisseur of print, but as a card-carrying member of the first digital generation—and the father of two digital natives—he understands that we live in electronic times. Book Was There is Piper’s surprising and always entertaining essay on reading in an e-reader world. Much ink has been spilled lamenting or championing the decline of printed books, but Piper shows that the rich history of reading itself offers unexpected clues to what lies in store for books, print or digital. From medieval manuscript books to today’s playable media and interactive urban fictions, Piper explores the manifold ways that physical media have shaped how we read, while also observing his own children as they face the struggles and triumphs of learning to read. In doing so, he uncovers the intimate connections we develop with our reading materials—how we hold them, look at them, share them, play with them, and even where we read them—and shows how reading is interwoven with our experiences in life. Piper reveals that reading’s many identities, past and present, on page and on screen, are the key to helping us understand the kind of reading we care about and how new technologies will—and will not—change old habits. Contending that our experience of reading belies naive generalizations about the future of books, Book Was There is an elegantly argued and thoroughly up-to-date tribute to the endurance of books in our ever-evolving digital world.