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Author: Gian Hamidreza Rouhi
Publisher:
ISBN: 9782905430168
Category :
Languages : fr
Pages : 0
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Book Description
Author: Gian Hamidreza Rouhi
Publisher:
ISBN: 9782905430168
Category :
Languages : fr
Pages : 0
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Book Description
Author: École nationale du patrimoine
Publisher:
ISBN:
Category :
Languages : fr
Pages : 308
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Book Description
La pérennité de l'art contemporain et des arts médiatiques tout comme celle du patrimoine architectural moderne posent des problèmes semblables du fait de la fragilité de bien des œuvres, de l'indétermination formelle de certaines, voire de leur nature éphémère, ou de l'obsolescence des technologies. Les matériaux et les dispositifs nouveaux, souvent expérimentaux qui entrent dans leur fabrication, doivent être remplacés car ils sont trop fragiles ou encore, car ils ne sont plus produits. Par ailleurs, le destin passager de certaines a été programmé : pavillon d'exposition à démolir après l'événement, bâtiments transformables suivant le changement des usages, composants techniques remplaçables, dans le cas de l'architecture ; œuvres d'art contemporaines à réinstaller, sinon à fabriquer à chaque présentation publique. Dans de telles conditions, comment définir l'authenticité, cette valeur cardinale de la pratique de la conservation en art comme en architecture ? Doit-on s'opposer à toute modification de l'œuvre afin de conserver les traces matérielles du contexte socioculturel de sa production ? Ou s'appuyer sur sa dimension conceptuelle qui nous renvoie à l'intention de l'artiste ? Ou encore, doit-on favoriser son actualisation en regard des divers usages dont elle est l'objet ? Tel est le questionnement auquel la journée d'études organisée par la Faculté des arts et l'Institut du patrimoine de l'UQAM en 2007, à l'initiative des études supérieures en architecture moderne et patrimoine de l'École de design, a cherché à approfondir. Ce Cahier de l'Institut du patrimoine rend compte des réflexions préparées sur le sujet par des historiens d'art et de l'architecture, des architectes ainsi que des praticiens de la conservation et de la restauration, en marge des activités de l'équipe de recherche réunie autour du projet « Réexposition, réactualisation et pérennité de l'art contemporain » de l'Alliance de recherche DOCAM (Documentation et conservation du Patrimoine des arts médiatiques) et de l'organisme Docomomo (Documentation et conservation de l'architecture du mouvement moderne).
Author: Jacqueline Ki-Zerbo
Publisher: Univ of California Press
ISBN: 9780520066960
Category : History
Languages : en
Pages : 372
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Book Description
"This volume covers the period from the end of the Neolithic era to the beginning of the seventh century of our era. This lengthy period includes the civilization of Ancient Egypt, the history of Nubia, Ethiopia, North Africa and the Sahara, as well as of the other regions of the continent and its islands."--Publisher's description
Author: Philip Banbury
Publisher: Newton Abbot : David and Charles
ISBN:
Category : Transportation
Languages : en
Pages : 344
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Book Description
Author: Unesco. International Scientific Committee for the Drafting of a General History of Africa
Publisher: Univ of California Press
ISBN: 9780520067035
Category : History
Languages : en
Pages : 1076
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Book Description
The hardcover edition of volume 8 was published in 1994. This paperback edition is the eighth and final volume to be published in the UNESCO General History of Africa. Volume 8 examines the period from 1935 to the present, and details the role of African states in the Second World War and the rise of postwar Africa. This is one of the most important books in the entire series, and as such, it is an unabridged paperback.
Author:
Publisher: BRILL
ISBN: 9004308237
Category : Language Arts & Disciplines
Languages : en
Pages : 401
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Book Description
Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.
Author: Marc Sommers
Publisher: University of Georgia Press
ISBN: 0820338907
Category : Political Science
Languages : en
Pages : 310
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Book Description
Young people are transforming the global landscape. As the human population today is younger and more urban than ever before, prospects for achieving adulthood dwindle while urban migration soars. Devastated by genocide, hailed as a spectacular success, and critiqued for its human rights record, the Central African nation of Rwanda provides a compelling setting for grasping new challenges to the world's youth. Spotlighting failed masculinity, urban desperation, and forceful governance, Marc Sommers tells the dramatic story of young Rwandans who are “stuck,” striving against near-impossible odds to become adults. In Rwandan culture, female youth must wait, often in vain, for male youth to build a house before they can marry. Only then can male and female youth gain acceptance as adults. However, Rwanda's severe housing crisis means that most male youth are on a treadmill toward failure, unable to build their house yet having no choice but to try. What follows is too often tragic. Rural youth face a future as failed adults, while many who migrate to the capital fail to secure a stable life and turn fatalistic about contracting HIV/AIDS. Featuring insightful interviews with youth, adults, and government officials, Stuck tells the story of an ambitious, controlling government trying to govern an exceptionally young and poor population in a densely populated and rapidly urbanizing country. This pioneering book sheds new light on the struggle to come of age and suggests new pathways toward the attainment of security, development, and coexistence in Africa and beyond. Published in association with the United States Institute of Peace
Author: Naomi Miller
Publisher:
ISBN: 9780807696668
Category : Cave architecture
Languages : en
Pages : 141
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Book Description
Author: Divya P. Tolia-Kelly
Publisher: Routledge
ISBN: 1317001125
Category : History
Languages : en
Pages : 210
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Book Description
Two of the key theoretical shifts over the past two decades of critical work have been the 'visual turn' and the 'material turn'. This book argues that these hitherto distinct fields should be understood as in continual dialogue and co-constitution and focuses on reconceptualising the visual as an embodied, material, and often politically-charged realm. This edited volume elaborates this conceptual argument through a series of contemporary case studies, drawn from the disciplines of Architecture, Sociology, Media Studies, Geography and Cultural Studies. The case studies included are paired around four themes: consumption, translation, practice and ethics. As well as exploring the bringing together of visuality and materiality studies, the contributors raise questions of social identity and social critique, and also focus on the ethics of material visualities.
