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Author: Berthault de Villebresmes
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Berthault de Villebresmes
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Berthault de Villebresmes
Publisher: University of Alabama Press
ISBN: 9780817304638
Category : Chansons de geste
Languages : en
Pages : 206
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Book Description
Berthault de Villbresmes, a prominent lawyer and adviser to Charles d'Orleans, completed this prose version of the first three branches of The Old French Crusade Cycle some time between 1465 and 1473. He undertook his "compendieuse translacion" of the Swan Knight story at the request of Charle's widow, Marie de Cleves. Daughter of Lamarck, Marie had a particular interest in this matter for the house of Cleves had claimed descent from Helias, the fabulous grandfather of Godfroy of Bouillon some time after the extinction of the house of Bouillon-Boulogne. It is tis particular interest that explains why Berthault's adaptation of the Old French epic matter stops short of the account of the Crusade proper even though the First Crusade continued at the time to be a powerful stimulus to the literary imagination.Berthault de Villebresmes's La Geste du Chevalier au Cygne will be especially welcome to all concerned with the recovery and study of late medieval literature and with the linguistic analysis of Middle French. The Old French Crusade Cycle consists of a series of nine volumes of epic poems that together form a cycle concerningnthe First Crusade and the legendary events associated with Godefori de Buillon. See index for a listing of the volumes published thus far in the series.
Author: Claude Lecouteux
Publisher: Editions Imago
ISBN: 2849523518
Category : Language Arts & Disciplines
Languages : fr
Pages : 216
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Book Description
Author: Frédéric-Auguste-Ferdinand-Thomas baron de Reiffenberg
Publisher:
ISBN:
Category : Crusades
Languages : fr
Pages : 662
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Book Description
Author: Susan Crane
Publisher: University of Pennsylvania Press
ISBN: 9780812218060
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Medieval courtiers defined themselves in ceremonies and rituals. Tournaments, Maying, interludes, charivaris, and masking invited the English and French nobility to assert their identities in gesture and costume as well as in speech. These events presumed that performance makes a self, in contrast to the modern belief that identity precedes social performance and, indeed, that performance falsifies the true, inner self. Susan Crane resists the longstanding convictions that medieval rituals were trivial affairs, and that personal identity remained unarticulated until a later period. Focusing on England and France during the Hundred Years War, Crane draws on wardrobe accounts, manuscript illuminations, chronicles, archaeological evidence, and literature to recover the material as well as the verbal constructions of identity. She seeks intersections between theories of practice and performance that explain how appearances and language connect when courtiers dress as wild men to interrupt a wedding feast, when knights choose crests and badges to supplement their coats of arms, and when Joan of Arc cross-dresses for the court of inquisition after her capture.
Author: Jan Boyd Roberts
Publisher: University of Alabama Press
ISBN: 9780817308551
Category : History
Languages : en
Pages : 182
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Book Description
Godefroi de Buillon is an edition of folios 1 through 60 of Paris, Biblioth?que Nationale, fonds fran?ais 781, a prose version of the Old French Crusade Cycle dating from the close of the 13th century. It includes the Beatrix version of the Naissance du Chevalier au Cygne, Le Chevalier au Cygne, Les Enfances Godefroi, La Chanson dÕAntioche, Les ChŽtifs, and La Chanson de JŽrusalem. It is of considerable interest for the history of French literature because it is apparently one of the earliest mises en prose, preceded perhaps only by Robert de BoronÕs prose Merlin. The author explicitly refers to his purpose: ÒlÕai commenchie sans rime pour lÕestore avoir plus abregiet et si me sanle que le rime est mout plaisans et mout bele mais mout est longue [I undertook it without rhyme to have it shorter, for it seems to me that rhyme is beautiful but very long]Ó (1:3-5). In fact, he has rendered the original verse into prose by two distinct methods. The Swan Knight branches of the Cycle are severely abbreviated. Collation with the verse texts is impossible; individual verses are only rarely identifiable. On the other hand, the more historically based branches are the product of an almost verse for line dŽrimage, more often than not by the simple elimination of the second hemistich, as well as the elimination of repetitive, descriptive, and affective passages.
Author: Carol Sweetenham
Publisher: Routledge
ISBN: 1317038762
Category : History
Languages : en
Pages : 456
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Book Description
The Old-French Chanson d'Antioche has long intrigued historians and literary scholars. Unusually among epic poems, it follows closely a well documented historical event - the First Crusade - and appears to include substantial and genuine historical content. At one time it was believed to be based on an account by an eye-witness, 'Richard the Pilgrim'. Carol Sweetenham and Susan Edgington have combined forces to investigate such claims, and their findings are set out in a comprehensive introduction which, firstly, examines the textual history of the poem from its possible oral beginnings through several re-workings to its present form, achieved early in the thirteenth century. A second chapter assesses the Chanson's value as a source for the crusade, and a third considers its status as a literary text. A complete prose translation follows, the first in English and based on the definitive edition. The Chanson is revealed as a lively narrative, with tales of chivalry, villainy, and even episodes of humour. There are extensive footnotes to the translation, and an appendix provides supplementary material from a different manuscript tradition. There is also a cast list of heroes and villains with biographical information for the 'real' ones and literary analogues for the fictional characters. The Chanson d'Antioche can now be read for enjoyment, and for a whole new perspective on crusading in the twelfth and thirteenth centuries.
