Author: Heather Bamford
Publisher: University of Toronto Press
ISBN: 1487515278
Category : History
Languages : en
Pages : 273
Book Description
The majority of medieval and sixteenth-century Iberian manuscripts, whether in Latin, Hebrew, Arabic, Spanish, or Aljamiado (Spanish written in Arabic script), contain fragments or are fragments. The term fragment is used to describe not only isolated bits of manuscript material with a damaged appearance, but also any piece of a larger text that was intended to be a fragment. Investigating the vital role these fragments played in medieval and early modern Iberian manuscript culture, Heather Bamford’s Cultures of the Fragment is focused on fragments from five major Iberian literary traditions, including Hispano-Arabic and Hispano-Hebrew poetry, Latin and Castilian epics, chivalric romances, and the literature of early modern crypto-Muslims. The author argues that while some manuscript fragments came about by accident, many were actually created on purpose and used in a number of ways, from binding materials, to anthology excerpts, and some fragments were even incorporated into sacred objects as messages of good luck. Examining four main motifs of fragmentation, including intention, physical appearance, metonymy, and performance, this work reveals the centrality of the fragment to manuscript studies, highlighting the significance of the fragment to Iberia’s multicultural and multilingual manuscript culture.
Cultures of the Fragment
Author: Heather Bamford
Publisher: University of Toronto Press
ISBN: 1487515278
Category : History
Languages : en
Pages : 273
Book Description
The majority of medieval and sixteenth-century Iberian manuscripts, whether in Latin, Hebrew, Arabic, Spanish, or Aljamiado (Spanish written in Arabic script), contain fragments or are fragments. The term fragment is used to describe not only isolated bits of manuscript material with a damaged appearance, but also any piece of a larger text that was intended to be a fragment. Investigating the vital role these fragments played in medieval and early modern Iberian manuscript culture, Heather Bamford’s Cultures of the Fragment is focused on fragments from five major Iberian literary traditions, including Hispano-Arabic and Hispano-Hebrew poetry, Latin and Castilian epics, chivalric romances, and the literature of early modern crypto-Muslims. The author argues that while some manuscript fragments came about by accident, many were actually created on purpose and used in a number of ways, from binding materials, to anthology excerpts, and some fragments were even incorporated into sacred objects as messages of good luck. Examining four main motifs of fragmentation, including intention, physical appearance, metonymy, and performance, this work reveals the centrality of the fragment to manuscript studies, highlighting the significance of the fragment to Iberia’s multicultural and multilingual manuscript culture.
Publisher: University of Toronto Press
ISBN: 1487515278
Category : History
Languages : en
Pages : 273
Book Description
The majority of medieval and sixteenth-century Iberian manuscripts, whether in Latin, Hebrew, Arabic, Spanish, or Aljamiado (Spanish written in Arabic script), contain fragments or are fragments. The term fragment is used to describe not only isolated bits of manuscript material with a damaged appearance, but also any piece of a larger text that was intended to be a fragment. Investigating the vital role these fragments played in medieval and early modern Iberian manuscript culture, Heather Bamford’s Cultures of the Fragment is focused on fragments from five major Iberian literary traditions, including Hispano-Arabic and Hispano-Hebrew poetry, Latin and Castilian epics, chivalric romances, and the literature of early modern crypto-Muslims. The author argues that while some manuscript fragments came about by accident, many were actually created on purpose and used in a number of ways, from binding materials, to anthology excerpts, and some fragments were even incorporated into sacred objects as messages of good luck. Examining four main motifs of fragmentation, including intention, physical appearance, metonymy, and performance, this work reveals the centrality of the fragment to manuscript studies, highlighting the significance of the fragment to Iberia’s multicultural and multilingual manuscript culture.
La Corónica
Author:
Publisher:
ISBN:
Category : Spanish language
Languages : en
Pages : 948
Book Description
"Spanish medieval language and literature newsletter." (varies).
Publisher:
ISBN:
Category : Spanish language
Languages : en
Pages : 948
Book Description
"Spanish medieval language and literature newsletter." (varies).
