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Author: John Gray
Publisher: Bloomsbury Publishing USA
ISBN: 0313387575
Category : Art
Languages : en
Pages : 360
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Book Description
This comprehensive international bibliography is the first to attempt documentation of this diverse field, covering the history of Artist's Performance. It focuses on its early twentieth-century antecedents in such movements as Futurism, Dada, Russian Constructivism, and the Bauhaus as well as its peak period in the 1950s, 1960s, and 1970s with such developments as Gutai, Fluxus, Viennese Actionism, Situationism, and Guerrilla Art Action. Major emphasis is also given to sources on 115 individual performance artists and groups. More than 3700 entries document print and media materials dating from 1914 to 1992. Organized for maximum accessibility, the sources are also extensively cross-referenced and are indexed by artist, subject, title, and author. Three appendices identify reference works, libraries, and archives, and addenda material not found in the book text, and two others list artists by country and by group or collective.
Author: John Gray
Publisher: Bloomsbury Publishing USA
ISBN: 0313387575
Category : Art
Languages : en
Pages : 360
Get Book Here
Book Description
This comprehensive international bibliography is the first to attempt documentation of this diverse field, covering the history of Artist's Performance. It focuses on its early twentieth-century antecedents in such movements as Futurism, Dada, Russian Constructivism, and the Bauhaus as well as its peak period in the 1950s, 1960s, and 1970s with such developments as Gutai, Fluxus, Viennese Actionism, Situationism, and Guerrilla Art Action. Major emphasis is also given to sources on 115 individual performance artists and groups. More than 3700 entries document print and media materials dating from 1914 to 1992. Organized for maximum accessibility, the sources are also extensively cross-referenced and are indexed by artist, subject, title, and author. Three appendices identify reference works, libraries, and archives, and addenda material not found in the book text, and two others list artists by country and by group or collective.
Author: Anton Biebl
Publisher: Hatje Cantz Verlag
ISBN: 3775757074
Category : Art
Languages : en
Pages : 646
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Book Description
Since the advent of modernity, art has been associated with freedom, provocation and courage. In 1972, art was to unfold its potential as an emancipatory and creative force as part of the Gesamtkunstwerk of the XX. Olympic Games in Munich—according to the grand vision of its planners. The international avant-garde of the time, including Walter de Maria, Gerhard Richter, Andy Warhol and Dan Flavin, enthusiastically developed revolutionary concepts. Many of these remained in draft-form. After the tragic assassination of Israeli athletes, concepts such as the "Spielstraße" were canceled. This publication is the first to give an impression of the playful, participatory cultural programme of 1972. In the second part of the book, a multitude of voices from all over the world look to the future. International authors and artists use contemporary examples to convey the importance of the arts in shaping the democratic society of the future.
Author: Annemarie Kok
Publisher: transcript Verlag
ISBN: 3839472199
Category : Art
Languages : en
Pages : 485
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Book Description
Participatory art practices allow members of an audience to actively contribute to the creation of art. Annemarie Kok provides a detailed analysis and explanation of the use of participatory strategies in art in the so-called ›long sixties‹ (starting around 1958 and ending around 1974) in Western Europe. Drawing on extensive archival materials and with the help of the toolbox of the actor-network theory, she maps out the various actors of three case studies of participatory projects by John Dugger and David Medalla, Piotr Kowalski, and telewissen, all of which were part of documenta 5 (Kassel, 1972).
Author: Florian Mehnert
Publisher: BoD – Books on Demand
ISBN: 3750494509
Category : Fiction
Languages : en
Pages : 122
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Book Description
The white lab rat, threatened by a weapon that could be triggered via the internet, was to live in Florian Mehnert's art installation for eleven days. The internet world followed the livestream in an uproar. A worldwide shitstorm and numerous death threats followed. The art experiment `11 DAYS went around the world. How did the interactive art experiment work? Why was the experiment ended on the seventh day instead of the eleventh? Was the audience itself the lab rat in the end? The German Artist Florian Mehnert publishes for the first time what really happened. 11 DAYS gives a frightening insight into a society controlled by aggression and hatred.
Author: Migros-Kulturprozent
Publisher: Christoph Merian Verlag
ISBN: 3856166440
Category : Art
Languages : en
Pages : 124
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Book Description
In welchem Verhältnis steht Kunst zur Politik? Lassen sich die Anliegen der Politik mit den Anliegen der Kunst verbinden? Wo liegen Möglichkeiten und Grenzen der elektronischen Medien im Spannungsfeld von Kunst und Politik? Der erste Band der Reihe ‹Edition Digital Culture› untersucht diese Fragen auf mehreren Ebenen. Eine exemplarische Rolle in diesem Buch spielt das Werk der beiden Schweizer Medienkünstler Christoph Wachter & Mathias Jud. Sie haben mit ihrem Projekt ‹Zone*Interdite› öffentlich zugängliche Bilder von militärischen Sperrzonen gesammelt und konnten als Erste eine dreidimensionale Rekonstruktion des US-Gefangenenlagers ‹Guantanamo Bay› auf Kuba erstellen. Die Publikation zeigt, warum solche Fragestellungen nicht nur in den Bereich von Politik und Gesellschaft, sondern auch zur Sphäre der Kunst gehören. Mit Texten von Mercedes Bunz, Dieter Daniels, Stefan Heidenreich, Anke Hoffmann, Dominik Landwehr und Boris Magrini.
