Author: Sagrario Berti
Publisher:
ISBN: 9789807780568
Category : Illustration of books
Languages : en
Pages : 560
Book Description
Printed Photography in Venezuela provides a comprehensive inventory of photographically illustrated books published in Venezuela from 1945 to 2017. The research attempts to trace the history of the illustrated book with photographs examining the relationship between photography, literature, graphic design and editing; that is the coexistence of these disciplines in books. The book is structured according to thematic continuities, temporal synchronicities and similar editorial purposes, and has been organized in two sections. In the first one it examines books financed by the State and by oil companies. The threads of the printed works published since the 1950s, clearly reflect the government of the president in office and represent an idea of a "prosperous" nation, as happens with El Farol magazine, sponsored by Creole Petroleum Corporation. Those publications in the democratic period (1958) represent "social welfare" and describe the contradictions of progress and modernity in Caracas; while those printed during the last three five-year periods disseminate and extol national identities related to the Socialist Revolution. In this section the main thematic axes of the editorial production format the proposals adjusted to the model of the coffee table book. From the coffee table book, it traces the social life of illustrated books with photography, their cultural trajectory and resocialization in different contexts. To outline this itinerary, we have described its morphology, uses and functions, considering the institution or editors that printed them and for what purpose. When dealing with corporate gifts (non-venal editions), we examine in its value regime as a symbolic object, as well as in the re-stylization of contents through shapes or graphic elements. Coffee table books are transportable cultural objects, which not only cross territories as souvenirs, but also occupy domestic spaces and are intended for second-hand trade or for collecting. Also, in this first section, the book explores the local-national documentary photographic tendency present in books about nature, fauna, indigenous communities or the lives of inhabitants of rural areas. In the second part of the book are interpreted the authorial discourses whose contents and formulations are associated with Luis Camnitzer's ideas on Latin American conceptualism, in the sense that they are illustrated books whose "aesthetic expresses a concern for reality, rather than for abstraction". Prints, pamphlets or books where politics is used as a theme to create artistic forms. Thus, for example, it can be seen that some of these printed devices -those edited by the El Techo de la Ballena (1961-1969) collective, for instance- are conceptualist resources used by some authors to agitate and occasionally denounce the socio-political and cultural contradictions of the country in the 60's. On the other hand, it analyzes the discursive continuities authors-photographers who register or explore reality in an analytical way, ordering it by means of sequences or systematizing it in autonomous art forms, in catalogs, for instance. In the selected books, the photography dialogues with other narrative resources: graphic design and literature configuring pre-existing texts, usually poetic and, in some cases, representing political issues or social themes. Occasionally, photography is used to certify statistics for their indicial quality, to evoke past or restilize realities through graphic design medium: different types of paper, typographic fonts or printing techniques. In summary: this publication seeks to clarify the directionality of meaning proposed in illustrated books with photography, coffee table books, magazines, brochures, catalogues, posters and photobooks. With this purpose, the book explores subjects through of political, social, artistic ideologies, and also ideas of nation embodied in the corporate or authorial initiatives that shaped them. Printed Photography in Venezuela presents in short, a transversal and multiple reading that points to the assessment of the work as a whole and to make visible and make the book tangible.
La conservación de archivos fotográficos (no cat).
Author:
Publisher:
ISBN: 9788468896663
Category :
Languages : es
Pages :
Book Description
Publisher:
ISBN: 9788468896663
Category :
Languages : es
Pages :
Book Description
Manual de diagnóstico de conservación en archivos fotográficos
Author: Guilherme Fracornel
Publisher:
ISBN:
Category : Photographs
Languages : es
Pages : 110
Book Description
Publisher:
ISBN:
Category : Photographs
Languages : es
Pages : 110
Book Description
La conservación de archivos fotográficos, los negativos de acetato
Author: Manuel Carrero de Dios
Publisher:
ISBN:
Category :
Languages : es
Pages : 9
Book Description
Publisher:
ISBN:
Category :
Languages : es
Pages : 9
Book Description
Manual para el uso de archivos fotográficos
Author:
Publisher:
ISBN: 9788492324002
Category : Photographs
Languages : es
Pages : 143
Book Description
Publisher:
ISBN: 9788492324002
Category : Photographs
Languages : es
Pages : 143
Book Description
La conservación preventiva aplicada en el Archivo Fotográfico Cabré
Author: Concha Casado
Publisher:
ISBN: 9788460761457
Category :
Languages : es
Pages : 0
Book Description
Publisher:
ISBN: 9788460761457
Category :
Languages : es
Pages : 0
Book Description
Fotografía impresa en Venezuela
Author: Sagrario Berti
Publisher:
ISBN: 9789807780568
Category : Illustration of books
Languages : en
Pages : 560
Book Description
Printed Photography in Venezuela provides a comprehensive inventory of photographically illustrated books published in Venezuela from 1945 to 2017. The research attempts to trace the history of the illustrated book with photographs examining the relationship between photography, literature, graphic design and editing; that is the coexistence of these disciplines in books. The book is structured according to thematic continuities, temporal synchronicities and similar editorial purposes, and has been organized in two sections. In the first one it examines books financed by the State and by oil companies. The threads of the printed works published since the 1950s, clearly reflect the government of the president in office and represent an idea of a "prosperous" nation, as happens with El Farol magazine, sponsored by Creole Petroleum Corporation. Those publications in the democratic period (1958) represent "social welfare" and describe the contradictions of progress and modernity in Caracas; while those printed during the last three five-year periods disseminate and extol national identities related to the Socialist Revolution. In this section the main thematic axes of the editorial production format the proposals adjusted to the model of the coffee table book. From the coffee table book, it traces the social life of illustrated books with photography, their