Author: Dr Carol Sweetenham
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409482758
Category : History
Languages : en
Pages : 441
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Book Description
The Old-French Chanson d'Antioche has long intrigued historians and literary scholars. Unusually among epic poems, it follows closely a well documented historical event – the First Crusade – and appears to include substantial and genuine historical content. At one time it was believed to be based on an account by an eye-witness, 'Richard the Pilgrim'. Carol Sweetenham and Susan Edgington have combined forces to investigate such claims, and their findings are set out in a comprehensive introduction which, firstly, examines the textual history of the poem from its possible oral beginnings through several re-workings to its present form, achieved early in the thirteenth century. A second chapter assesses the Chanson's value as a source for the crusade, and a third considers its status as a literary text. A complete prose translation follows, the first in English and based on the definitive edition. The Chanson is revealed as a lively narrative, with tales of chivalry, villainy, and even episodes of humour. There are extensive footnotes to the translation, and an appendix provides supplementary material from a different manuscript tradition. There is also a cast list of heroes and villains with biographical information for the 'real' ones and literary analogues for the fictional characters. The Chanson d'Antioche can now be read for enjoyment, and for a whole new perspective on crusading in the twelfth and thirteenth centuries.
Author: Carol Sweetenham
Publisher: Routledge
ISBN: 1317038738
Category : History
Languages : en
Pages : 298
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Book Description
The First Crusade was arguably one of the most significant events of the Middle Ages. It was the only event to generate its own epic cycle, the Old French Crusade Cycle. The central trilogy at the heart of the Cycle describes the Crusade from its beginnings to the climactic battle of Ascalon, comprising the Chanson d’Antioche, the Chanson des Chétifs and the Chanson de Jérusalem. This translation of the Chétifs and the Jérusalem accompanies and completes the translation of the Antioche and makes the trilogy available to English readers in its entirety for the first time. The value of the trilogy lies above all in the insight it gives us to medieval perceptions of the Crusade. The events are portrayed as part of a divine plan where even outcasts and captives can achieve salvation through Crusade. This in turn underlies the value of the Cycle as a recruiting and propaganda tool. The trilogy gives a window onto the chivalric preoccupations of thirteenth-century France, exploring concerns about status, heroism and defeat. It portrays the material realities of the era in vivid detail: the minutiae of combat, smoke-filled halls, feasts, prisons and more. And the two newly translated poems are highly entertaining as well, featuring a lubricious Saracen lady not in the first flush of youth, a dragon inhabited by a devil, marauding monkeys, miracles and much more. The historian will find little new about the Crusade itself, but abundant material on how it was perceived, portrayed and performed. The translation is accompanied by an introduction examining the origins of the two poems and their wider place in the cycle. It is supported by extensive footnotes, a comprehensive index of names and places and translations of the main variants.
Author: Emanuel J. Mickel
Publisher: University of Alabama Press
ISBN: 9780817310165
Category : Chansons de geste
Languages : en
Pages : 490
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Book Description
This volume of the epic cycle of poems concerning the First Crusade focuses on the birth and early fictional life of the hero Godfrey and his encounter with the Saracen Cornumarant. The ten-volume Old French Crusade Cycle, when completed, will represent a large body of epics never before edited critically, important both for an understanding of the phenomenon of cyclical composition and an understanding of the problem of the relationship between epic and romance. Published in Old French, the cycle, which dates from the 13th century, is both history and fiction, romance and epic, folklore and reality; its sources are both oral and classical, and its influence can be seen in translations and versions in Spanish, English, and German. Thus, it is of great value to scholars in a wide range of fields, including Old French literature, Old Spanish literature, Medieval German literature, Middle English literature, folklore, history, linguistics, and music history. This third volume, edited by Emanuel J. Mickel, Jr., includes two branches: Les Enfances Godefroi presents the birth and childhood of Godfrey, the future hero of the First Crusade, and focuses on the Boulogne/Bouillon family. This poem includes expanded treatment of Ida and a long episode in England concerning Godfrey's older brother, Eustace, the future count of Boulogne. The other branch, the Retour de Cornumarant, is a later addition that concerns the Saracen's journey to Europe to assassinate Godfrey before he can lead the crusade. As it turns out, the journey actually succeeds in promoting the crusading movement.
