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Author: Vanna Vinci
Publisher: Europe Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 90
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Book Description
This is the tale of Luisa Casati Amman, otherwise known as 'The Marchesa', an Italian heiress whose life ambition was to transform herself into a living, breathing work of art. She was obsessed with beauty and extravagance, and devoted her entire family fortune to purchasing the means to astonish her contemporaries with her daredevil style. But her originality extended to more than just the adornment of her own person; she embellished her whole life with a succession of fantastical parties, large houses, ostentatious pets and outrageous public appearances. But, as ever, such exorbitance can hardly last forever... This intriguing biography traces the rise and fall of one of the 20th century's most fascinating personalities.
Author: Vanna Vinci
Publisher: Europe Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 90
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Book Description
This is the tale of Luisa Casati Amman, otherwise known as 'The Marchesa', an Italian heiress whose life ambition was to transform herself into a living, breathing work of art. She was obsessed with beauty and extravagance, and devoted her entire family fortune to purchasing the means to astonish her contemporaries with her daredevil style. But her originality extended to more than just the adornment of her own person; she embellished her whole life with a succession of fantastical parties, large houses, ostentatious pets and outrageous public appearances. But, as ever, such exorbitance can hardly last forever... This intriguing biography traces the rise and fall of one of the 20th century's most fascinating personalities.
Author: Chris Mounsey
Publisher: Routledge
ISBN: 1000734706
Category : History
Languages : en
Pages : 249
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Book Description
Bodies of Information initiates the Routledge Advances in the History of Bioethics series by encompassing interdisciplinary Bioethical discussions on a wide range of descriptions of bodies in relation to their contexts from varying perspectives: including literary analysis, sociology, criminology, anthropology, osteology and cultural studies, to read a variety of types of artefacts, from the Romano-British period to Hip Hop. Van Rensselaer Potter coined the phrase Global Bioethics to define human relationships with their contexts. This and subsequent volumes return to Potter’s founding vision from historical perspectives, and asks, how did we get here from then?
Author: Roberto Casati
Publisher: Columbia University Press
ISBN: 0231137230
Category : Fiction
Languages : en
Pages : 142
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Book Description
Why do mirrors seem to invert left and right but not up and down? How do we know whether strawberries taste the same for everyone? Where is it written that we must observe the law, and if it is not written, why should we observe it? What if we could swap brains-or the rest of our bodies? Insurmountable Simplicities is filled with captivating and inventive stories, dialogues, and epistolary exchanges that illuminate the many philosophical conundrums of everyday life. Clear, concise, and intellectually engaging, this internationally acclaimed book covers a range of themes, such as personal identity, causality and responsibility, fortune, the nature of things, the paradoxes of time and space, and the interplay between logic and language, and brilliantly demonstrates that the beauty of philosophy resides in its engagement with the simplicities of the world, insurmountable as they might initially appear.
Author: Roberto Casati
Publisher: Vintage
ISBN: 0375707115
Category : History
Languages : en
Pages : 242
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Book Description
In this original, wide-ranging, and endlessly thought-provoking work of popular nonfiction, a leading science writer uncovers the pervasive presence of shadows in our world. For Plato, shadows were the symbol of our limitations. For Galileo, they knocked the Earth from the center of the cosmos. They are a source of fear and a symbol of ignorance, and they loom large in art and design, mythology and folklore, physics and metaphysics, and architecture and urban planning. From shadows puppets and the psychology of shadows to the role of shadows in astronomy and the influence of shadows on the architectural profiles of our cities, Roberto Casati awakens our fascination in this tour-de-force of investigation and imagination.
Author: Maurizio Ferraris
Publisher: Fordham Univ Press
ISBN: 0823256189
Category : Philosophy
Languages : en
Pages : 211
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Book Description
This book sheds light on the most philosophically interesting of contemporary objects: the cell phone. “Where are you?”—a question asked over cell phones myriad times each day—is arguably the most philosophical question of our age, given the transformation of presence the cell phone has wrought in contemporary social life and public space. Throughout all public spaces, cell phones are now a ubiquitous prosthesis of what Descartes and Hegel once considered the absolute tool: the hand. Their power comes in part from their ability to move about with us—they are like a computer, but we can carry them with us at all times—in part from what they attach to us (and how), as all that computational and connective power becomes both handy and hand-sized. Quite surprisingly, despite their name, one might argue, as Ferraris does, that cell phones are not really all that good for sound and speaking. Instead, the main philosophical point of this book is that mobile phones have come into their own as writing machines—they function best for text messages, e-mail, and archives of all kinds. Their philosophical urgency lies in the manner in which they carry us from the effects of voice over into reliance upon the written traces that are, Ferraris argues, the basic stuff of human culture. Ontology is the study of what there is, and what there is in our age is a huge network of documents, papers, and texts of all kinds. Social reality is not constructed by collective intentionality; rather, it is made up of inscribed acts. As Derrida already prophesized, our world revolves around writing. Cell phones have attached writing to our fingers and dragged it into public spaces in a new way. This is why, with their power to obliterate or morph presence and replace voice with writing, the cell phone is such a philosophically interesting object.