cultural trajectory and resocialization in different contexts. To outline this itinerary, we have described its morphology, uses and functions, considering the institution or editors that printed them and for what purpose. When dealing with corporate gifts (non-venal editions), we examine in its value regime as a symbolic object, as well as in the re-stylization of contents through shapes or graphic elements. Coffee table books are transportable cultural objects, which not only cross territories as souvenirs, but also occupy domestic spaces and are intended for second-hand trade or for collecting. Also, in this first section, the book explores the local-national documentary photographic tendency present in books about nature, fauna, indigenous communities or the lives of inhabitants of rural areas. In the second part of the book are interpreted the authorial discourses whose contents and formulations are associated with Luis Camnitzer's ideas on Latin American conceptualism, in the sense that they are illustrated books whose "aesthetic expresses a concern for reality, rather than for abstraction". Prints, pamphlets or books where politics is used as a theme to create artistic forms. Thus, for example, it can be seen that some of these printed devices -those edited by the El Techo de la Ballena (1961-1969) collective, for instance- are conceptualist resources used by some authors to agitate and occasionally denounce the socio-political and cultural contradictions of the country in the 60's. On the other hand, it analyzes the discursive continuities authors-photographers who register or explore reality in an analytical way, ordering it by means of sequences or systematizing it in autonomous art forms, in catalogs, for instance. In the selected books, the photography dialogues with other narrative resources: graphic design and literature configuring pre-existing texts, usually poetic and, in some cases, representing political issues or social themes. Occasionally, photography is used to certify statistics for their indicial quality, to evoke past or restilize realities through graphic design medium: different types of paper, typographic fonts or printing techniques. In summary: this publication seeks to clarify the directionality of meaning proposed in illustrated books with photography, coffee table books, magazines, brochures, catalogues, posters and photobooks. With this purpose, the book explores subjects through of political, social, artistic ideologies, and also ideas of nation embodied in the corporate or authorial initiatives that shaped them. Printed Photography in Venezuela presents in short, a transversal and multiple reading that points to the assessment of the work as a whole and to make visible and make the book tangible.
Publisher:
ISBN: 9789807780568
Category : Illustration of books
Languages : en
Pages : 560
Book Description
Printed Photography in Venezuela provides a comprehensive inventory of photographically illustrated books published in Venezuela from 1945 to 2017. The research attempts to trace the history of the illustrated book with photographs examining the relationship between photography, literature, graphic design and editing; that is the coexistence of these disciplines in books. The book is structured according to thematic continuities, temporal synchronicities and similar editorial purposes, and has been organized in two sections. In the first one it examines books financed by the State and by oil companies. The threads of the printed works published since the 1950s, clearly reflect the government of the president in office and represent an idea of a "prosperous" nation, as happens with El Farol magazine, sponsored by Creole Petroleum Corporation. Those publications in the democratic period (1958) represent "social welfare" and describe the contradictions of progress and modernity in Caracas; while those printed during the last three five-year periods disseminate and extol national identities related to the Socialist Revolution. In this section the main thematic axes of the editorial production format the proposals adjusted to the model of the coffee table book. From the coffee table book, it traces the social life of illustrated books with photography, their cultural trajectory and resocialization in different contexts. To outline this itinerary, we have described its morphology, uses and functions, considering the institution or editors that printed them and for what purpose. When dealing with corporate gifts (non-venal editions), we examine in its value regime as a symbolic object, as well as in the re-stylization of contents through shapes or graphic elements. Coffee table books are transportable cultural objects, which not only cross territories as souvenirs, but also occupy domestic spaces and are intended for second-hand trade or for collecting. Also, in this first section, the book explores the local-national documentary photographic tendency present in books about nature, fauna, indigenous communities or the lives of inhabitants of rural areas. In the second part of the book are interpreted the authorial discourses whose contents and formulations are associated with Luis Camnitzer's ideas on Latin American conceptualism, in the sense that they are illustrated books whose "aesthetic expresses a concern for reality, rather than for abstraction". Prints, pamphlets or books where politics is used as a theme to create artistic forms. Thus, for example, it can be seen that some of these printed devices -those edited by the El Techo de la Ballena (1961-1969) collective, for instance- are conceptualist resources used by some authors to agitate and occasionally denounce the socio-political and cultural contradictions of the country in the 60's. On the other hand, it analyzes the discursive continuities authors-photographers who register or explore reality in an analytical way, ordering it by means of sequences or systematizing it in autonomous art forms, in catalogs, for instance. In the selected books, the photography dialogues with other narrative resources: graphic design and literature configuring pre-existing texts, usually poetic and, in some cases, representing political issues or social themes. Occasionally, photography is used to certify statistics for their indicial quality, to evoke past or restilize realities through graphic design medium: different types of paper, typographic fonts or printing techniques. In summary: this publication seeks to clarify the directionality of meaning proposed in illustrated books with photography, coffee table books, magazines, brochures, catalogues, posters and photobooks. With this purpose, the book explores subjects through of political, social, artistic ideologies, and also ideas of nation embodied in the corporate or authorial initiatives that shaped them. Printed Photography in Venezuela presents in short, a transversal and multiple reading that points to the assessment of the work as a whole and to make visible and make the book tangible.
