'La Découverte de l’Île Frivole' by Gabriel-François Coyer PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download 'La Découverte de l’Île Frivole' by Gabriel-François Coyer PDF full book. Access full book title 'La Découverte de l’Île Frivole' by Gabriel-François Coyer by Jean-Alexandre Perras. Download full books in PDF and EPUB format.
Author: Jean-Alexandre Perras
Publisher: MHRA
ISBN: 1781888876
Category : Fiction
Languages : en
Pages : 129
Get Book Here
Book Description
La Découverte de l’île Frivole (1751) se présente comme un épisode inédit du Voyage autour du monde de l’amiral anglais George Anson et de son équipage. Le texte décrit leurs aventures sur une île étrange, dont les habitants, nommés Frivolites, sont tout entiers occupés de modes, de coiffures, de romans et de desserts historiés. Cette parodie chatoyante présente un tableau sévère mais enjoué de la France des premières années du siècle de Louis XV. Elle résonne avec les pages les plus critiques de Jean-Jacques Rousseau contre le luxe et la mollesse du siècle, ou celles, ironiques, que Voltaire fit paraître contre ses compatriotes. Elle n’épargne pas non plus les Anglais, alors que l’anglomanie bat son plein. Ce volume constitue la première édition critique bilingue d’un texte qui a fait en son temps beaucoup de bruit, tant en France qu’en Angleterre. La Découverte de l’île Frivole (1751) is presented as a supplement to George Anson’s Voyage Round the World, and recounts the adventures of the English admiral and his crew on a strange island whose inhabitants, the Frivolians, are devoted to fashion, hairstyles, novels, and fancy desserts. This tale is at once both playful and cynical and its biting irony spares neither the reputation of France nor that of England. It resonates with the most critical attacks by Jean-Jacques Rousseau against luxury and refinement, or those of Voltaire against his compatriots. This volume provides the first bilingual critical edition of a text that, in its time, caused a stir both in France and in England.
Author: Jean-Alexandre Perras
Publisher: MHRA
ISBN: 1781888876
Category : Fiction
Languages : en
Pages : 129
Get Book Here
Book Description
La Découverte de l’île Frivole (1751) se présente comme un épisode inédit du Voyage autour du monde de l’amiral anglais George Anson et de son équipage. Le texte décrit leurs aventures sur une île étrange, dont les habitants, nommés Frivolites, sont tout entiers occupés de modes, de coiffures, de romans et de desserts historiés. Cette parodie chatoyante présente un tableau sévère mais enjoué de la France des premières années du siècle de Louis XV. Elle résonne avec les pages les plus critiques de Jean-Jacques Rousseau contre le luxe et la mollesse du siècle, ou celles, ironiques, que Voltaire fit paraître contre ses compatriotes. Elle n’épargne pas non plus les Anglais, alors que l’anglomanie bat son plein. Ce volume constitue la première édition critique bilingue d’un texte qui a fait en son temps beaucoup de bruit, tant en France qu’en Angleterre. La Découverte de l’île Frivole (1751) is presented as a supplement to George Anson’s Voyage Round the World, and recounts the adventures of the English admiral and his crew on a strange island whose inhabitants, the Frivolians, are devoted to fashion, hairstyles, novels, and fancy desserts. This tale is at once both playful and cynical and its biting irony spares neither the reputation of France nor that of England. It resonates with the most critical attacks by Jean-Jacques Rousseau against luxury and refinement, or those of Voltaire against his compatriots. This volume provides the first bilingual critical edition of a text that, in its time, caused a stir both in France and in England.
Author: Henry Vignaud
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Get Book Here
Book Description
Author: Great Britain. Parliament. House of Commons
Publisher:
ISBN:
Category :
Languages : en
Pages : 682
Get Book Here
Book Description
Author: Royal Society of Canada
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 1078
Get Book Here
Book Description
Author: J. Cazeaux
Publisher: BRILL
ISBN: 9004331980
Category : Religion
Languages : en
Pages : 636
Get Book Here
Book Description
Author: George McCall Theal
Publisher:
ISBN:
Category : Africa, Southern
Languages : en
Pages : 544
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Wool
Languages : en
Pages : 1132
Get Book Here
Book Description
Author: Scott Davidson
Publisher: Bloomsbury Publishing
ISBN: 1441156682
Category : Religion
Languages : en
Pages : 369
Get Book Here
Book Description
This multidisciplinary investigation facilitates a new conversation between Ricoeur scholars and those working in a variety of domains. While a number of books and anthologies on Ricoeur's thought have been published over the past decade, "Ricoeur Across the Disciplines" is unique in its multidisciplinary scope. The books currently on the market are typically one of either two kinds: either they provide a general overview of Ricoeur's thought or they focus on a narrow set of themes within a specific discipline (cf. list of competing titles). While other books may allude to the multidisciplinary potential for Ricoeur's thought, this book is the first to carry out a truly multidisciplinary investigation of Ricoeur's thought. The aim of this multidisciplinary investigation is not only to draw out the nuances of Ricoeur's thought but also to facilitate a new conversation between Ricoeur scholars and those working in a variety of domains.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 626
Get Book Here
Book Description
Author: Bernard Lahire
Publisher: John Wiley & Sons
ISBN: 1509528717
Category : Art
Languages : en
Pages : 546
Get Book Here
Book Description
In 2008, the Musée des Beaux-Arts de Lyon acquired a painting called The Flight into Egypt which was attributed to the French artist Nicolas Poussin. Thought to have been painted in 1657, the painting had gone missing for more than three centuries. Several versions were rediscovered in the 1980s and one was passed from hand to hand, from a family who had no idea of its value to gallery owners and eventually to the museum. A painting that had been sold as a decorative object in 1986 for around 12,000 euros was acquired two decades later by the Musée des Beaux-Arts de Lyon for 17 million euros. What does this remarkable story tell us about the nature of art and the way that it is valued? How is it that what seemed to be just an ordinary canvas could be transformed into a masterpiece, that a decorative object could become a national treasure? This is a story permeated by social magic the social alchemy that transforms lead into gold, the ordinary into the extraordinary, the profane into the sacred. Focusing on this extraordinary case, Bernard Lahire lays bare the beliefs and social processes that underpin the creation of a masterpiece. Like a detective piecing together the clues in an unsolved mystery he carefully reconstructs the steps that led from the same material object being treated as a copy of insignificant value to being endowed with the status of a highly-prized painting commanding a record-breaking price. He thereby shows that a painting is never just a painting, and is always more than a piece of stretched canvass to which brush strokes of paint have been applied: this object, and the value we attach to it, is also the product of a complex array of social processes – with its distinctive institutions and experts – that lies behind it. And through the history of this painting, Lahire uncovers some of the fundamental structures of our social world. For the social magic that can transform a painting from a simple copy into a masterpiece is similar to the social magic that is present throughout our societies, in economics and politics as much as art and religion, a magic that results from the spell cast by power on those who tacitly recognize its authority. By following the trail of a single work of art, Lahire interrogates the foundations on which our perceptions of value and our belief in institutions rest and exposes the forms of domination which lie hidden behind our admiration of works of art.