Author: Pierre Apraxine
Publisher: Yale University Press
ISBN: 9780300085099
Category : Art
Languages : en
Pages : 200
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Book Description
Issued in conjuction with the exhibition of the same title held at the Metropolitan Museum of Art, New York, 18 Sept. - 31 Dec. 2000.
Author: Diana Moore
Publisher: Springer Nature
ISBN: 3030755452
Category : History
Languages : en
Pages : 282
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Book Description
"This book examines how a group of transnational British-Italian women affiliated with the exiled patriots of the Italian Left repurposed traditionally feminine activities, such as fundraising, gift-giving, maternity, and memory collection, to make a substantial contribution to Italian Unification and state-building. Through their actions, Mary Chambers, Sara Nathan, Giorgina Saffi, Julia Salis Schwabe, and Jessie White Mario transcended the boundaries of acceptable behavior for middle-class women and participated in the broader female emancipation movement. By drawing attention to their activities, this book reveals how nineteenth-century female activists achieved their most revolutionary goals by using conservative, domestic, or anti-Catholic language. Adding to the growing understanding of the Italian Risorgimento as a transnational phenomenon, it also shows how non-Catholic and non-Italian women participated in the creation and development of the Italian state. Finally, the book argues for the continuing importance of religion in both politics and philanthropy throughout the nineteenth century."
Author: Per Faxneld
Publisher: Oxford University Press
ISBN: 0190664487
Category : Religion
Languages : en
Pages : 577
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Book Description
According to the Bible, Eve was the first to heed Satan's advice to eat the forbidden fruit and thus responsible for all of humanity's subsequent miseries. The notion of woman as the Devil's accomplice is prominent throughout Christian history and has been used to legitimize the subordination of wives and daughters. In the nineteenth century, rebellious females performed counter-readings of this misogynist tradition. Lucifer was reconceptualized as a feminist liberator of womankind, and Eve became a heroine. In these reimaginings, Satan is an ally in the struggle against a tyrannical patriarchy supported by God the Father and his male priests. Per Faxneld shows how this Satanic feminism was expressed in a wide variety of nineteenth-century literary texts, autobiographies, pamphlets, newspaper articles, paintings, sculptures, and even artifacts of consumer culture like jewelry. He details how colorful figures like the suffragette Elizabeth Cady Stanton, gender-bending Theosophist H. P. Blavatsky, author Aino Kallas, actress Sarah Bernhardt, anti-clerical witch enthusiast Matilda Joslyn Gage, decadent marchioness Luisa Casati, and the Luciferian lesbian poetess Renée Vivien embraced these reimaginings. By exploring the connections between esotericism, literature, art and the political realm, Satanic Feminism sheds new light on neglected aspects of the intellectual history of feminism, Satanism, and revisionary mythmaking.
Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110422921
Category : Literary Criticism
Languages : en
Pages : 661
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Book Description
The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved with the movement (e.g. Valentine de Saint Point, Aleksandra Ekster, Mary Swanzy), others again inspired only by certain aspects of the movement (e.g. Natalia Goncharova, Alice Bailly, Giovanna Klien). Several artists operated on the margins of a Futurist inspired aesthetics, but they felt attracted to Futurism because of its support for women artists or because of its innovatory roles in the social and intellectual spheres. Most of the artists covered in Volume 5 (2015) are far from straightforward cases, but exactly because of this they can offer genuinely new insights into a still largely under-researched domain of twentieth-century art and literature. Guiding questions for these investigations are: How did these women come into contact with Futurist ideas? Was it first-hand knowledge (poems, paintings, manifestos etc) or second-hand knowledge (usually newspaper reports or personal conversions with artists who had been in contact with Futurism)? How did the women respond to the (positive or negative) reports? How did this show up in their œuvre? How did it influence their subsequent, often non-Futurist, career?
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 752
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Book Description
