La Fille Du Tambour-major PDF Download
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Author: Jacques Offenbach
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 86
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Book Description
Author: Jacques Offenbach
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 86
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Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
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Book Description
Author:
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ISBN:
Category : Actors
Languages : en
Pages : 1460
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Book Description
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 512
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Book Description
![Dramatic notes, by C. E. Pascoe. [1st] PDF](https://books.google.com/books/content/images/frontcover/qRcOAAAAQAAJ?fife=w80-h100)
Author:
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ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Susana Salgado
Publisher: Wesleyan University Press
ISBN: 9780819565945
Category : History
Languages : en
Pages : 532
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Book Description
The first comprehensive history of the oldest major opera house in the Americas.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1092
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 560
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Book Description
Author: Blanche Arral
Publisher: Hal Leonard Corporation
ISBN: 9781574670776
Category : Music
Languages : en
Pages : 364
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Book Description
Wherever Blanche Arral went, excitement and intrigue followed."--BOOK JACKET.
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1527590801
Category : Music
Languages : en
Pages : 734
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Book Description
The composer Adolphe-Charles Adam (1803-1856) is known all over the world for the famous Christmas anthem ‘Minuit chrétiens’ (‘O Holy Night’). However, he wrote much more than just this. His ballet Giselle (1841) is the quintessence of mystical Romanticism and one of the most enduring works of the dance repertoire. Adam composed a series of ballets, principally for the Paris Opéra, establishing this genre as a serious and integral musical form. His last work was Le Corsaire (1856) which reaches sublime heights. However, Adam was just as famous as a composer for the lyric stage. With Boieldieu, Hérold and Auber, he forms one of the quartet of masters that represent the second school of that profoundly French genre of the opera-comique. The charming and elegant Le Chalet (1834) received over 1500 performances in Paris, and the exuberant and adorable Le Postillon de Lonjumeau (1836) is still played on stages throughout the world. This study considers this gentle, unassuming composer’s life and work, examining his 42 operas and 14 ballets in the context of the vibrant musical scene in Paris during the decades 1820-1860.