Framing Iberia
Author: David Wacks
Publisher: BRILL
ISBN: 904741974X
Category : History
Languages : en
Pages : 294
Book Description
Framing Iberia is a study of medieval Iberian culture observed through the lens of the frametale, a type of story collection cultivated by medieval Iberian authors in several languages. Its best known examples outside of Iberia are Chaucer’s Canterbury Tales, Boccaccio’s Decameron, and the Thousand and One Nights. In Framing Iberia the author relocates the Castilian classics El Conde Lucanor and El Libro de buen amor within a literary tradition that includes works in Arabic, Hebrew, Latin, and Romance. In doing so, he draws on current critical theory and cultural studies in reevaluating how the multicultural society of medieval Iberia is reflected in its narrative literature. Winner of the 2009 La corónica International Book Award for scholarship in Medieval Hispanic Languages, Literatures, and Cultures. Also available in paperback ISBN 978 9004 20589 5
Publisher: BRILL
ISBN: 904741974X
Category : History
Languages : en
Pages : 294
Book Description
Framing Iberia is a study of medieval Iberian culture observed through the lens of the frametale, a type of story collection cultivated by medieval Iberian authors in several languages. Its best known examples outside of Iberia are Chaucer’s Canterbury Tales, Boccaccio’s Decameron, and the Thousand and One Nights. In Framing Iberia the author relocates the Castilian classics El Conde Lucanor and El Libro de buen amor within a literary tradition that includes works in Arabic, Hebrew, Latin, and Romance. In doing so, he draws on current critical theory and cultural studies in reevaluating how the multicultural society of medieval Iberia is reflected in its narrative literature. Winner of the 2009 La corónica International Book Award for scholarship in Medieval Hispanic Languages, Literatures, and Cultures. Also available in paperback ISBN 978 9004 20589 5
Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 958
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 958
Book Description
Queer Iberia
Author: Josiah Blackmore
Publisher: Duke University Press
ISBN: 0822382172
Category : Social Science
Languages : en
Pages : 489
Book Description
Martyred saints, Moors, Jews, viragoes, hermaphrodites, sodomites, kings, queens, and cross-dressers comprise the fascinating mosaic of historical and imaginative figures unearthed in Queer Iberia. The essays in this volume describe and analyze the sexual diversity that proliferated during the period between the tenth and the sixteenth centuries when political hegemony in the region passed from Muslim to Christian hands. To show how sexual otherness is most evident at points of cultural conflict, the contributors use a variety of methodologies and perspectives and consider source materials that originated in Castilian, Latin, Arabic, Catalan, and Galician-Portuguese. Covering topics from the martydom of Pelagius to the exploits of the transgendered Catalina de Erauso, this volume is the first to provide a comprehensive historical examination of the relations among race, gender, sexuality, nation-building, colonialism, and imperial expansion in medieval and early modern Iberia. Some essays consider archival evidence of sexual otherness or evaluate the use of “deviance” as a marker for cultural and racial difference, while others explore both male and female homoeroticism as literary-aesthetic discourse or attempt to open up canonical texts to alternative readings. Positing a queerness intrinsic to Iberia’s historical process and cultural identity, Queer Iberia will challenge the field of Iberian studies while appealing to scholars of medieval, cultural, Hispanic, gender, and gay and lesbian studies. Contributors. Josiah Blackmore, Linde M. Brocato, Catherine Brown, Israel Burshatin, Daniel Eisenberg, E. Michael Gerli, Roberto J. González-Casanovas, Gregory S. Hutcheson, Mark D. Jordan, Sara Lipton, Benjamin Liu, Mary Elizabeth Perry, Michael Solomon, Louise O. Vasvári, Barbara Weissberger
Publisher: Duke University Press
ISBN: 0822382172
Category : Social Science
Languages : en
Pages : 489
Book Description
Martyred saints, Moors, Jews, viragoes, hermaphrodites, sodomites, kings, queens, and cross-dressers comprise the fascinating mosaic of historical and imaginative figures unearthed in Queer Iberia. The essays in this volume describe and analyze the sexual diversity that proliferated during the period between the tenth and the sixteenth centuries when political hegemony in the region passed from Muslim to Christian hands. To show how sexual otherness is most evident at points of cultural conflict, the contributors use a variety of methodologies and perspectives and consider source materials that originated in Castilian, Latin, Arabic, Catalan, and Galician-Portuguese. Covering topics from the martydom of Pelagius to the exploits of the transgendered Catalina de Erauso, this volume is the first to provide a comprehensive historical examination of the relations among race, gender, sexuality, nation-building, colonialism, and imperial expansion in medieval and early modern Iberia. Some essays consider archival evidence of sexual otherness or evaluate the use of “deviance” as a marker for cultural and racial difference, while others explore both male and female homoeroticism as literary-aesthetic discourse or attempt to open up canonical texts to alternative readings. Positing a queerness intrinsic to Iberia’s historical process and cultural identity, Queer Iberia will challenge the field of Iberian studies while appealing to scholars of medieval, cultural, Hispanic, gender, and gay and lesbian studies. Contributors. Josiah Blackmore, Linde M. Brocato, Catherine Brown, Israel Burshatin, Daniel Eisenberg, E. Michael Gerli, Roberto J. González-Casanovas, Gregory S. Hutcheson, Mark D. Jordan, Sara Lipton, Benjamin Liu, Mary Elizabeth Perry, Michael Solomon, Louise O. Vasvári, Barbara Weissberger
