Las Dos estrellas de Francia

Las Dos estrellas de Francia PDF Author: Diego Calleja (Le P., S. J.)
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ISBN:
Category :
Languages : es
Pages :

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Las Dos estrellas de Francia

Las Dos estrellas de Francia PDF Author: Diego Calleja (Le P., S. J.)
Publisher:
ISBN:
Category :
Languages : es
Pages :

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Comedia famosa Las dos estrellas de Francia

Comedia famosa Las dos estrellas de Francia PDF Author: Manuel de León Marchante
Publisher:
ISBN:
Category : Spanish drama
Languages : es
Pages : 32

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Comedia famosa : Las dos estrellas de Francia

Comedia famosa : Las dos estrellas de Francia PDF Author: Diego de Calleja (S.I.)
Publisher:
ISBN:
Category :
Languages : es
Pages : 32

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Las Dos Estrellas De Francia

Las Dos Estrellas De Francia PDF Author: Manuel de León Marchante
Publisher:
ISBN:
Category :
Languages : es
Pages : 32

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Devotional Music in the Iberian World, 1450-1800

Devotional Music in the Iberian World, 1450-1800 PDF Author: Tess Knighton
Publisher: Routledge
ISBN: 1351569465
Category : Music
Languages : en
Pages : 342

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Book Description
From the fifteenth century to the beginning of the nineteenth century, devotional music played a fundamental role in the Iberian world. Songs in the vernacular, usually referred to by the generic name of 'villancico', but including forms as varied as madrigals, ensaladas, tonos, cantatas or even oratorios, were regularly performed at many religious feasts in major churches, royal and private chapels, convents and in monasteries. These compositions appear to have progressively fulfilled or supplemented the role occupied by the Latin motet in other countries and, as they were often composed anew for each celebration, the surviving sources vastly outnumber those of Latin compositions; they can be counted in tens of thousands. The close relationship with secular genres, both musical, literary and performative, turned these compositions into a major vehicle for dissemination of vernacular styles throughout the Iberian world. This model of musical production was also cultivated in Portugal and rapidly exported to the Spanish and Portuguese colonies in America and Asia. In many cases, the villancico repertory represents the oldest surviving source of music produced in these regions, thus affording it a primary role in the construction of national identities. The sixteen essays in this volume explore the development of devotional music in the Iberian world in this period, providing the first broad-based survey of this important genre.

Baroque Music

Baroque Music PDF Author: John Walter Hill
Publisher: W W Norton & Company Incorporated
ISBN: 9780393978001
Category : Music
Languages : en
Pages : 525

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John Walter Hill's highly anticipated text presents a broad survey of the music of Western Europe from 1580 to 1750.

Yvain

Yvain PDF Author: Chretien de Troyes
Publisher: Yale University Press
ISBN: 0300038380
Category : Poetry
Languages : en
Pages : 244

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Book Description
A twelfth-century poem by the creator of the Arthurian romance describes the courageous exploits and triumphs of a brave lord who tries to win back his deserted wife's love

Towards a History of the Spanish Villancico

Towards a History of the Spanish Villancico PDF Author: Paul R. Laird
Publisher:
ISBN:
Category : Music
Languages : es
Pages : 266

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Script Girls

Script Girls PDF Author: Lizzie Francke
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 190

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Encomium Musicae

Encomium Musicae PDF Author: David Crawford
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 784

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Book Description
Professor Snow's auspicious debut in musicology came in 1958 as the author of the chapter on Old Roman chant in Willi Apel's Gregorian Chant. He completed his doctorate at the University of Illinois in 1968, and his major faculty appointments have been at the University of Pittsburgh, University of Illinois, and University of Texas. His publications range from the medieval era to the baroque, most of them dealing with sacred music in Spain, Portugal, the Hispanic New World, and eastern Europe. Encomium Musicae will present over 40 articles by scholars from seven different countries, most of them specialists in the music of Spain, Portugal, or the Hispanic New World