La deffaite des troupes de Lorraine par la Noblesse et les communes de Brie et de champagne PDF Download
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Languages : fr
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Languages : fr
Pages : 8
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![Defaite des hugenots du pays de Champagne, par les troupes du Duc de Lorraine... [- Sonnet à Affrican d'Amblize] PDF](https://books.google.com/books/content/images/frontcover/yiL0fZJx9uoC?fife=w80-h100)
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Languages : en
Pages : 16
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Author: Robert O. Lindsay
Publisher: Metuchen, N.J : Scarecrow Press
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Category : Language Arts & Disciplines
Languages : en
Pages : 516
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Pages : 0
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Author: Jean F. Tulard
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ISBN: 9780828824910
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Languages : en
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Author: Charles Peguy
Publisher: A&C Black
ISBN: 0826479359
Category : Philosophy
Languages : en
Pages : 188
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Translated by David L. Schindler, JrIn what is one of the greatest Catholic poetic works of our century, Péguy offers a comprehensive theology ordered around the often-neglected second virtue which is incarnated inhis celebrated image of the ‘little girl Hope'.
Author: G. B. Boschini Battista Guarini
Publisher:
ISBN: 9781017556551
Category : History
Languages : en
Pages : 0
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Author: Marco Armiero
Publisher: Ohio University Press
ISBN: 0821419161
Category : History
Languages : en
Pages : 315
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Marco Armiero is Senior Researcher at the Italian National Research Council and Marie Curie Fellow at the Institute of Environmental Sciences and Technologies, Universitat Aut(noma de Barcelona. He has published extensively on-Italian environmental history and edited Views from the South: Environmental Stories from the Mediterranean World. --
Author: David Quint
Publisher: Princeton University Press
ISBN: 0691222959
Category : Literary Criticism
Languages : en
Pages : 444
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Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.
