La Morte di Cesare, dramma per musica, etc. [In verse. By Gaetano Sertor.] PDF Download
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![La Morte di Cesare, dramma per musica, etc. [In verse. By Gaetano Sertor.] PDF](https://books.google.com/books/content/images/frontcover/5CRXAAAAcAAJ?fife=w150-h200)
Author: Julius Caesar
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
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Book Description
![La Morte di Cesare, dramma per musica, etc. [In verse. By Gaetano Sertor.] PDF](https://books.google.com/books/content/images/frontcover/5CRXAAAAcAAJ?fife=w80-h100)
Author: Julius Caesar
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
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Book Description
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 650
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 480
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Author: British Library
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 536
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Book Description
Author: Jean Berenger
Publisher: Routledge
ISBN: 1317895738
Category : History
Languages : en
Pages : 353
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Book Description
This is the eagerly awaited second volume of Jean Bérenger's history of the Habsburgs. It covers the last two centuries of their rule and provides a compelling account of the fluctuations of Habsburg dynastic power and its disintegration after World War One. Bérenger gives a rich portrait of Habsburg greatness under Maria Theresa and Joseph II and shows how their successors proved more adroit at riding the tide of nationalism in their multi-ethnic empire than is often recognised.
Author:
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 912
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Book Description
Author: F. W. Kent
Publisher: JHU Press
ISBN: 9780801886270
Category : Art
Languages : en
Pages : 280
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Book Description
"Historian F.W. Kent offers a new look at Lorenzo's relationship to the arts, aesthetics, collecting, and building - especially in the context of his role as the political boss (maestro della bottega) of republican Florence and a leading player in Renaissance Italian diplomacy. Kent's approach reveals Lorenzo's activities as an art patron as far more extensive and creative than previously thought. Known as "the Magnificent," Lorenzo was broadly interested in the arts and supported efforts to beautify Florence and the many Medici lands and palaces. His expertise was well regarded by guildsmen and artists, who often turned to him for advice as well as for patronage.
Author: Gaetano Sertor
Publisher:
ISBN:
Category :
Languages : it
Pages : 0
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Author: Gaetano Sertor
Publisher:
ISBN:
Category :
Languages : it
Pages : 80
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Book Description
Author: Ronan Deazley
Publisher: Open Book Publishers
ISBN: 190692418X
Category : Law
Languages : en
Pages : 438
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Book Description
What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in his 1644 Areopagitica speech 'For the Liberty of Unlicensed Printing', accuses the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Contributions also address the specific evolution of rights associated with the visual and performing arts. These essays provide essential reading for anybody interested in copyright, intellectual history and current public policy choices in intellectual property. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC): www.copyrighthistory.org.
