Kubrick's Total Cinema PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Kubrick's Total Cinema PDF full book. Access full book title Kubrick's Total Cinema by Philip Kuberski. Download full books in PDF and EPUB format.
Author: Philip Kuberski
Publisher: Bloomsbury Publishing USA
ISBN: 1441165916
Category : Performing Arts
Languages : en
Pages : 289
Get Book Here
Book Description
Whatever people think about Kubrick's work, most would agree that there is something distinctive, even unique, about the films he made: a coolness, an intellectual clarity, a critical edginess, and finally an intractable ambiguity. In an attempt to isolate the Kubrick difference, this book treats Kubrick's films to a conceptual and formal analysis rather than a biographical and chronological survey. As Kubrick's cinema moves between the possibilities of human transcendence dramatized in 2001: A Space Odyssey and the dismal limitations of human nature exhibited in A Clockwork Orange, the filmmaker's style "de-realizes" cinematic realism while, paradoxically, achieving an unprecedented frankness of vision and documentary and technical richness. The result is a kind of vertigo: the audience is made aware of both the de-realized and the realized nature of cinema. As opposed to the usual studies providing a summary and commentary of individual films, this will be the first to provide an analysis of the "elements" of Kubrick's total cinema.
Author: Philip Kuberski
Publisher: Bloomsbury Publishing USA
ISBN: 1441165916
Category : Performing Arts
Languages : en
Pages : 289
Get Book Here
Book Description
Whatever people think about Kubrick's work, most would agree that there is something distinctive, even unique, about the films he made: a coolness, an intellectual clarity, a critical edginess, and finally an intractable ambiguity. In an attempt to isolate the Kubrick difference, this book treats Kubrick's films to a conceptual and formal analysis rather than a biographical and chronological survey. As Kubrick's cinema moves between the possibilities of human transcendence dramatized in 2001: A Space Odyssey and the dismal limitations of human nature exhibited in A Clockwork Orange, the filmmaker's style "de-realizes" cinematic realism while, paradoxically, achieving an unprecedented frankness of vision and documentary and technical richness. The result is a kind of vertigo: the audience is made aware of both the de-realized and the realized nature of cinema. As opposed to the usual studies providing a summary and commentary of individual films, this will be the first to provide an analysis of the "elements" of Kubrick's total cinema.
Author: Norman Kagan
Publisher: Burns & Oates
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 296
Get Book Here
Book Description
Beginnings -- Fear and desire -- Killer's kiss -- The killing -- Paths of glory -- Spartacus -- Lolita -- Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb -- 2001: a Space Odyssey -- A Clockwork Orange -- Barry Lyndon -- The shining -- Full metal jacket -- Eyes wide shut -- Summing up.
Author: Michel Chion
Publisher: Bloomsbury Publishing
ISBN: 1838716645
Category : Performing Arts
Languages : en
Pages : 249
Get Book Here
Book Description
Author wrote bestselling bfi Publishing title David Lynch 'a joy to the reader of film criticism' Choice; 2001: A Space Odyssey to be re-released in cinemas in The Spring and highly likely to be the focus of much media attention in the new year; Stanley Kubrick's 2001: A Space Odyssey (1968), based on Arthur C Clarke's novel, is one of the most ambitious films ever made, an epic of space exploration that takes in the whole history of humanity (as well as speculation about its future). A technical triumph that stands up today 2001 is topical also because of its meditation on the relationship between man, animal and machine. Haunting and enigmatic, it's a film that contains myriad images that seem to defy any explanation. In this multilayered study, acclaimed critic and theorist of film sound Michel Chion offers some keys to understanding 2001. Setting the film first in its historical and cultural contexts (the Space Race, the Cold War, 1960s psychedelia), Chion goes on to locate it within Kubrick's career. He then conducts a meticulous and subtle analysis of its structure and style, arguing that 2001 is an 'absolute film', a unique assemblage of cinema's elements, through which pulses a vision of human existence. 'Animals who know they will die, beings lost on earth, forever caught between two species, not animal enough, not cerebral enough.' In a supplementary chapter Chion argues that Kubrick's last film, Eyes Wide Shut (1999), is a return to 2001, a final statement of its concerns. And in a series of appendices Chion provides production details, an analytic synopsis, credits and a consideration of the legacy of 2001.