Author: Gunter Berghaus
Publisher: Bloomsbury Publishing
ISBN: 1137093587
Category : Performing Arts
Languages : en
Pages : 400
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Book Description
How did the concept of the avant-garde come into existence? How did it impact on the performing arts? How did the avant-garde challenge the artistic establishment and avoid the pull of commercial theatre, gallery and concert-hall circuits? How did performance artists respond to new technological developments? Placing key figures and performances in their historical, social and aesthetic context, Günter Berghaus offers an accessible introduction to post-war avant-garde performance. Written in a clear, engaging style, and supported by text boxes and illustrations throughout, this volume explains the complex ideas behind avant-garde art and evocatively brings to life the work of some of its most influential performance artists. Covering hot topics such as multi-media and body art performances, this text is essential reading for students of theatre studies and performance.
Author: Peter Weibel
Publisher: Springer Science & Business Media
ISBN: 9783211245620
Category : Architecture
Languages : en
Pages : 620
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Book Description
A new theory of culture presented with a new method achieved by comparing closely the art and science in 20th century Austria and Hungary. Major achievements that have influenced the world like psychoanalysis, abstract art, quantum physics, Gestalt psychology, formal languages, vision theories, and the game theory etc. originated from these countries, and influence the world still today as a result of exile nurtured in the US. A source book with numerous photographs, images and diagrams, it opens up a nearly infinite horizon of knowledge that helps one to understand what is going on in today’s worlds of art and science.
Author: Oliver Grau
Publisher: MIT Press
ISBN: 9780262572231
Category : Art
Languages : en
Pages : 438
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Book Description
An overview of the art historical antecedents to virtual reality and the impact of virtual reality on contemporary conceptions of art. Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book, Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of art and the image and relates those concepts to interactive art, interface design, agents, telepresence, and image evolution. Grau retells art history as media history, helping us to understand the phenomenon of virtual reality beyond the hype. Grau shows how each epoch used the technical means available to produce maximum illusion. He discusses frescoes such as those in the Villa dei Misteri in Pompeii and the gardens of the Villa Livia near Primaporta, Renaissance and Baroque illusion spaces, and panoramas, which were the most developed form of illusion achieved through traditional methods of painting and the mass image medium before film. Through a detailed analysis of perhaps the most important German panorama, Anton von Werner's 1883 The Battle of Sedan, Grau shows how immersion produced emotional responses. He traces immersive cinema through Cinerama, Sensorama, Expanded Cinema, 3-D, Omnimax and IMAX, and the head mounted display with its military origins. He also examines those characteristics of virtual reality that distinguish it from earlier forms of illusionary art. His analysis draws on the work of contemporary artists and groups ART+COM, Maurice Benayoun, Charlotte Davies, Monika Fleischmann, Ken Goldberg, Agnes Hegedues, Eduardo Kac, Knowbotic Research, Laurent Mignonneau, Michael Naimark, Simon Penny, Daniela Plewe, Paul Sermon, Jeffrey Shaw, Karl Sims, Christa Sommerer, and Wolfgang Strauss. Grau offers not just a history of illusionary space but also a theoretical framework for analyzing its phenomenologies, functions, and strategies throughout history and into the future.
Author: Frauke Berndt
Publisher: Felix Meiner Verlag
ISBN: 3787334262
Category : Philosophy
Languages : en
Pages : 225
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Book Description
It has become commonplace to associate art and aesthetic experience with the category of ambiguity. Indeed, when we talk about art, we cannot do without the dynamic force of ambiguity just as the aesthetic itself cannot do without it. The great efforts to disambiguate aesthetic practices and their associated theories and contexts would eliminate art's unique ability to reshape our knowledge of the world, our sensory encounters with it, and our moral or political positions in it. The essays collected in this volume present different perspectives on this central category and develop interdisciplinary connections. Contributors include Frauke Berndt, Joy H. Calico, Stephan Kammer, Lutz Koepnick, Verena Krieger, Richard Langston, Rachel Mader, Lily Tonger-Erk, Gabriel Trop, and Thomas Wortmann.
Author: Theda Shapiro
Publisher: Praeger
ISBN:
Category : Art
Languages : en
Pages : 374
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Book Description
