La Pastorella nobile. A comic opera in two acts [by S. Zini]. Performed at the King's Theatre, etc. Ital. & Eng PDF Download
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![La Pastorella nobile. A comic opera in two acts [by S. Zini]. Performed at the King's Theatre, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/mZt0Bie82gcC?fife=w150-h200)
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Languages : en
Pages : 80
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![La Pastorella nobile. A comic opera in two acts [by S. Zini]. Performed at the King's Theatre, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/mZt0Bie82gcC?fife=w80-h100)
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Category :
Languages : en
Pages : 80
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Author:
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ISBN:
Category : Music
Languages : en
Pages : 484
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Author: Champlin (jr.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 640
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Author: Susan Vandiver Nicassio
Publisher: University of Chicago Press
ISBN: 9780226579726
Category : History
Languages : en
Pages : 370
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A timeless tale of love, lust, and politics, Tosca is one of the most popular operas ever written. In Tosca's Rome, Susan Vandiver Nicassio explores the surprising historical realities that lie behind Giacomo Puccini's opera and the play by Victorien Sardou on which it is based. By far the most "historical" opera in the active repertoire, Tosca is set in a very specific time and place: Rome, from June 17 to 18, 1800. But as Nicassio demonstrates, history in Tosca is distorted by nationalism and by the vehement anticlerical perceptions of papal Rome shared by Sardou, Puccini, and the librettists. To provide the historical background necessary for understanding Tosca, Nicassio takes a detailed look at Rome in 1800 as each of Tosca's main characters would have seen it—the painter Cavaradossi, the singer Tosca, and the policeman Scarpia. Finally, she provides a scene-by-scene musical and dramatic analysis of the opera. "[Nicassio] must be the only living historian who can boast that she once sang the role of Tosca. Her deep knowledge of Puccini's score is only to be expected, but her understanding of daily and political life in Rome at the close of the 18th century is an unanticipated pleasure. She has steeped herself in the period and its prevailing culture-literary, artistic, and musical-and has come up with an unusual, and unusually entertaining, history."—Paul Bailey, Daily Telegraph "In Tosca's Rome, Susan Vandiver Nicassio . . . orchestrates a wealth of detail without losing view of the opera and its pleasures. . . . Nicassio aims for opera fans and for historians: she may well enthrall both."—Publishers Weekly "This is the book that ranks highest in my estimation as the most in-depth, and yet highly entertaining, journey into the story of the making of Tosca."—Catherine Malfitano "Nicassio's prose . . . is lively and approachable. There is plenty here to intrigue everyone-seasoned opera lovers, musical novices, history buffs, and Italophiles."—Library Journal
Author: John Crosse
Publisher:
ISBN:
Category : Music festivals
Languages : en
Pages : 514
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Author: John Crosse
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 494
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![An Account of the Grand Musical Festival, held in September, 1823, in the Cathedral Church of York ... To which is prefixed, a sketch of the rise and progress of musical festivals in Great Britain; with biographical and historical notes. [With plates.] PDF](https://books.google.com/books/content/images/frontcover/yJheAAAAcAAJ?fife=w80-h100)
Author: John CROSSE (F.S.A.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 498
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Author: Nikolai Findeizen
Publisher: Indiana University Press
ISBN: 0253023521
Category : Music
Languages : en
Pages : 910
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In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.
Author: Theodore Fenner
Publisher: SIU Press
ISBN: 9780809319121
Category : Music
Languages : en
Pages : 830
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Book Description
Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.
Author: Edward Bellasis
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 460
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