Author: Bill Krohn
Publisher: Phaidon Press
ISBN: 9782866425722
Category : Performing Arts
Languages : en
Pages : 0
Get Book Here
Book Description
Stanley Kubrick (USA, 1928–99) was a master who took the art of filmmaking further than any other contemporary director, a creative perfectionist whose work now fascinates new generations. He started out as a photographer before moving into film noir aged barely 25, after which the power and originality of his work soon brought him box-office success. In the 1960s he lived and worked in London, away from the scandal caused by his adaptation of Lolita (1962) and from the major studios, from which, uniquely, he was able to wrest total control of his films. He made only a dozen features in 50 years, each of which displays an extraordinary degree of technical and aesthetic invention. From the sci-fi 2001: A Space Odyssey (1968) onwards, each of his masterpieces explores new genres and controversial topics, such as Vietnam (Full Metal Jacket, 1987), violence (A Clockwork Orange, 1971), horror (The Shining, 1980) and sexuality (Eyes Wide Shut, 1999).
Author: Robert Kolker
Publisher: OUP USA
ISBN: 0199738882
Category : Performing Arts
Languages : en
Pages : 569
Get Book Here
Book Description
In this updated and expanded version of this classic study of contemporary American film, Kolker reassesses the landscape of American cinema over the past decade, as he examines works like Munich, A Prairie Home Companion, The Departed, and Funny People, in addition to classics by Arthur Penn, Stanley Kubrick, and Robert Altman.
Author: Philip Kuberski
Publisher: A&C Black
ISBN: 1441156879
Category : Performing Arts
Languages : en
Pages : 202
Get Book Here
Book Description
An original study of Kubrick's philosophical themes and cinematic qualities: time, light, speech, music, poiesis, corporeality, war, eros, technology, and transcendence.
Author: Mario Falsetto
Publisher: Macmillan Reference USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 384
Get Book Here
Book Description
A collection of articles on the American director's ten most crucial films and interviews with him, including those in Playboy and Rolling Stone. Among the topics are patterns of filmic narration in The Killing and Lolita, filming 2001: A Space Odyssey, photographing Barry Lyndon, and the unravelling of patriarchy in Full Metal Jacket. Includes a full filmography. Annotation copyright by Book News, Inc., Portland, OR
Author: Paul Duncan
Publisher: Taschen
ISBN: 9783822815922
Category : Biography & Autobiography
Languages : en
Pages : 196
Get Book Here
Book Description
This a highly illustrated guide to the work of film director, Stanley Kubrick.
Author: Vsevolod Illarionovich Pudovkin
Publisher: Read Books Ltd
ISBN: 1446547353
Category : Drama
Languages : en
Pages : 346
Get Book Here
Book Description
This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.
Author: Greg Jenkins
Publisher: McFarland
ISBN: 1476608849
Category : Performing Arts
Languages : en
Pages : 182
Get Book Here
Book Description
Paring a novel into a two-hour film is an arduous task for even the best screenwriters and directors. Often the resulting movies are far removed from the novel, sometimes to the point of being unrecognizable. Stanley Kubrick's adaptations have consistently been among the best Hollywood has to offer. Kubrick's film adaptations of three novels--Lolita, The Shining and Full Metal Jacket--are analyzed in this work. The primary focus is on the alterations in the characters and narrative structure, with additional attention to style, scope, pace, mood and meaning. Kubrick's adaptations simplify, impose a new visuality, reduce violence, and render the moral slant more conventional. Instructors considering this book for use in a course may request an examination copy here.