Portrait of Lozana
Author: Francisco Delicado
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
A Catalogue of Books
Author: Henry George Bohn
Publisher: New York : AMS Press
ISBN:
Category : Bibliography Universal catalogs
Languages : en
Pages : 1134
Book Description
Publisher: New York : AMS Press
ISBN:
Category : Bibliography Universal catalogs
Languages : en
Pages : 1134
Book Description
Folk Literature of the Sephardic Jews, Vol. III
Author: Samuel G. Armistead
Publisher: Univ of California Press
ISBN: 0520322606
Category : Literary Criticism
Languages : en
Pages : 438
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Publisher: Univ of California Press
ISBN: 0520322606
Category : Literary Criticism
Languages : en
Pages : 438
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
A General Catalogue of Books, Etc
Author: Bernard Quaritch
Publisher:
ISBN:
Category :
Languages : en
Pages : 526
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 526
Book Description
The Saint and the Chopped-Up Baby
Author: Laura Ackerman Smoller
Publisher: Cornell University Press
ISBN: 0801470978
Category : History
Languages : en
Pages : 365
Book Description
Vincent Ferrer (1350–1419), a celebrated Dominican preacher from Valencia, was revered as a living saint during his lifetime, receiving papal canonization within fifty years of his death. In The Saint and the Chopped-Up Baby, Laura Ackerman Smoller recounts the fascinating story of how Vincent became the subject of widespread devotion, ranging from the saint's tomb in Brittany to cult centers in Spain, Italy, France, Germany, and Latin America, where Vincent is still venerated today. Along the way, Smoller traces the long and sometimes contentious process of establishing a stable image of a new saint. Vincent came to be epitomized by a singularly arresting miracle tale in which a mother kills, chops up, and cooks her own baby, only to have the child restored to life by the saint’s intercession. This miracle became a key emblem in the official portrayal of the saint promoted by the papal court and the Dominican order, still haunted by the memory of the Great Schism (1378–1414) that had rent the Catholic Church for nearly forty years. Vincent, however, proved to be a potent religious symbol for others whose agendas did not necessarily align with those of Rome. Whether shoring up the political legitimacy of Breton or Aragonese rulers, proclaiming a new plague saint, or trumpeting their own holiness, individuals imposed their own meanings on the Dominican saint. Drawing on nuanced readings of canonization inquests, hagiography, liturgical sources, art, and devotional materials, Smoller tracks these various appropriations from the time of Vincent’s 1455 canonization through the eve of the Enlightenment. In the process, she brings to life a long, raucous discussion ranging over many centuries. The Saint and the Chopped-Up Baby restores the voices of that conversation in all its complexity.
Publisher: Cornell University Press
ISBN: 0801470978
Category : History
Languages : en
Pages : 365
Book Description
Vincent Ferrer (1350–1419), a celebrated Dominican preacher from Valencia, was revered as a living saint during his lifetime, receiving papal canonization within fifty years of his death. In The Saint and the Chopped-Up Baby, Laura Ackerman Smoller recounts the fascinating story of how Vincent became the subject of widespread devotion, ranging from the saint's tomb in Brittany to cult centers in Spain, Italy, France, Germany, and Latin America, where Vincent is still venerated today. Along the way, Smoller traces the long and sometimes contentious process of establishing a stable image of a new saint. Vincent came to be epitomized by a singularly arresting miracle tale in which a mother kills, chops up, and cooks her own baby, only to have the child restored to life by the saint’s intercession. This miracle became a key emblem in the official portrayal of the saint promoted by the papal court and the Dominican order, still haunted by the memory of the Great Schism (1378–1414) that had rent the Catholic Church for nearly forty years. Vincent, however, proved to be a potent religious symbol for others whose agendas did not necessarily align with those of Rome. Whether shoring up the political legitimacy of Breton or Aragonese rulers, proclaiming a new plague saint, or trumpeting their own holiness, individuals imposed their own meanings on the Dominican saint. Drawing on nuanced readings of canonization inquests, hagiography, liturgical sources, art, and devotional materials, Smoller tracks these various appropriations from the time of Vincent’s 1455 canonization through the eve of the Enlightenment. In the process, she brings to life a long, raucous discussion ranging over many centuries. The Saint and the Chopped-Up Baby restores the voices of that conversation in all its complexity.