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Author: F. Halévy
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 40
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Book Description
Author: F. Halévy
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 40
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Book Description
Author: Julie Kalman
Publisher: Indiana University Press
ISBN: 025302434X
Category : History
Languages : en
Pages : 186
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Book Description
“Seeks to further our understanding of the relationship between perceptions of Jews and the reality of their existence in nineteenth-century France.” —H-France Review Orientalizing the Jew shows how French travelers depicted Jews in the Orient and then brought these ideas home to orientalize Jews living in their homeland during the 19th century. Julie Kalman draws on narratives, personal and diplomatic correspondence, novels, and plays to show how the “Jews of the East” featured prominently in the minds of the French and how they challenged ideas of the familiar and the exotic. Portraits of the Jewish community in Jerusalem, romanticized Jewish artists, and the wealthy Sephardi families of Algiers come to life. These accounts incite a necessary conversation about Jewish history, the history of anti-Jewish discourses, French history, and theories of Orientalism in order to broaden understandings about Jews of the day. “A well-argued, beautifully written, and intellectually stimulating investigation of representations of Middle Eastern and North African Jews by French Catholic pilgrims, writers, artists, and bureaucrats over the 19th century.” —Maud Mandel, author of Muslims and Jews in France “Jews of France, nominally full citizens since the French Revolution . . . experienced uncertainty regarding whether their status would be reversed with each change of government . . . Kalman’s work contributes significantly to an understanding of that insecurity, as she fleshes out the stereotypes that others, officials, artists, authors and intellectuals, projected onto the Jews living among them inside France.” —French History
Author: Ruth Jordan
Publisher: Hal Leonard Corporation
ISBN: 9780879100797
Category : Biography & Autobiography
Languages : en
Pages : 268
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Book Description
Fromental Halevy, best known for his opera La Juive, captured the romantic and contentious spirit of his time. His was one of the most eventful eras in French history, ranging from the fall of Napoleon to the establishment of the Second Empire, and he took part in what was happening around him, often reflecting it in his music. As a composer, Halevy regarded opera as a magic spectacle fusing drama, music, dance and art. His work - innovative, demanding, captivating - included more than 30 grand operas and operas comiques, almost all widely performed and many immensely popular throughout nineteenth century Europe and the United States. And, loyal to his Jewish faith, Halevy set to music several psalms for liturgical use in French synagogues. Wagner, for all his virulent anti-Semitism, hailed "Halevy's brilliant energy that has sped French grand opera along a new road". This book, our century's first full-length biography of Halevy, which includes previously unpublished excerpts from his diaries and correspondence, illuminates that road.
Author: David Charlton
Publisher: Cambridge University Press
ISBN: 9780521646833
Category : Music
Languages : en
Pages : 524
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Book Description
Table of contents
Author: Maurice Samuels
Publisher: Stanford University Press
ISBN: 0804773424
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
In this book, Maurice Samuels brings to light little known works of literature produced from 1830 to 1870 by the first generation of Jews born as French citizens. These writers, Samuels asserts, used fiction as a laboratory to experiment with new forms of Jewish identity relevant to the modern world. In their stories and novels, they responded to the stereotypical depictions of Jews in French culture while creatively adapting the forms and genres of the French literary tradition. They also offered innovative solutions to the central dilemmas of Jewish modernity in the French context—including how to reconcile their identities as Jews with the universalizing demands of the French revolutionary tradition. While their solutions ranged from complete assimilation to a modern brand of orthodoxy, these writers collectively illustrate the creativity of a community in the face of unprecedented upheaval.
Author: Francois Nouvion
Publisher: Xlibris Corporation
ISBN: 1477151230
Category : Biography & Autobiography
Languages : en
Pages : 511
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Book Description
Francois Nouvion is well known collector and author of operatic subjects. He was born in Zurich and is a US citizen. He studied at the Swiss Federal Institute of Technology in Zurich and at Stanford University in Palo Alto. He worked mostly in the semiconductor testing equipment fi eld and sold US Equipment from Russia to Tokyo. Early on he became very interested in Opera and developed his knowledge in singing from the reissues by Guy Dumazert. He currently maintains a comprehensive website on tenors (historicaltenors.com) and a YouTube channel on Historical tenors. Although his interest on Irish-French tenor John O`Sullivan dates from his early days, he fi nally started researching the tenor`s career in the early 90s after meeting O'Sullivan's children: Jacques, Colette and Raymonde. After much work contacting the different libraries all over the world, with the Paris and Marseilles libraries being the most diffi cult to work with, he fi nally started writing the O`Sullivan biography in 2007. It is now published. He only regrets that Jacques O'Sullivan, the tenor`s son, did not live to witness the publication.
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1527568776
Category : Music
Languages : en
Pages : 684
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Book Description
In his lifetime, the opera composer Fromental Halévy was considered the leader of the French school; his admirers included Wagner, Berlioz, and later Mahler. Today, he is chiefly remembered for his grand tragic opera La Juive (Paris, 1835), a unique work exploring the nature of freedom, faith, and tolerance. It has enjoyed rediscovery in recent times, and its perennial challenge to our presuppositions makes it a work of intense artistic significance. Halevy worked in the heady context of Paris after the 1830 Revolution and before the debacle of 1870—when the French capital was at the centre of the operatic world. He wrote some 30 operas in the established genres of grand opéra and opéra-comique. L’Éclair (1835) and Guido et Ginévra (1838) consolidated his success in these genres. This study throws light on this shadowy figure, looking at his life, his letters, contemporary opinion about him, and, most importantly, his operas. Each one is examined in terms of its origin, libretto, musical features, and place in the vibrant critical journalism of mid-19th century France. The text provides musical examples and something of the rich iconography that accompanied the creation of his works.
Author:
Publisher: Wydawnictwo UJ
ISBN: 8323330492
Category :
Languages : en
Pages : 119
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Book Description
Author: Mark Everist
Publisher: Taylor & Francis
ISBN: 100093912X
Category : History
Languages : en
Pages : 464
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Book Description
Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, Théâtre Italien, Théâtre Royal de l'Odéon and Théâtre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Odéon and Opéra-Comique to the opera house where he eventually made his greatest impact - the Académie Royale de Musique; the shift from Opéra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Halévy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two opéras comiques.
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1527568768
Category : Music
Languages : en
Pages : 754
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Book Description
In his lifetime, the opera composer Fromental Halévy was considered the leader of the French school; his admirers included Wagner, Berlioz, and later Mahler. Today, he is chiefly remembered for his grand tragic opera La Juive (1835). Halévy, a native of Paris, was active when the French capital was at the centre of the operatic world. His 30 operas worked within established genres of grand opéra and opéra-comique, and many of them attained considerable popularity across Europe and the wider world (such as La Reine de Chypre 1841, Charles VI 1843, Les Mousquetaires de la reine 1846, and Le Val d’Andorre 1848). Although acclaimed in their day, most have not been staged for decades. This study throws light on this shadowy figure, looking at his life, contemporary opinion about him, and, most importantly, his operas. Each one is examined in terms of its origin, libretto, musical features, and place in the vibrant critical journalism of mid-19th century France. The book provides musical examples and something of the rich iconography that accompanied the creation of his works.
