La Frascatana. A comic opera in two acts [by F. Livigni], as represented at the King's Theatre ... June 5, 1794 ... with additions and alterations by L. da Ponte, etc. Ital. & Eng PDF Download
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![La Frascatana. A comic opera in two acts [by F. Livigni], as represented at the King's Theatre ... June 5, 1794 ... with additions and alterations by L. da Ponte, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/N2r5zX_-q7gC?fife=w80-h100)
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![La Frascatana; a new comic opera, in two acts, etc. [By Filippo Livigni.] Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/nHJZAAAAcAAJ?fife=w80-h100)
Author: FRASCATAN WOMAN.
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Languages : en
Pages : 64
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Languages : en
Pages : 540
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Author: William Ayrton
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 258
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Author: David Charlton
Publisher: Cambridge University Press
ISBN: 052125129X
Category : Biography & Autobiography
Languages : en
Pages : 386
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Book Description
First published in 1986, this major study in English explores Grétry and opéra-comique between 1768 and 1791.
Author: Dorothea Link
Publisher: University of Illinois Press
ISBN: 0252053656
Category : Music
Languages : en
Pages : 459
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Book Description
Dorothea Link examines singers’ voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna’s court opera from 1783 to 1791. The investigation into the singers’ voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today.
Author: Nancy November
Publisher: Cambridge University Press
ISBN: 1009409832
Category : Music
Languages : en
Pages : 494
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Book Description
Domestic musical arrangements of opera provide a unique window on the world of nineteenth-century amateur music-making. These arrangements flourished in especially rich variety in early nineteenth-century Vienna. This study reveals ways in which the Viennese culture of musical arrangements opened up opportunities, especially for women, for connoisseurship, education, and sociability in the home, and extended the meanings and reach of public concert life. It takes a novel stance for musicology, prioritising musical arrangements over original compositions, and female amateurs' perspectives over those of composers, and asks: what cultural, musical, and social functions did opera arrangements serve in Vienna c.1790–1830? Multivalent musical analyses explore ways Viennese arrangers tailored large-scale operatic works to the demands and values of domestic consumers. Documentary analysis, using little-studied evidence of private and semi-private music-making, investigates the agency of musical amateurs and reinstates the central importance of women's roles.
Author: Valeria De Lucca
Publisher: Routledge
ISBN: 1315465876
Category : Music
Languages : en
Pages : 234
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Book Description
Music and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance of identity in early modern Rome. Rome’s unique milieu, as defined by spiritual and political power, as well as diplomacy and competition between aristocratic families, offers an exceptionally wide array of musical spaces and practices to be explored from an interdisciplinary perspective. Space is viewed as the theatrical backdrop against which to study a variety of musical practices in their functions as signifiers of social and political meanings. The editors wish to go beyond the traditional distinction between music theatrical spectacles – namely opera – and other musical genres and practices to offer a more comprehensive perspective on the ways in which not only dramatic, but also instrumental music and even the sounds of voices and objects in the streets relied on the theatrical dimension of space for their effectiveness in conveying social and political messages. While most chapters deal with musical performances, some focus on specific aspects of the Roman soundscape, or are even intentionally "silent", dealing with visual arts and architecture in their performative and theatrical aspects. The latter offer a perspective that creates a visual counterpoint to the ways in which music and sound shaped space.
Author: David Charlton
Publisher: Cambridge University Press
ISBN: 1139789066
Category : Music
Languages : en
Pages : 437
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Book Description
Historians of French politics, art, philosophy and literature have long known the tensions and fascinations of Louis XV's reign, the 1750s in particular. David Charlton's study comprehensively re-examines this period, from Rameau to Gluck and elucidates the long-term issues surrounding opera. Taking Rousseau's Le Devin du Village as one narrative centrepiece, Charlton investigates this opera's origins and influences in the 1740s and goes on to use past and present research to create a new structural model that explains the elements of reform in Gluck's tragédies for Paris. Charlton's book opens many new perspectives on the musical practices and politics of the period, including the Querelle des Bouffons. It gives the first detailed account of intermezzi and opere buffe performed by Eustachio Bambini's troupe at the Paris Opéra from August 1752 to February 1754 and discusses Rameau's comedies Platée and Les Paladins and their origins.
Author: Audrey T Carpenter
Publisher: Troubador Publishing Ltd
ISBN: 1788038800
Category : Biography & Autobiography
Languages : en
Pages : 168
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Book Description
The first-ever biography of this almost forgotten eighteenth century star. How a girl from Italy became London’s “most enchanting comic actress.” Giovanna Sestini’s important contribution to opera has been revived in this carefully researched biography. This book describes her Italian and Portuguese background, while providing considerable insight into the contemporary opera scene and social history of 18th century London. In her private family life she was Joanna Stocqueler, mother of eight children, while as Giovanna Sestini she was a renowned and attractive opera singer. Her talents were publicised until her retirement in 1792, when both her voice and the London theatres were in decline. The book offers a full description of her life, including her early performances in Italy and Portugal, her marriage to Portuguese aristocrat José Christiano Stocqueler, and the fate of her children. After her move to London she was acclaimed both in Italian comic opera at the King’s Theatre and in English opera at Covent Garden. This book will appeal to readers with an interest in the arts, opera and eighteenth-century history. It includes 18 illustrations and a full bibliography and index.