Ayni denizin uçlarinda
Author: Mercedes Serrano Marqués
Publisher: T.F. Editores, S.L.C.
ISBN:
Category : Art
Languages : es
Pages : 228
Book Description
Showcasing the photography form the 2009 exhibition, Within the confines of one same Sea: the palaces of the Alhambra and Topkapi in the Photography of the Journeys to the Orient'.
Publisher: T.F. Editores, S.L.C.
ISBN:
Category : Art
Languages : es
Pages : 228
Book Description
Showcasing the photography form the 2009 exhibition, Within the confines of one same Sea: the palaces of the Alhambra and Topkapi in the Photography of the Journeys to the Orient'.
Heritage and Rights of Indigenous Peoples
Author: Manuel May Castillo
Publisher:
ISBN: 9789087282998
Category : Cultural property
Languages : en
Pages : 0
Book Description
In 2007, the United Nations adopted the UN Declaration on the Rights of Indigenous People, a landmark political recognition of indigenous rights. A decade later, this book looks at the status of those rights internationally. Written jointly by indigenous and non-indigenous scholars, the chapters feature case studies from four continents that explore the issues faced by Indigenous Peoples through three themes: land, spirituality, and self-determination.
Publisher:
ISBN: 9789087282998
Category : Cultural property
Languages : en
Pages : 0
Book Description
In 2007, the United Nations adopted the UN Declaration on the Rights of Indigenous People, a landmark political recognition of indigenous rights. A decade later, this book looks at the status of those rights internationally. Written jointly by indigenous and non-indigenous scholars, the chapters feature case studies from four continents that explore the issues faced by Indigenous Peoples through three themes: land, spirituality, and self-determination.
Chinati
Author: Marianne Stockebrand
Publisher:
ISBN: 9780300251456
Category : Art
Languages : en
Pages : 0
Book Description
A beautiful book on the famed Chinati Foundation in Marfa, Texas The Chinati Foundation, a world-famous destination for large-scale contemporary art, was founded by Donald Judd (1928-1994) to preserve and present a select number of permanent installations that were inextricably linked to the surrounding landscape in Marfa, Texas. This handsome publication, first published in 2010 and now available with a new chapter devoted to the permanent installation by Robert Irwin that was inaugurated in 2016 and a new foreword by Jenny Moore, director of the Chinati Foundation, describes how Judd developed his ideas of the role of art and museums from the early 1960s onward, culminating in the creation of Chinati. The individual installations featured here include work by John Chamberlain, Dan Flavin, David Rabinowitch, Roni Horn, Ilya Kabakov, Richard Long, Ingólfur Arnarsson, Carl Andre, Claes Oldenburg and Coosje Van Bruggen, and John Wesley, as well as by Judd himself. The book also features a complete catalogue of the collection and writings by Judd relating to Chinati and Marfa. Published in association with the Chinati Foundation/La Fundación Chinati
Publisher:
ISBN: 9780300251456
Category : Art
Languages : en
Pages : 0
Book Description
A beautiful book on the famed Chinati Foundation in Marfa, Texas The Chinati Foundation, a world-famous destination for large-scale contemporary art, was founded by Donald Judd (1928-1994) to preserve and present a select number of permanent installations that were inextricably linked to the surrounding landscape in Marfa, Texas. This handsome publication, first published in 2010 and now available with a new chapter devoted to the permanent installation by Robert Irwin that was inaugurated in 2016 and a new foreword by Jenny Moore, director of the Chinati Foundation, describes how Judd developed his ideas of the role of art and museums from the early 1960s onward, culminating in the creation of Chinati. The individual installations featured here include work by John Chamberlain, Dan Flavin, David Rabinowitch, Roni Horn, Ilya Kabakov, Richard Long, Ingólfur Arnarsson, Carl Andre, Claes Oldenburg and Coosje Van Bruggen, and John Wesley, as well as by Judd himself. The book also features a complete catalogue of the collection and writings by Judd relating to Chinati and Marfa. Published in association with the Chinati Foundation/La Fundación Chinati
A Field Guide to the Mammals of Ecuador
Author: Diego G. Tirira
Publisher:
ISBN: 9789942286741
Category : Mammals
Languages : en
Pages : 600
Book Description
Publisher:
ISBN: 9789942286741
Category : Mammals
Languages : en
Pages : 600
Book Description